Cultural Memoir

Country Editor's Boy picks up where Hal Borland's classic memoir High, Wide and Lonesome left off: with Borland, on the cusp of adulthood in the early twentieth century, making his way in an eastern Colorado town that still retained all the flavors of the Old West. Borland's father, the editor of a local weekly newspaper, was working to help his publication transition along with the town around him. At the same time, young Hal was experiencing dramatic social and economic change in his own way.

Khin's sister Theda has a strange illness and a euthanasia drug locked in a box under her bed. Her doctor thinks her problem is purely physical, and so does she, but Khin is not so sure. He knows what they both went through growing up in Perth – it wasn't welcoming back then for a Burmese-Australian family. With Theda's condition getting worse, Khin heads off to the United States. He needs to sort things out with his ex-partner. Once there, events take a very odd turn, and he finds himself in court.

Growing up in 1970s and '80s suburban Houston, Judy Haveson is funny, sarcastic, and fiercely loyal, especially to her family, friends, and big sister, Celia. When she suffers a series of unimaginable traumatic events, her seemingly idyllic childhood comes to a halt, changing her life forever. In Laugh Cry Rewind, Judy takes listeners on her journey of self-discovery, sharing funny, touching, and heartbreaking stories from her childhood all the way to the birth of her son.

Rocqett Short description 5/08

Born and raised in Hawai‘i by a father whose ancestors are indigenous to the land and a mother from the American South, Jessica Machado wrestles with what it means to be “local.” Feeling separate from the history and tenets of Hawaiian culture that have been buried under the continental imports of malls and MTV, Jessica often sees her homeland reflected back to her from the tourist perspective—as an uncomplicated paradise. Her existence, however, feels far from that ideal. Balancing her parents’ divorce, an ailing mother, and growing anxiety, Jessica rebels.

Xiaolu Guo has been lauded as a "voice . . . speaking with full freedom" (Wall Street Journal), which has made her one of the most acclaimed Chinese-born writers of her generation. Her new memoir, Radical, is an exploration of a city, an electrically honest rendering of what it means to be an outsider, and the sojourn that upended her sense of self as a woman, partner, mother, and artist.

In this multi-biographical history of a family in India, Shantaben enters an arranged marriage at age 14. Before she can join her husband in Africa, she must serve his family for several years. Arriving in Kenya, Shantaben dreams of having her own family. But she finds no community, no support, and no medical resources. Their first year together claims the life of their child and nearly ends Shantaben’s. Sustained by her culture and faith, she survives.

Faleeha Hassan became intimately acquainted with loss and fear while growing up in Najaf, Iraq. Now, in a deeply personal account of her life, she remembers those she has loved and lost.

Born and raised in a tight-knit Orthodox Jewish family, Tova Mirvis committed herself to observing the rules and rituals prescribed by this way of life. After all, to observe was to be accepted and to be accepted was to be loved. She married a man from within the fold and quickly began a family. But over the years, her doubts became noisier than her faith, and at age 40 she could no longer breathe in what had become a suffocating existence.

Mishna Wolff grew up in a poor black neighborhood with her single father, a white man who truly believed he was black. "He strutted around with a short perm, a Cosby-esque sweater, gold chains and a Kangol---telling jokes like Redd Fox, and giving advice like Jesse Jackson. You couldn't tell my father he was white. Believe me, I tried," writes Wolff. And so from early childhood on, her father began his crusade to make his white daughter down.

Now, in his most daring act yet, E. Lynn Harris writes the memoir of his life from his childhood in Arkansas as a closeted gay boy through his struggling days as a self-published author to his rise to New York Times best seller status.

Designer, activist, and educator Cheryl D. Holmes-Miller is legendary for her decades of scholarship and advocacy, and as a touchstone and conscience for the design profession. In HERE: Where the Black Designers Are, Holmes-Miller documents the history of—and answers to—the question she has been asking for decades: “Where are the Black designers?” Holmes-Miller explores this essential question through the lens of her own development as a designer and leader, beginning with her own family and its rich multiethnic history.

Here is the amazing personal story of Joseph Rael, Beautiful Painted Arrow, from his birth on the Southern Ute reservation, through his childhood at Picuris Pueblo, to his work today as a healer, visionary and man of peace. It is a story of the power of Native American ceremonies, both ancient and contemporary, of visions, miracles, and mystical knowledge.

Brian Johnson is a man who went looking for gold and found so much more-a soulmate for life, the child he had always dreamed of, and the joy of working alongside people who loved him. Brian Johnson lived his life in unexpected ways, choosing adventure over the predictable day-to-day. Working side-by-side with his brother, Loren, he struck gold repeatedly in the wilderness of Alaska and the Yukon as a modern-day goldminer for more than forty years.

Du Fu (712-70) is one of China’s greatest poets. His career coincided with periods of famine, war and huge upheaval, yet his secular philosophical vision, combined with his empathy for the common folk of his nation, ensured that he soon became revered. Like Shakespeare or Dante, his poetry resonates in a timeless manner that ensures it is always relevant and offers something new to the modern generation. Broadcaster and historian Michael Wood follows in his footsteps to try to understand the places that inspired Du Fu to write some of the most famous and best-loved poetry the world has known.

A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other - but with certain differences. The neighbor's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates were attended by chauffeurs and bodyguards. Then, in January 1959, the world changed....

Weeping Becomes a River, narrated by award-winning author and performer Siphokazi Jonas, weaves seemingly discordant worlds, rooted in her experiences of growing up in an Afrikaans dorpie, attending an English boarding school, and going on annual holidays to a village emaXhoseni during the transition years of South Africa’s democracy.

A reissue of Sammy Davis Jr.’s 1965 autobiography, Yes I Can chronicles this entertainment icon’s rise to stardom, and his career-spanning pursuit of racial justice, with a new foreword by Questlove. “I had to prove I was somebody. And I knew the only way to do that was to show the world...

Magnanimous and charming, Bob Guterl knew that he could solve the racial problems bedeviling postwar America. Determined to stave off impending global catastrophe, the larger-than-life judge and his resolute wife, Sheryl, launched a radical experiment, raising their two biological sons alongside four children adopted from Korea, Vietnam, and the South Bronx―the so-called “war zones of the American century”―in a white clapboard house with a white picket fence in small-town New Jersey.

The Male Gazed grapples with the thrall of masculinity, examining its frailty and its attendant anxieties even as it focuses on its erotic potential. Masculinity, Betancourt suggests, isn't suddenly ripe for deconstruction—or even outright destruction—amid so much talk about its inherent toxicity. Looking back over decades' worth of pop culture's attempts to codify and reframe what men can be, wear, do, and desire, this book establishes that to gaze at men is still a subversive act.