Domestic Home

Valerie Park: nurse, widow, harassee of the president of her Homeowner’s Association. Holly Kent: president of the Homeowner’s Association, harasser of Valerie, all-around pain in the ass. Clementine Harrison: photographer, yoga teacher, free spirit, defender of harassed women. After selling everything she owns and road tripping across Canada in a converted school bus named Matilda, Clementine moves next door to Valerie. Valerie is depressed, scared, and lonely. And even though she doesn’t know it, she’s also the victim of a crime.

When Dinah Brooke's second novel, Lord Jim at Home, was first published in 1973, it was described as "squalid and startling," "nastily horrific," and a "monstrous parody" of upper-middle class English life. It is the story of Giles Trenchard, who grows up isolated in an atmosphere of privilege and hidden violence; who goes to war, and returns; and then, one day—like the hero of Joseph Conrad's classic Lord Jim—commits an act that calls his past, his character, his whole world into question.

As two-income families find themselves ever more time-poor, many look to outsource to cleaners, nannies, and care workers. More and more, it would seem, people are finding themselves without either the emotional or the financial resources to take care of themselves and each other. The home, rather than an escape from the work and its pressures, is in fact an extension of it. After Work is a crucial corrective to this trend, extending its attention beyond paid jobs to the impact of domestic work upon familial relationships, social bonds, and our conceptions of domestic space.

Without our domesticated plants and animals, human civilization as we know it would not exist. We would still be living at subsistence level as hunter-gatherers if not for domestication. It is no accident that the cradle of civilization - the Middle East - is where sheep, goats, pigs, cattle, and cats commenced their fatefully intimate associations with humans.

Alexandra Van Ness has the perfect life. She lives in an idyllic resort town tucked away in the Rocky Mountains, shares a designer loft with her handsome boyfriend, Chase, and has her dream job working in child protection. Every day, Alex goes above and beyond to save children at risk. But when her long-lost sister, Ruth, unexpectedly shows up at her door, Alex's perfect life is upended. Growing up, Ruth was always the troublemaker, pulling Alex into her messes, and this time will be no different. Still, Alex will help Ruth under one condition: we will never, ever, talk about the past.

The record of any American President attracts attention, but Barack Obama, the first African-American president in the nation's 240-year history, is of special interest. Obama came into office as the economy was careening into the worst downturn since the Great Depression. On the political front, he would be challenged by the intense congressional polarization faced by Bill Clinton and George W. Bush, exacerbated by the rise of the Tea Party movement.

Many Americans believe that foreign military intervention is central to protecting our domestic freedoms. But Christopher J. Coyne and Abigail R. Hall urge engaged citizens to think again. Overseas, our government takes actions in the name of defense that would not be permissible within national borders. Emboldened by the relative weakness of governance abroad, the US government is able to experiment with a broader range of social controls.

Lottie has saved all year for her family vacation by the sea with her husband and young son. But as soon as they arrive at their rental, it is clear they have made a huge mistake coming here. Next door, Olivia looks like just another wealthy out-of-towner buying up local property, only to leave it empty for ten months of the year. But Olivia has a secret plan for her second home. When one of the houses goes up in flames, and a body is pulled from the ashes, the secrets both Lottie and Olivia have been keeping threaten to destroy their families.

Fixer Upper meets Gone Girl in this suspenseful and witty domestic thriller set in the world of home renovation TV—featuring a woman who becomes public enemy #1 after a horrifying discovery prompts her to flee her celebrity husband with their twin babies. Dawn Decker is an American everywoman...

Single-mom Samantha moves with her daughter to a quiet village in the Peak District. The post as matron at Hallow Croft, now an exclusive residential home, seems to offer the escape she needs. But away from the TV room and afternoon activities, one of the residents is kept locked out of sight "for their own safety." And nobody will talk about the previous matron. She disappeared, leaving behind only a scuffed diary. Forty years ago, a girl was killed on the grounds of Hallow Croft Manor. Some people even say that began a curse on the home and the family who owned it.

