Contemporary Thriller

Lonely and broke, Cleveland divorce survivor Allie Harper believes all her problems would be solved if she could find a nice, smart, hot guy and enough money to get her car fixed. The hot guy arrives first: He's in a crosswalk clutching a bag of groceries while a blonde in a Hummer is leaning hard on her horn, sending the man's groceries and white cane flying. How has this woman missed the fact that the man is blind? From the curb, an outraged Allie jumps to his rescue, rebagging the groceries as well. The money is in the bag - literally.

Charlotte Graham is at the center of the most famous kidnapping in Chicago history. The FBI and local cops found her two abductors, killed them, and rescued her, but it took four long years. The fact that she was found just three miles from her home, had been there the entire time, haunts them. She’s since changed her identity, found a profession she loves, and rebuilt her life. She’s never said a word — to the cops, to her doctors, to her family — about those four years.

“Mara Wilson's sober narration style and consistent pacing create an amusing juxtaposition with the unlucky events that unfold.” — AudioFile “An existential masterwork that, like life, is equal parts atrocity and delights." —Olivie Blake, New York Times bestselling author of Masters of...

The eighth entry in Charlaine Harris' New York Times best selling, Anthony Award-winning series finds Sookie reeling from an explosive attack on the previous month's vampire summit. Many vampires were killed, including several of Sookie's friends. But most pressing for Sookie is the unknown status of her weretiger boyfriend Quinn. Like it or not, everything is changing in the supernatural world - and Sookie is caught in the middle.

Precious Ramotswe, Botswana's premier lady detective, is a little short on help. The codirector of the agency, Grace Makutsi, is busy with her own case, her client none other than their erstwhile assistant, Mr. Polopetsi, who has unwittingly involved himself in a pyramid scheme. The agency's other assistant, Charlie, may also need more help than he can offer, as he is newly embroiled in a romance with a glamorous woman about whom the others have their doubts.

Monsters are real. When I was five years old, I watched my mother take her last breath—a breath three monsters stole from her. I never chose this life. My father says it's my birthright, but all I see is a curse. It's because of the Kelly name my mum was slain by the Doyles—our enemies in Dublin, the fellas livin' on borrowed time. All of Belfast fears my family, especially me. I'm Puck Kelly, otherwise known as Punky; the lad ye don't want to double-cross. I don't do feelings or emotions. I never have . . . until she walks into my world.

Isaac Holt understands the pain of loss. He fought through the tragedy, sought vengeance for it, and in the process, built a formidable empire of both wealth and admiration. However, he had no clue how lonely he was until a brunette with a Cupid's bow and sultry curves fell at his feet. Her brown eyes held a lifetime of secrets, but with a childhood illness teaching Isaac that the weak are often misunderstood, he saw more than a timid, shy woman. She sparked his interest, and although he could have been blinded by lust, years of challenges assured him more than desire was at play.

In the rural parishes of Louisiana's French Triangle, young women are disappearing one by one, only to turn up on the banks of the bayou, strangled and cast aside where they are sure to be found. But there is one trophy the killer prizes above all others, one woman who must be silenced forever.... Attorney Laurel Chandler did not come back to Bayou Breaux to seek justice. That once-burning obsession had destroyed her credibility, her career, her marriage - and nearly her sanity. But when a ruthless predator strikes too close to home, she's lured into a perverse game from which there may be no escape.

I'm the guy you love to hate. In every story in my life, I seem to end up playing the villain - and I've got the scars to prove it. That role works fine for me, because I'm sure as hell not anyone's hero. I run my life and my empire with an iron fist - until she knocks my tightly controlled world off its axis. She's nobody's damsel in distress, but I can't help but want to save her anyway. I guess we're about to find out if there's a hero buried...beneath these scars.

Finally settled with Viking vampire Eric, Sookie finds normalcy just as chaos surrounds her. Sookie’s former lover Bill, her boss Sam, and even Eric are struggling with family problems. Then things get really interesting when the werewolves tell Sookie an ominous presence is lurking.

"My name is Rylee, and I am a Tracker." When children go missing, and the Humans have no leads, I'm the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. O’Shea is AWOL, and Tracking him is proving to be harder than I expected. Not to mention the small fact that I have the Beast of Bodmin Moor chasing me across Europe, in a race against the odds, and my life as the prize. But those things are minor compared to the secrets that finally come to light. Secrets I wish had stayed hidden in the darkness....

Vivian has never needed anyone to protect her—especially not an Alpha. As an Omega raised by strong-willed Alpha parents, she runs her late grandfather's flower shop with confidence, standing her ground in a city that expects her to submit. Love isn't on her agenda, and with a string of gruesome murders targeting Omegas, romance is the last thing on her mind. That is, until a disastrous first encounter with an Alpha detective leaves her pinned to the ground in a funeral home.

Notes on an Execution has descriptive copy which is not yet available from the Publisher...

He's a dark storm wrapped in tattoos and muscle. A mafia prince with a killer's smile and a predator's gaze. Takeshi Mori doesn't ask for anything. He takes it. Including me. Our marriage is a weapon forged in blood, meant to stop a war. But there's nothing peaceful about my new husband. He's ruthless chaos incarnate—a Machiavellian psychopath with a thirst for violence. He craves control, but I was born to defy. His darkness terrifies me even as it calls to mine. His touch consumes me even as it burns me alive.

Summer, 1954. U.S. Marshal Teddy Daniels s come to Shutter Island, home of Ashecliffe Hospital for the Criminally Insane. Along with his partner, Chuck Aule, he sets out to find an escaped patient, a murderess named Rachel Solando, as a hurricane bears down upon them. But nothing at Ashecliffe...

An urgent, emotional thriller: "Dramatic...explores the power of grief...that through loss there can be hope for the future" (Library Journal). Everyone at Ridgemont Academy knows what to expect from Emma Caroline Blake. Perfect grades. Perfect record. Perfect life. Then she stands up in class...

Taylor is the name, John Taylor. My card says I'm a detective, but what I really am is an expert on finding lost things. It's part of the gift I was born with as a child of the Nightside. I left there a long time ago, with my skin and sanity barely intact. Now I make my living in the sunlit streets of London. But business has been slow lately, so when Joanna Barrett showed up at my door, reeking of wealth, asking me to find her runaway teenage daughter, I didn't say no.

From the bestselling author of The Life We Bury comes a "riveting, hold-your-breath" new mystery in which a woman finds herself in a race not only for justice—but for her life (Karin Slaughter, New York Times bestselling author of The Silent Wife). Lila Nash is on the verge of landing her...

With her knack for being in trouble's way, Sookie witnesses the firebombing of Merlotte's, the bar where she works. Since Sam Merlotte is now known to be two-natured, suspicion falls immediately on the anti-shifters in the area. Sookie suspects otherwise, but her attention is divided when she realizes that her lover, Eric Northman, and his "child", Pam, are plotting to kill the vampire who is now their master. Gradually, Sookie is drawn into the plot - which is much more complicated than she knows.

The princess and a dead man. They say money makes the world go round. They’d be wrong. Sure, power can be bought, but you can gain a hell of a lot more with knowledge. With knowledge comes fear. I’ve seen it. I’ve caused it. I’ve even been the brunt of it. But when a stowaway princess barrels into my life like a runaway train, I throw patience out the window—the same one I jump out of, taking her with me.