Comic History

In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created in the bold, pulpy pages of comic books. The Ten-Cent Plague explores this cultural emergence and its fierce backlash while challenging common notions of the divide between "high" and "low" art.

Step into the madcap medieval world of A Comic History of England, Book IV, where Gilbert Abbott à Beckett turns the tumultuous era of Henry IV to Richard III into a sidesplitting spectacle!

The first full-fledged history not just of the Man of Steel but of the creators, designers, owners, and performers who made him the icon he is today, from the New York Times bestselling author of Satchel and Bobby Kennedy “A story as American as Superman himself.”—The Washington Post ...

In the third drily hilarious volume of A Comic History Of England, we move forward to the thirteenth century, when a succession of Edwards and Henrys gain the throne and immediately use it to steal everything they can from the population, in order to fund attempts to conquer France (or pay their debts from conquering England). Along the way we get the fabled Black Prince, one of the greatest battles in English history, a queen far more powerful than her king or sons, and a consideration of the manners and condition of the English period up to this point in the history.

“A roaring getaway car of guilty pleasures” (The New York Times Book Review), Glen Weldon’s The Caped Crusade is a fascinating, critically acclaimed chronicle of the rises and falls of one of the world’s most iconic superheroes and the fans who love him—now with a new afterword. Since...

Danny Fingeroth’s A Marvelous Life: The Amazing Story of Stan Lee is the first comprehensive biography of this powerhouse of ideas, who, with his invention of Marvel Comics, changed the world’s ideas of what a hero is and how a story should be told. With exclusive interviews with Lee himself, as well as with colleagues, relatives, friends - and detractors - Fingeroth makes a doubly remarkable case for Lee’s achievements, while not ignoring the controversies that dogged him his entire life - and even past his death.

In this “triumphantly funny” (AV Club) memoir, comedian Jensen Karp tells the story of how, as a Jewish kid from the L.A. suburbs, he became a rap battle legend—and then almost became a star. “The funniest person I follow on Twitter finally got smart and wrote about his unlikely—and...

From the incomparable David Rakoff, a poignant, beautiful, witty, and wise novel in verse whose scope spans the twentieth century Through his books and his radio essays for NPR's This American Life, David Rakoff has built a deserved reputation as one of the finest and funniest essayists of our...

X-Men meets Blake Crouch in the explosive conclusion to Daniel Price’s genre-bending Silvers trilogy about six extraordinary people whose fates become intertwined on an Earth far different from our own...one that is headed for utter destruction. It's been two years since the world collapsed in...

A captivating, uproarious and informative journey through the beginnings of British history. Gilbert Abbott à Beckett was one of the great journalists of his time, being a descendant of Thomas Becket who edited Figaro, was a founder member of Punch, and wrote for The Times, The Morning Herald, and The Illustrated London News. He also wrote around fifty plays, as well as two operas, and is best known for this history of England.

The second in an uproarious, sardonic and incisive look through English history. In this volume, we discover the actions of the Normans and King Richard, giving clear reasons why we history should hold them in nothing but contempt. It also covers the signing of the Magna Carta, the first bill of rights in England, which came about because a powerless king tried to go to war, realised that he had no-one behind him, and was bullied into signing in order to not simply be executed.

For more than 75 years, Catwoman has forged her own path in a clear-cut world of stalwart heroes, diabolical villains, and damsels in distress. Her relentless independence across comic books, television, and film set her apart from the rest of the superhero world. When female-led comics were few and far between, Catwoman headlined her own series for over 20 years. But her unique path had its downsides as well.

This well focused and perceptive analysis of a phenomenon in our popular culture - the new respectability of the comic book form - argues that the comics medium has a productive tradition of telling true stories with grace and economy. It details vividly the outburst of underground comics in the late 1960s and '70s, whose cadre of artistically gifted creators were committed to writing comic books for adults, an audience they made aware that comic books can offer narratives of great power and technical sophistication.

From his hardscrabble post-World War II Ontario childhood and coming of age to Mad Men-era New York City and the creative pinnacle of advertising, to the hallowed halls of Saturday Night Live and The New Yorker, Bruce McCall’s personal and creative journey is stunningly honest...

Since its improvised creation at Microsoft in the mid-1990s, Comic Sans has become one of the most used and talked—about typefaces of the digital age. The subject of April Fools pranks and endless internet discourse, it has spawned a movement to ban it, inspired revivals and spinoffs, and continues to be widely promoted by educators. In this delightful history, bestselling author Simon Garfield tells the story of how Comic Sans emerged from speech bubbles on educational software to become one of the most recognized—and reviled—typefaces on earth.

We can all be heroes. That’s the inspiring message of this New York Times bestselling biography series from historian and author Brad Meltzer. Learn all about Jane Goodall, the chimpanzee scientist. Each entry in this series is a biography of a significant historical figure, told in a...

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form.

Comic book superheroines bend steel, travel across time and space, and wield awesome forces. These mighty females do everything that male superheroes do. But they have to work their wonders in skirts and high heels. The Supergirls asks whether their world of fantasy is that different from our own. Are the stories of Wonder Woman’s search for an identity, Batwoman and Power Girl’s battle for equality, and Manhunter’s juggling of a crime fighting career and motherhood also an alternative saga of modern American women?

Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.

The influence of the comic book has never been greater, from movies to streaming and beyond, but the journey comics took from little-regarded kids' magazines to literary prize-winning books and global franchises turned on a highly unusual group of writers and artists. Few would have expected a small gathering of British comic book fans and creators in the early 'seventies to be a global cultural pivot-point, but this was the start of a disparate movement of punks, dropouts, and disaffected youths who reinvented a medium and became the imaginative heart of a global success story.