Classical Music Memoir

In clear and entertaining prose, Plotkin explores a thousand years of music, introduces listeners to more than 100 great works, and profiles in depth many significant composers, including Bach, Mozart, Beethoven, Berlioz, Tchaikovsky, Dvoxak, and Mahler. He describes all the musical instruments in the orchestra, defines major musical terms, and makes music theory comprehensible for the uninitiated. There are also conversations with important musicians who offer fascinating insights about their art.

In a book that inspired the Amazon original series starring Gael Garcia Bernal and Malcolm McDowell, oboist Blair Tindall recounts her decades-long professional career as a classical musician, from the recitals and Broadway orchestra performances to the secret life of musicians who survive hand to mouth in the backbiting New York classical music scene, trading sexual favors for plum jobs and assignments in orchestras across the city.

Probably the most naturally gifted musician the world has ever known, Mozart began his career early as a child prodigy. By the age of five, he was already proficient in the violin, the harpsichord, and piano keyboard. He had also begun composing music that had integrity. Ludwig van Beethoven is a crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven displayed his musical talents at an early age. Listen to the full biographies of these two musicians, from the beginning to the end!

Brilliant, short-lived, incredibly prolific—Schubert is one of the most intriguing figures in music history. While his music attracts a wide audience, much of his private life remains shrouded in mystery, and significant portions of his work have been overlooked. In this major new biography, Lorraine Byrne Bodley takes a detailed look into Schubert's life, from his early years at the Stadtkonvikt to the harrowing battle with syphilis that led to his death at the age of thirty-one.

In Every Good Boy Does Fine, renowned pianist Jeremy Denk traces an implausible journey. His life is already a little tough as a precocious, temperamental six-year-old piano prodigy in New Jersey, and then a family meltdown forces a move to New Mexico.

In his time, the Austrian American composer Arnold Schoenberg (1874-1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century's most influential composers and teachers.

In The Indispensable Composers, Tommasini offers his own personal guide to the canon - and what greatness really means in classical music. What does it mean to be canonical now? Who gets to say? And do we have enough perspective on the 20th century to even begin assessing it? To make his case, Tommasini draws on elements of biography, the anxiety of influence, the composer's relationships with colleagues, and shifting attitudes toward a composer's work over time.

John Mauceri brings a lifetime of experience to bear in an unprecedented, hugely informative, consistently entertaining exploration of his profession, rich with anecdotes from decades of working alongside the greatest names of the music world. With candor and humor, Mauceri makes clear that conducting is itself a composition: of legacy and tradition, techniques handed down from master to apprentice - and more than a trace of ineffable magic.

At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway.

At thirteen years old Wolfgang Amadeus Mozart was a child prodigy who had captured the hearts of northern Europe, but his father Leopold was now determined to conquer Italy. Together, they made three visits there the last when Mozart was seventeen, all vividly recounted here by acclaimed conductor Jane Glover. Father and son travelled from the theatres and concert salons of Milan to the church-filled streets of Rome to Naples, poorer and more dangerous than the prosperous north, and to Venice, the carnivelesque birthplace of public opera.

A sweeping history of three generations darkened by the long shadow of the Holocaust, The Cello Still Sings is a vivid, moving, and true story of personal discovery. As a child Janet is haunted by the eerie hush surrounding her parents' experiences. George and Katherine, two professional musicians and Holocaust survivors, bury the memories of who and what they were before, silencing the past in order to live.

This is the poignant and compelling story of perhaps the most naturally gifted musical genius of all time. Copiously illustrated with examples of his music, it tells of Mozart's extraordinary childhood travelling the courts of Europe, and of how, after a brief period of fame in Vienna, his fortunes declined until his early death and last resting place in a pauper's grave.

The attraction of opera is in its scale, in the fact that it is larger than real life in actions and emotions, more magnificent in sound and in sight. And in the world of opera, no figure in our time loomed larger than the late Luciano Pavarotti. Especially in his triumphant collaborations with Placido Domingo and Jose Carreras, he captured the imagination of an audience breadth and depth is remarkable even in the grand context of classical opera.

Is there any music more instantly recognizable and beautifully scored than Tchaikovsky’s wildly popular ballet Swan Lake? These and other works have become enduring classics, yet they were not uncontroversial in Tchaikovsky’s day, and there are those that still wonder if his style is fundamentally European or ardently Russian. Find out more about Tchaikovsky’s childhood obsession with music, his turbulent relationships with friends and colleagues, and how he overcame the deepest of personal crises to transcend all with an ambition that has left us with some of the greatest music ever written.

The lives and music of the great composers of classical music unfold in this entertaining account, introduced by the conductor and musical personality Marin Alsop. In 1200 years, classical music grew from the chanting of medieval monks through the symphonies of Beethoven and the grand operas of Wagner to the huge orchestral sound-world of the 21st century, with its electronics and its film music.

A concentrated study of Johann Sebastian Bach's creative output and greatest pieces, capturing the essence of his art.

Described variously as a 'polymath', a 'renaissance man' and 'one of the most colourful characters in the music business', Mike Batt has led an extraordinarily vibrant and challenging life that has been full of both glorious victories and bitter failures. For better or for worse, he is a man who has always lived life on his own terms. Idiosyncratic but mainstream, complicated but compassionate, steadfastly maverick in spirit but avowedly commercial in outlook. He is a man of great contradictions, but even greater talent.

Beethoven imbibed Enlightenment and revolutionary ideas in his hometown of Bonn, where they were fervently discussed in cafes and at the university. Moving to Vienna at the age of 21 to study with Haydn, he gained renown as a brilliant pianist and innovative composer. In that conservative city, capital of the Hapsburg empire, authorities were ever watchful to curtail and punish overt displays of radical political views. Nevertheless, Beethoven avidly followed the meteoric rise of Napoleon.

Journey of a Thousand Miles documents the remarkable, dramatic story of a family who sacrificed almost everything - his parents' marriage, financial security, Lang Lang's childhood, and their reputation in China's insular classical music world - for the belief in a young boy's talent. And it reveals the devastating and intense relationship between a boy and his father, who was willing to go to any length to make his son a star.

Tina Davidson is three-and-a-half when she is adopted from her foster home in Sweden by a visiting American professor. Soon she is the oldest of five children, living with her mother and stepfather in Turkey, Germany, and Israel. She studies music and becomes a prolific pianist and composer. But something about her birth remains unnamed and hidden. When she returns to Sweden, she contacts the Swedish adoption agency. “Come,” says the voice on the phone, “I have information for you.”