Classic Poetry

Scottish poetry is a powerful, beautiful expression of Country and Culture. It’s proud history includes such figures as Robert Burns, Sir Walter Scott, Robert Louis Stevenson and many other illustrious figures. This volume of poetry is a perfect compendium of the words and works of Scotland.

This poet of Victorian times was held in awe for his magnificent works, including "In Memoriam", "Morte D'Arthur", and "Charge of the Light Brigade". His language and command of vocabulary seem particularly in keeping with the grand sweep of Victorian ambition. Many selections are asembled here and read with great character by Dame Sybil Thorndike, Sir Edward Casson, and Robert Speaight.

The Poetry of Kissing. In many ways the title says it all. Kissing is Poetry. The kiss is perhaps the most loving and intimate moment there is. It is amongst our most soothing and treasured memories. This volume is not about the kiss of a mother’s to her child’s scraped knee, or the father to his baby’s head as he settles down to sleep. No, when the poets here talk of the kiss, they describe the longing and desire, the want and hunger to be part of something that so connects them to another.

The church building has been pivotal to man’s spiritual and religious life for centuries. For many the interior of a church is literally their one to one with God. The interiors, whether soaring or simple, ornate or minimal, are built for communion, for worship. Outside and surrounding our many churches is the churchyard; the burial ground, the repository for faithful souls. An all-weather idyll of calm around where many a poet has sat and contemplated the surrounding world.

It is often said that two things are unavoidable: death and taxes.Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s eternal journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell.

Because it defines human existence, love is one of art's favorite subjects. Timeless Love: Poems, Stories, and Letters celebrates the mysterious nature of love and passion by bringing together classic works by beloved writers through the ages. Including stories, poems, and letters from Shakespeare, Elizabeth Barret Browning, John Keats, Edith Wharton, and more, this collection explores how each love is singular - yet love itself is universal.

The Satires comprises a collection of satirical poems by the Latin author Juvenal written in the second century CE. Juvenal wrote in the Roman tradition of “satura”, a formal literary genre composed in dactylic hexameter rather than just witty criticism in any format. In a tone and manner that ranges from irony to rage, Juvenal criticizes the actions and beliefs of his contemporaries.

The Trojan War is over, and Odysseus, the cunning king of Ithaca, sets out for home, his wife Penelope, and his son Telemachus. It proves a long, 10-year journey, fraught with dangers, from Polyphemus, the one-eyed Cyclops, and the seductive Sirens, to the love of Calypso on her all-too-comfortable isle.

Davant dels ulls del lector una plaça d’una gran ciutat sense nom i el tramvia que hi circula cobren vida. En aquest escenari minimalista es desenvolupa una història sobre les vides quotidianes i les passions ocultes dels seus residents. Tot el seu món el controla el personal invisible interessat només a maximitzar els beneficis i a infectar, amb un enfocament omnipresent, destructiu i improvisat, expressió de la seva arrogància, els residents i enverinar-ne les emocions.

Adelaide Anne Procter was born on 30th October, 1825 at 25 Bedford Square in the Bloomsbury district of London. Her literary career began whilst still a teenager. Many of her poems were published by the great Charles Dickens in his periodicals Household Words and All the Year Round before being later published in book form.

Milton was to now publish his greatest works, which had been gestating for many years. Paradise Lost, perhaps the classic English epic poem was originally published in 10 books in 1667. This was followed by Paradise Regained and Samson Agonistes in 1671. Because of his anti-monarchy views their reception was muted, but over the centuries since, Milton has established himself as second only to Shakespeare. He died of kidney failure on November 8th, 1674, and was buried in the church of St Giles Cripplegate.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered too. Poets as rich and diverse as Tennyson, Hardy, Shelley, and Poe here share their words, thoughts and visions with us.

Emily Elizabeth Dickinson was born in 1830 in Amherst Massachusetts. Rightly regarded as a major American poet, her life was sheltered, introverted, and reclusive. Despite writing over 1800 poems, only a dozen or so were published during her lifetime. Her structures and wordings are at times difficult to get to grips with, though recurring themes of religion and death certainly shadow many of her works.

The English language has grown into the world’s pre-dominant spoken language, containing over one million words. Its sources are rich and diverse, having absorbed words from other cultures and times without hesitation. With such talents as Shakespeare, Keats, Shelley, Kipling, Blake, and many other classic poets using this most flexible language to render their thoughts and visions, it is no wonder that the beauty and reach of English entrances us.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered, too. Poets as rich and diverse as Longfellow, Hood, Bronte, Burns, and Gibran here share their words, thoughts and visions with us.

Elizabeth Barrett Moulton Barrett was born on 6 March 1806, in Coxhoe Hall, County Durham, the eldest of 12 children. The family's wealth was derived from sugar plantations manned by slaves in Jamaica and enabling them to also purchase a 500-acre estate in Herefordshire. This wealth allowed her to publish poems from an early age. However by age 20 the family’s fortunes were to decline, but never below comfortable, after losing a lawsuit over their plantations.

Israel Zangwill was born in London on 21st January 1864, to a family of Jewish immigrants from the Russian Empire. His writing earned him the sobriquet ‘the Dickens of the Ghetto’ primarily based on his much-lauded novel Children of the Ghetto: A Study of a Peculiar People in 1892 and its glimpse of the poverty-stricken life in London's Jewish quarter.

El cuento del Caballero de Geoffrey Chaucer es una obra maestra poética dentro de Los cuentos de Canterbury. Ambientada en la antigua Grecia, sigue el triángulo amoroso de los primos nobles Arcite y Palamon, ambos compitiendo por el afecto de la bella Emily. Rica en romance medieval y espíritu caballeresco, la narrativa profundiza en temas de destino, amor y honor. Los vívidos personajes de Chaucer y su intrincada narración brindan una visión cautivadora de las complejidades de las relaciones humanas, creando una obra atemporal que continúa resonando en los lectores a lo largo de los siglos.

The Odyssey by Homer is an ancient Greek poem which tells the story of the hero Ulysses and his arduous journey home to Ithaca after the long and bloody Trojan war. After the ten-year battle and the fall of Troy, Ulysses intends to make his way back to his wife Penelope and his son Telemachus. The Gods are against him and he faces many obstacles in his path which delay his return for many years. With her husband gone for so long Penelope assumes that he is dead and never to return.

First published in the Bulletin in the nineties, Paterson's verse has enjoyed enduring success throughout Australian literary history. Paterson had an intimate knowledge of life in the outback: he knew bushmen and he knew horses. His boundary riders and shearers, his buckjumpers and station hands, are real characters—the first realistic portraits of Australians in the bush at work and play to appear in verse. Many of the characters he created have so imprinted themselves on the public imagination that they have become part of Australian folklore.