Director Biography

This is an ideal introduction to the ideas of a man whom many regard as the greatest thinker of our time. Here we encounter the stages in the development of his unique philosophy of consciousness, his key intellectual breakthroughs, his theory of history, and his diagnosis of the political ills of the modern age. The book provides a veritable catalog of the thinkers who created the intellectual foundation of the twentieth century.

Why would someone leave a shining career in management to work among the dead? Angjolie Mei, funeral director and "life celebrant", recounts how the death of her father—a veteran known as 'The Coffin King' in the funeral industry—prompted this dramatic choice. What exactly happens during embalming? What kind of post-death restoration is needed for second-degree burn victims? What are the little-known facts surrounding suicide in Singapore?

Jordan describes his work with Stephen Rea, Jaye Davidson, Bob Hoskins, Tom Cruise and many others, but this is not a conventional story of life in the movies. The book is an eerie meditation on loss, love and creativity, on inspiration and influence, by one of the most unusual artists Ireland has produced.

Caroline Calloway is the viral storyteller who helped define the modern influencer era – an online legend whose life became one of the internet's most captivating sagas. Her voice isn't just distinctive – it is the culture she helped create. In Scammer: The Director's Cut, Caroline Calloway shares with you exactly how it is in her fabulously chaotic mind. 'The Director's Cut of the Scammer audiobook is an internet invention that's the first of its kind. And like all of my best breakthroughs it takes the existing framework of online culture we already know and love, and innovates.

New York Times Editors’ Choice In this poignant memoir of personal transformation, Jill Soloway takes us on a patriarchy-toppling emotional and professional journey. When Jill’s parent came out as transgender, Jill pushed through the male-dominated landscape of Hollywood to create...

It is my personal memoir of everything I learned while assisting my mentor, Brian De Palma, which prepared me for my own successful career as a director on over 50 movies, including Elvira’s Haunted Hills and the De Palma-esque thriller Acting on Impulse starring Nancy Allen (Carrie, Home Movies, Dressed to Kill, Blow Out). It is also a coming out story of my transition from a 19-year-old closeted teenager raised in the conservative South, to marrying a woman, and then finally becoming an openly-gay adult in New York City.

While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen as a talented director, producer, entrepreneur, and humanitarian. Bill Duke is the memoir of a Hollywood original.

Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty.

In The Director Should've Shot You, Foster shares all the colorful stories behind his adaptations of films, TV shows, and video games. He had the honor of working on big-name properties like Star Trek, Terminator, and The Thing. He served as ghost writer for the novelization of the original Star Wars and got to write the sequel—sort of. And in between his work for Hollywood, he managed to become a hugely successful science fiction and fantasy author with series like the Adventures of Pip & Flinx and the Icerigger Trilogy.

Enter the world of director and producer Don Mischer, who has notched a lifetime of history-making moments with Beyoncé and Baryshnikov, Willie Nelson and Muhammad Ali, Olympic flames, inaugurations, and Prince in the rain.

De danske jøder flygtede over hals og hoved i oktober 1943 og måtte de forlade deres hjem, ejendele, formue, arbejde, virksomheder osv. uden varsel. Bogen følger en række familiers skæbne og fortæller den hidtil ukendte historie om jødernes hjemkomst. Hvad skete der, mens de var væk, og hvordan blev de taget imod, da de vendte hjem i 1945? Af danskerne som medmennesker og af den danske stat. Det er fortællingen om, at Danmark også her var et særtilfælde under Holocaust, men også en rystende historie om svigt og misbrug.

David Jiménez va ser nomenat director d'El Mundo. La il·lusió es va anar transformant en una crua batalla per defensar la independència del periodisme, que va acabar amb l’acomiadament del director després d'un any en el càrrec. Jiménez destapa aquí la podrida xarxa de pressions i influències que s'estableix entre els grups de poder econòmic i polític, i la premsa que suposadament ha de vigilar els dos primers. El director és un relat únic sobre com funciona el joc de favors entre els mitjans i l’elit d’un país, i quin preu paguen els que es neguen a participar-hi.

He never stopped drawing. Not even when the world told him to grow up. Tim Burton didn’t try to fit in — he turned his alienation into art. From the suburban shadows of Burbank to the soundstages of Hollywood, he built an empire of monsters, misfits, and melancholy hearts.

In 1990, David Lynch was on top of the world. Wild at Heart won the Palme d'Or at the Cannes Film Festival and Twin Peaks was the hottest show on TV. In 1992, he released Twin Peaks: Fire Walk with Me. It sure is amazing how fast coffee can get cold. The film was not well received, to say the least, by critics or ticket buyers. It seemed like the verdict was in: Twin Peaks was dead and wrapped in plastic. Thirty years later, the film is thought by many to be Lynch’s masterpiece.

Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line, to Free Shakespeare in the Park. With the recent critical and financial success of Fun Home and Hamilton, and its emphasis on new play development, The Public's contemporary history has been equally remarkable, even as world crises and social changes have tested the mettle of its foundation of accessible and "radically inclusive" theatre for all.

Hailed by the New Yorker as "a crucial forebear of generations," award–winning director Joyce Chopra came of age in the 1950s, prior to the dawn of feminism, and long before the #MeToo movement. As a young woman, it seemed impossible that she might one day realize her dream of becoming a film director. In this engaging, candid memoir, award–winning director Joyce Chopra describes how she learned to navigate the deeply embedded sexism of the film industry, helping to pave the way for a generation of women filmmakers who would come after her.

François Truffaut: il giovane cinefilo che, all’inizio degli anni Cinquanta, inventa un nuovo modo di fare critica, scoprendo Hitchcock e il cinema americano; il regista che inaugura la Nouvelle Vague con I quattrocento colpi; e soprattutto l’artista che sa trasformare il personale in universale, e rivolgersi a tutti gli spettatori, ma parlando a uno a uno, confidenzialmente. I suoi film, al contrario di quelli di molti suoi compagni d’avventura, restano, inattaccabili dal tempo che passa, e il vuoto che ha lasciato alla sua morte, nel 1984, è uno dei più lancinanti nel cinema contemporaneo.

A história da televisão brasileira costuma relegar ao ostracismo profissionais como Jacinto Figueira Júnior, o Homem do Sapato Branco. Neste livro, o crítico de TV e pesquisador Mauricio Stycer investiga com rigor de repórter e desenvoltura de contador de boas histórias os lados menos conhecidos desse personagem.

Аудиокнига «Лекции по кинорежиссуре» записана по материалам стенограмм лекций, прочитанных Андреем Арсеньевичем Тарковским на Высших двухгодичных курсах сценаристов и режиссеров при Госкино СССР. Для того, чтобы дать наиболее полное представление о взглядах автора на киноискусство, в текст «Лекции» включены также фрагменты из его публиковавшихся ранее статей и интервью.

В этой книге собраны дневники Станислава Иосифовича и обращенные к нему письма. Режиссер открывается в них искренне и доверительно: именно таким он стремился появиться перед своим зрителем. В воспоминаниях Станислава Ростоцкого показана история целого поколения, родившегося в революционную эпоху, прошедшего войну и уходящего в постперестроечную эпоху. Он считал, что важнейший талант человека – дар чувствовать чужую боль как свою. И это нашло отражение в его фильмах.