When the body of pregnant 15-year-old Hope Lacey is discovered in a churchyard on Christmas morning, the community is shocked, but unsurprised. For Hope lived in The Home, the residence of three young girls, whose violent and disturbing pasts have seen them cloistered away. As a police investigation gets underway, the lives of Hope, Lara and Annie are examined, and the staff who work at the home are interviewed, leading to shocking and distressing revelations...and clear evidence that someone is seeking revenge.

It's not news that women work, have families, and are conflicted about it. No one needs to be reminded that motherhood is hard. Enter Caitlin Flanagan with a fresh, witheringly funny take on women's lives today, the weddings, nannies, overscheduled children, sex (and the lack of sex), the cult of the "domestic goddess" and its manias for home decorating and gourmet cooking, and the endless tension between working moms and stay-at-home moms.

I wake on the sofa, my head throbbing. Why did I fall asleep here? In the darkness, I make my way to my bedroom. I know immediately something is wrong. The sheets I tucked in so carefully this morning are rumpled, disturbed. I turn on the lights. And then I scream. There’s a body in my bed. And I know this man: We went on two dates together. Who could have killed him? And how did he get into this house? Only two people have a key: me and my ex-husband, Matthew. I cast my mind desperately back to last night, to the last few painful months.

When we move into the exclusive Westford Park housing estate, we feel safe at last. More like a country club, it has everything we might need – beautiful houses with big gardens, a pool, a boating lake, extensive grounds. It’s also got 24/7 security. Our new neighbours are lovely too. We start to make friendships that feel like they could last a lifetime. It feels like nothing could possibly go wrong here. It’s like our secrets haven’t followed us here. Or that’s what we think at first…

We all need emotional blinders: the etiquette that keeps society smoothly moving depends on it. But when you absolutely must rely on another person, you have to be able to assess them objectively. In RED FLAGS, author Wendy L. Patrick shares simple strategies anyone can use to spot deceptive or...

From Sarah Hilary, winner of Theakston’s Crime Novel of the Year and author of Fragile, this is a slow-burn psychological mystery set against the abandonment of an exclusive housing development – and devastation of the families that lived there . . . 'An astonishingly gifted writer' –...

Margot and Myron Spielman move to a new town, looking for an escape from the long shadow of their past. But soon after they buy Rawlingswood, a foreclosed mansion rumored to be haunted, they realize they’re in for more of the same…or worse. After a renovation fraught with injuries and setbacks, the Spielmans move in to the century-old house, and their problems quickly escalate. The home’s beautiful facade begins to crumble around them when their teenage son uncovers disturbing details of Rawlingswood’s history - a history of murder, betrayal, and financial ruin.

Angie Watts once had what seemed like an idyllic life: a house in a small town in the English countryside with her beloved husband Steve and their three adored children. When her oldest son, Liam, grows from a sweet-natured boy to a troubled teen, Angie’s world begins to crumble. After arriving home one day to find their five-year-old son with a syringe Liam has left lying around, Steve makes a rash decision that will have lasting repercussions on their family. Two years later, Angie is called into the police station and informed that there’s been a murder - and Liam is a suspect.

Orphaned at age ten by a violent home invasion, Susannah Faulkner grew up wild, her stubbornness the only thing harder than her heart. Since then, she’s used her skills to put a boot in the faces of those who deserve it. Then she gets word her brother Ethan needs her help, so she returns home to Atlanta. But in the airport, she finds her Uncle Gavin suffering a heart attack. Before he is rushed to the hospital, Gavin whispers a single word to Suzie: peaches. She’s determined to uncover the meaning behind the cryptic message, but Ethan is also deep in trouble.

I can’t contain my smile as we open the white screen door and step into our new home. Building a life with my amazing new husband Archie in this historic farmhouse is my dream come true. This is where we’ll grow old together, and where I can finally forget about my past. Or is it? First, it’s a light left on in the attic, and music playing when no one is home. Next, a faded photograph of me on a hazy summer day long ago, delivered in an unmarked envelope. After years of running, someone has finally found me. My new home, our safe haven, has been threatened.