Classic Fairy

Award-winning storyteller Barbara McBride-Smith breathes life (albeit a wizened Texan version) into the old Greek myths. With her incurable Texas drawl, she spins the Greek myths as you've never heard them before, rendering them 99% more fun while retaining 100% of their original insights into the crooked ways of the human heart and the no less crooked ways of the ancient Greek gods.

Hans Christian Andersen was a Danish author and poet. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales, a literary genre he so mastered that he himself has become as mythical as the tales he wrote. Andersen's popularity is not limited to children; his stories — called eventyrs, or "fantastic tales" — express themes that transcend age and nationality.

In the vein of Wicked, The Woodcutter, and Boy, Snow, Bird, a luminous re-imagining of a classic tale, told from the perspective of Agnes, Cinderella’s "evil" stepmother. We all know the story of Cinderella. Or do we? As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, who knows all too well about hardship, privately records the true story...

Nathaniel Hawthorne masterfully grabs the imagination of children with these timeless tales of adventure based on the incomparable Greek mythological heroes' escapades. Children will enter a world of magic and intrigue as they face ferocious beasts, clever enchantresses, and tricky gods, alongside the greatest heroes of all time.

Phantastes: A faerie romance for men and women is a fantasy novel by Scottish writer George MacDonald, first published in London in 1858. It was later reprinted in paperback by Ballantine Books as the 14th volume of the Ballantine Adult Fantasy series in April 1970.

The hunt for his killer leads a dead professor of supernatural phenomena into the perilous intrigues of aliens, fairy folk, and time travelers in this classic of science fiction. Until the day he was murdered, Professor Peter Maxwell was a respected faculty member of the College of Supernatural Phenomena. Imagine his chagrin when he turns up at a Wisconsin matter transmission station several weeks later and discovers he's not only dead but unemployed.

The land outside of the Old City was supposed to be green, lush, hopeful. A place where Alice could finally rest, no longer the plaything of the Rabbit, the pawn of Cheshire, or the prey of the Jabberwocky. But the verdant fields are nothing but ash - and hope is nowhere to be found. Still, Alice and Hatcher are on a mission to find his daughter, a quest they will not forsake even as it takes them deep into the clutches of the mad White Queen and her goblin or into the realm of the twisted and cruel Black King. The pieces are set, and the game has already begun.

A pig flying through marshmallow clouds to a marzipan moon? A camel pirouetting through the desert? Where can a listener find such marvelous things but in a fable? In this collection, short, original fables with fresh, unexpected morals poke subtle fun at human foibles through the antics of animals.

With the help of the most iconic children’s stories of all time—including Aesop’s fables, The Three Little Pigs, Hansel and Gretel, and so many others—bedtime stories are proven to help foster a bond between parents and children, lower kids' stress levels, and reinforce their literacy skills and mastery of language.

If Indiana Jones lived in the X-Files era, he might bear at least a passing resemblance to Nolan Moore - a rogue archaeologist hosting a documentary series derisively dismissed by the "real" experts, but beloved by conspiracy theorists. Nolan sets out to retrace the steps of an explorer from 1909 who claimed to have discovered a mysterious cavern high up in the ancient rock of the Grand Canyon. And, for once, he may have actually found what he seeks. Then the trip takes a nasty turn, and the cave begins turning against them in mysterious ways.

This beautiful book offers 17 of the best-loved fairy tales belonging to French, Danish, German, and Polish cultures. Written in beautiful and lively language, this new edition of timeless classics has been carefully adapted to meet the expectations and needs of today's younger readers. Indeed, small children will welcome it with keen interest, readily making it their favorite first book of fairy tales.

George Brisbane Scott Douglas (1856-1935), the Scottish poet and writer, published the book Scottish Fairy and Folk Tales in 1901. The literary genres of the book include comic, literary, nursery, and animal stories plus fairy tales of mythic creatures like the brownies, bogles, kelpies, and mermaids. Classified, tabulated, and scientifically labelled, these imaginative narratives are related in vernacular language, and have a timeless appeal to adults and children alike. Amongst the most popular stories are "The Fox’s Stratagem", and "The Bee and the Mouse".

The Brothers Grimm collected some 200 traditional tales of Northern Europe that might very well otherwise have been lost to us. This collection contains 60 of the most famous, including ‘Rumpelstiltskin’, 'Snow White', ‘Hansel and Gretel’ and ‘Rupunzel’.

In an age where stories flicker across screens in dazzling speed, there is a special kind of magic in returning to the deep, quiet enchantments of old. The Red Fairy Book, first compiled by Andrew Lang in 1890, offers us not merely fairy tales but a tapestry of cultural memory—woven from the folklore of Norse skalds, French peasants, Russian woodsmen, and the fireside storytellers of Iceland and Japan. These are not the softened tales of modern retellings; they shimmer with peril and wonder, cruelty and kindness, cunning and grace.

A hundred years ago, a man with a secret could travel a few hundred miles and give himself a new name and life story. No one would be any the wiser, as long as he didn’t give anyone a reason to start asking questions. These days, that’s not so easy, with everyone on social media and CCTV on every street corner. So Daniel Mackmain keeps his head down and keeps himself to himself. But now a girl has been murdered, and the Derbyshire police are taking a closer look at a loner who travels from place to place, picking up work as he goes.

Young Princess Irene is sent to the country to be raised in a half-farmhouse, half-castle located in the side of a mountain. While exploring the top of the castle, Irene becomes lost and inexplicably finds her way to a mystifying and beautiful woman spinning a thread. Princess Irene is drawn to the woman whom she discovers is her great-great-grandmother. But after she returns, her nurse, Lootie, refuses to believe in the old woman's existence.

Quint magic has never chosen a human before, and the Elders Council is convinced Lera is a mistake. When the quint refuses to be cleaved apart, the enraged elders give them a choice: exile from Lunos or demotion to the lowest of trainees. Subject again to the humiliations and deadly trials they endured centuries ago, the males now face a new challenge - training Lera to survive. River, Shade, Coal, and Tye will do whatever it takes to keep Lera safe. But Lera will do whatever she must to keep them together - even if it means putting herself in mortal danger.

This is the story of a hen named Sprout. No longer content to lay eggs on command only to have them carted off to the market, she glimpses her future every morning through the barn doors, where the other animals roam free, and comes up with a plan to escape into the wild - and to hatch an egg of her own. An anthem for individuality and motherhood, The Hen Who Dreamed She Could Fly has captivated millions of fans in Korea, where it is a contemporary classic. Now the novel is making its way around the world.

Stephen Mitchell's marvelously clear and vivid rendering recreates the robust masculine music of the original. It both hews closely to the Old English and captures its wild energy and vitality, not just as a deep "work of literature" but also as a rousing entertainment that can still stir our feelings and rivet our attention today, after more than a thousand years. This new translation - spare, sinuous, vigorous in its narration, and translucent in its poetry - makes a masterpiece accessible to everyone.

Young Otto is born into a warring household in a lawless age. Having no mother, he is sent by his father, a valiant robber baron, to be safely raised by the monks until the age of 12. But when he returns, gentle Otto can no longer escape the bitter blood feud between his father and the rival house of Trutz-Drachen. He is kidnapped by the rival family and his hand is cut off, to be replaced forever by a silver one. Can his brave father and his captor's kind daughter, Pauline, help him escape?