Classic Film

Es ist eines der Großen, eines unserer grundlegenden Themen, von dem in Ernst Johannsens beeindruckendem...

Die 17-jährige Effi heiratet auf Wunsch ihrer Eltern den zwanzig Jahre älteren Baron von Instetten. Ihre Sehnsucht nach Liebe und Geborgenheit sucht sie in einer Affäre zu stillen...

In this emotional and laugh-out-loud coming-of-age memoir, the co-creator of Hulu's brilliant Pen15 grapples with the reappearance of her estranged father —and whether it's possible to reconnect before it’s too late. For Anna Konkle’s childhood, her father was her hero—a...

Shooting Midnight Cowboy is not only the definitive account of the film that unleashed a new wave of innovation in American cinema but also the story of a country (and an industry) beginning to break free from decades of cultural and sexual repression.

A new edition of the first book in the acclaimed Pop Classics series The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it’s time for a good hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for.

The day-by-day inside story of the making of Tombstone (1993) as told to the author by those who were there--actors, extras, crew members, Buckaroos, historians and everyone in between. Historical context that inspired Kevin Jarre's screenplay is included. Production designers, cameramen, costume designers, composers, illustrators, screenwriter, journalists, set dressers, prop masters, medics, stuntmen and many others share their recollections--many never-before-told--of filming this epic Western.

A young British girl born and reared in India loses her neglectful parents in an earthquake. She is returned to England to live at her uncle's castle. Her uncle is very distant due to the loss of his wife 10 years before. Neglected once again, she begins exploring the estate and discovers a garden that has been locked and neglected. Aided by one of the servants' boys, she begins restoring the garden, and eventually discovers some other secrets of the manor.

The Warner Bros. Western series Lawman starring John Russell, Peter Brown, and Peggie Castle was originally broadcast on ABC-TV with 156 new episodes between September 1958 and June 1962. As played by steel-eyed John Russell, Dan Troop is a no-nonsense marshal who has little patience for outlaws or hypocrites but will stand up for underdogs and outsiders. He also displays a warmer side with his mentoring of his young deputy (Peter Brown) and, beginning in the second season, in his relationship with Peggie Castle’s beautiful Lily Merrill.

A stylish and hilarious novel about the lives and loves of well-to-do young Manhattanites in their first year on Wall Street, destined to become one of the year's most buzzed-about debuts. Mergers & Acquisitions is the story of Tommy Quinn, a recent Georgetown grad who has just landed the job of...

The 11th installment in the Aubrey/Maturin series. Captain Jack Aubrey, R.N., ashore after a successful cruise, is persuaded by a casual acquaintance to make certain investments in the City. This innocent decision ensnares him in the London criminal underground and in government...

Jack Aubrey and Stephen Maturin are ordered home to bring news of their latest victory. But Maturin is a marked man for the havoc he caused to the French intelligence network in the New World and the British packet carrying them is shadowed by two American privateers. The chase that follows...

The right reasons to fall in love with The Bachelor When it debuted in 2002, The Bachelor raised the stakes of first-wave reality television, offering the ultimate prize: true love. Since then, thrice yearly, dozens of camera-ready young-and-eligibles have vied for affection (and roses) in front of a devoted audience of millions. In this funny, insightful examination of the world’s favorite romance-factory, Suzannah Showler explores the contradictions that are key to the franchise’s genius, longevity, and power and parses what this means for both modern love and modern America.

The son of a celebrated Hollywood director emerges from his father's shadow to claim his own place as a visionary force in American culture. George Stevens, Jr. tells an intimate and moving tale of his relationship with his Oscar-winning father and his own distinguished career in Hollywood and Washington.

In Vitagraph, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business.

In Come to the Garden, the main character, Jenn, wakes up on her birthday to discover an angel in her backyard garden. The angel, who calls herself Margaret, is charming and funny, and she knows that Jenn has been questioning a lot of things about God recently. Is he really there? How is anyone supposed to believe that God truly cares for us when we see so many bad things happening in our world, and we experience the disappointments and tragedies of life? But Jenn suspects that God has been trying to speak to her in mysterious ways.

Victoria Amador utilizes extensive interviews and 40 years of personal correspondence with de Havilland to present an in-depth look at the life and career of this celebrated actress. Amador begins with de Havilland's early life; she was born in Japan in 1916 to affluent British parents who had aspirations of success and fortune in faraway countries, and her theatrical ambitions began at a young age. The book then follows her career as she skyrocketed to star status, becoming one of the most well-known starlets in Tinseltown.

Maureen O'Hara is the first book-length biography of the screen legend hailed as the "Queen of Technicolor". Following the star from her childhood in Dublin to the height of fame in Hollywood, film critic Aubrey Malone draws on new information from the Irish Film Institute, production notes from films, and details from historical film journals, newspapers, and fan magazines.

Ever wonder what the people who bring us our TV entertainment are thinking? Television and pop culture historian and author Herbie J Pilato has, and now takes listeners on a provocative and entertaining look into the agenda behind TV shows and the resulting trends. Even when it seemed television programming was primarily mindless, there was serious thought behind what audiences were presented. The networks, after all, believe in giving the people what they want, even when the people should have known better.

Jeff Corey (1914-2002) made a name for himself in the 1940s as a character actor in films like The Killers (1946). Everything changed in 1951, when he was summoned before the House Un-American Activities Committee. Corey refused to name names and was promptly blacklisted, which forced him to walk away from a vibrant livelihood as an actor and embark on a career as one of the industry's most revered acting instructors. In Improvising Out Loud: My Life Teaching Hollywood How to Act, Corey recounts his extraordinary story.