Comic History

Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author Jeremy Dauber whizzes listeners through the progress of comics in the 20th century and beyond. Follow the history from the golden age of newspaper comic strips - Krazy Kat, Yellow Kid, Dick Tracy - to the midcentury superhero boom - Superman, Batman, Wonder Woman - and from the moral panic of the Eisenhower era to the underground comix movement; from the grim and gritty Dark Knights to the graphic novel’s rise.

Forget dusty textbooks and noble senators. The real history of Rome is a chaotic, blood-soaked circus of power-crazed maniacs, backstabbing politicians, and enough megalomaniacs in togas to outfit a farce.

The defining, behind-the-scenes chronicle of one of the most extraordinary, beloved, and dominant pop cultural entities in America’s history - Marvel Comics - and the outsized personalities who made Marvel, including Martin Goodman, Stan Lee, and Jack Kirby.

Step right up for the most uproariously irreverent chapter of Gilbert Abbott A’Beckett’s Comic History of England—where crowns are comedy props and history’s biggest egos trip over their own dogma!

From the Silicon Valley tech billionaires currently trying to work out whether or not the universe is one giant video game simulation to the self-proclaimed community of Italian time-travelers who are trying to save the world from destruction; The Theory of Everything Else will act as a handbook for those who want to think differently.

Prepare for the most uproariously grim tour of Tudor England ever recorded! Gilbert Abbott A'Beckett's classic satire skewers the so-called "golden age" of English monarchy, revealing the Tudors as they truly were: a parade of tyrants, schemers, and royal disasters who treated their subjects like pawns in a deadly game of power.

Doc Savage is the prototype of the modern fictional superhero. The character exploded onto the scene in 1933, with the Great Depression and the gathering clouds of war as a cultural backdrop. The adventure series is examined in relation to historical events and the changing tastes of readers, with special attention paid to the horror and science fiction elements. The artwork features illustrations, covers, and original art. Chapters cover Doc Savage paperbacks, pulp magazines, comic books, and fanzines, and an appendix offers biographies of all major contributors to the series.

A 2023 Audie Award winner! A 2023 Odyssey Honors title! “This is no ordinary audiobook, but rather a graphic novel for the ears. Readers will be delighted by the auditory magic of this book.” —Booklist "A full cast of talented narrators taps into the darkly magical atmosphere of Bardugo's...

In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created in the bold, pulpy pages of comic books. The Ten-Cent Plague explores this cultural emergence and its fierce backlash while challenging common notions of the divide between "high" and "low" art.

This work dissects the origin and growth of superhero comic books, their major influences, and the creators behind them. It demonstrates how Batman, Wonder Woman, Captain America and many more stand as time capsules of their eras, rising and falling with societal changes, and reflecting an amalgam of influences. The book covers in detail the iconic superhero comic book creators and their unique contributions in their quest for realism, including Julius Schwartz and the science-fiction origins of superheroes.

In the third drily hilarious volume of A Comic History Of England, we move forward to the thirteenth century, when a succession of Edwards and Henrys gain the throne and immediately use it to steal everything they can from the population, in order to fund attempts to conquer France (or pay their debts from conquering England). Along the way we get the fabled Black Prince, one of the greatest battles in English history, a queen far more powerful than her king or sons, and a consideration of the manners and condition of the English period up to this point in the history.

Step into the madcap medieval world of A Comic History of England, Book IV, where Gilbert Abbott à Beckett turns the tumultuous era of Henry IV to Richard III into a sidesplitting spectacle!

Danny Fingeroth’s A Marvelous Life: The Amazing Story of Stan Lee is the first comprehensive biography of this powerhouse of ideas, who, with his invention of Marvel Comics, changed the world’s ideas of what a hero is and how a story should be told. With exclusive interviews with Lee himself, as well as with colleagues, relatives, friends - and detractors - Fingeroth makes a doubly remarkable case for Lee’s achievements, while not ignoring the controversies that dogged him his entire life - and even past his death.

Josh Blaylock's now classic how-to prose book about the business of comic book publishing, after selling out of its updated 2012 edition, is now being rereleased to include Tim Seeley's companion writings on the behind-the-scenes realities of being a comic book artist.

A captivating, uproarious and informative journey through the beginnings of British history. Gilbert Abbott à Beckett was one of the great journalists of his time, being a descendant of Thomas Becket who edited Figaro, was a founder member of Punch, and wrote for The Times, The Morning Herald, and The Illustrated London News. He also wrote around fifty plays, as well as two operas, and is best known for this history of England.

The second in an uproarious, sardonic and incisive look through English history. In this volume, we discover the actions of the Normans and King Richard, giving clear reasons why we history should hold them in nothing but contempt. It also covers the signing of the Magna Carta, the first bill of rights in England, which came about because a powerless king tried to go to war, realised that he had no-one behind him, and was bullied into signing in order to not simply be executed.

This well focused and perceptive analysis of a phenomenon in our popular culture - the new respectability of the comic book form - argues that the comics medium has a productive tradition of telling true stories with grace and economy. It details vividly the outburst of underground comics in the late 1960s and '70s, whose cadre of artistically gifted creators were committed to writing comic books for adults, an audience they made aware that comic books can offer narratives of great power and technical sophistication.

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form.

In recent years, cosplay—the practice of dressing up in costume as a character—has exploded, becoming a mainstream cultural phenomenon. But what are the circumstances that made its rise possible? Andrew Liptak—a member of the legendary 501st Legion, an international fan-based organization dedicated to the dark side of Star Wars—delves into the origins and culture of cosplay to answer this question. Cosplay: A History looks at the practice’s ever-growing fandom and conventions.

Wright's lively study also focuses on the role comic books played in transforming children and adolescents into consumers; the efforts of parents, politicians, religious organizations, civic groups, and child psychologists to link juvenile delinquency to comic books and impose censorship; and the changing economics of comic book publishing over the course of the century. Comic Book Nation is at once a serious study of popular culture and an entertaining look at an enduring American art form.