Crime Radio

A collection of dramas by the Pulitzer Prize-winning author David Mamet A novelist, playwright, filmmaker and director, David Mamet ranks among America’s most famous living writers. He has penned more than 40 stage plays and over 20 screenplays, won numerous awards including the Pulitzer Prize...

Alexander Morton stars as the roguish detective Mr Cullender in two original radio dramas by Ian Rankin, and as Inspector Rebus in Let it Bleed – plus a selection of original stories Best known for his Inspector Rebus novels, Sir Ian Rankin is one of Britain’s most successful and acclaimed...

Michael Shayne, "the reckless, redheaded Irishman", was a popular hard-boiled detective created by crime novelist Brett Halliday. In the novels, Michael Shayne settled in Miami just after WWII, making crime pay by fighting it with a license and an attitude. Like Mike Hammer and Philip Marlowe, Shayne was a loner. The backstory on Mike is that he was happily married, but it hit him hard when his wife was tragically murdered. Grief stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of the city.

Grahame Mayer specialises in selling books, not solving mysteries. So when he’s asked to play private investigator and track down a soldier from the Spanish Civil War, he wonders if it’s some sort of test – and if so, what will happen if he fails.... Armed with fresh information, he is sent to Glasgow on the trail of Jock Cameron, and a meeting with a former nurse who knew him back in Spain furnishes Grahame with further clues. But despite these new leads, the elusive Jock remains tantalisingly out of reach.

From the #1 New York Times bestselling author of Seeing Red comes a thrilling tale of psychological suspense about a woman haunted by her past and caught in a nightmare that threatens to destroy her future. For Paris Gibson, her popular late-night radio drama is both an escape and her one real...

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....