Drama Social Science

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

Questions of what happens after death were vital in Shakespeare's time, as it is today. And, like today, the answers were by no means universally agreed upon. Exploring how particular texts and characters answer these questions, Shakespeare and the Afterlife showcases the vitality and originality of the author's language and thinking. We encounter characters with very personal visions of what awaits them after death, and these visions reveal new insights into these individuals' motivations and concerns as they navigate the world of the living.

Should we draw an analogy between Shakespeare’s tyrants—Richard III, Julius Caesar, Macbeth, and King Lear—and Donald Trump? In Shakespeare and Trump, Jeffrey Wilson applies literary criticism to real life, examining plot, character, villainy, soliloquy, tragedy, myth, and metaphor to identify the formal features of the Trump phenomenon, and its hidden causes, structure, and meanings.

By clever scheming, friends encourage Beatrice and Benedict's love affair, while Don Juan plots to ruin Hero and Claudio's chances of finding happiness together.

Este audiolibro, en registro teatral, apunta a "pensar" la historia política del pueblo chileno a partir de su memoria y, sobre todo, de su deliberación soberana. Está focalizado en el período 1911-1924, cuando, al abrirse un proceso constituyente de cambios radicales, las bases populares y ciudadanas activaron a alto nivel sus vínculos solidarios y su capacidad deliberativa. En ese período y por su fondo social deliberativo, surgió el único "intelectual orgánico" de la historia política del pueblo chileno: Luis Emilio Recabarren.

You Won't Feel a Thing! The Drama, Tragedy, & Comedy of Nursing will provide valuable insights whether you are already nurse or simply want to understand the complexities of the role. Let's face it: the healthcare system has lots of work to do . . . and you probably do, too. It's time to bring the real, raw professional issues of nursing to the forefront. We have taken the hits. We have rolled with the punches. We have bobbed and weaved and bent. Let's work to ensure that bent never becomes broken.

In this fascinating book, you’ll become familiar with all the aspects, characters, and most important, events the Greek and Romans made up. Since Roman mythology coincides a lot with the ancient Greek one, the similarities and differences will be explained.

Der Wirecard-Skandal ist einmalig in der deutschen Wirtschaftsgeschichte - ein einziger großer Fake. Wie konnte es zu diesem filmreifen Bankrott eines Dax-Konzerns kommen? Wer sind die Köpfe hinter dem Betrug? Wer muss dafür büßen? Und warum ist das weltumspannende kriminelle Netzwerk erst nach so langer Zeit aufgeflogen? Die Journalisten Bettina Weiguny und Georg Meck - beide federführend an der UFA-Verfilmung des Wirecard-Skandals beteiligt - entwerfen das Psychogramm eines Jahrhundertskandals.

Noir - as a style, movement, or sensibility - has its roots in hardboiled detective fiction by writers like Chandler and Hammett, and films adapted from their novels were among the first called "film noir" by French cineastes. But film isn't the only medium with a taste for a dark story. Hundreds of noir dramas have been produced for television, featuring detectives and femmes fatales, gangsters, and dark deeds, continuing week after week, with a new disruption of the social order. In TV Noir, television historian Allen Glover presents the first complete study of the subject.

Wir könnten uns selbst und andere aufrichtig lieben, wenn wir echte Liebe von den eigenen Eltern erfahren hätten...

Izzie loves nothing more than her three best friends - Viv, Graham, and Harry - and the bond the four of them share. And she's terrified of their friendship falling apart next year when they go off to college. To bind them together, she decides to create something that will belong only to them, a special thing that they'll always share between the four of them. And so they dream up the Order of IV, a secret society devoted to mischief that rights wrongs and pays back debts.

Radiospektakl' "Smuglaja ledi sonetov" po odnoimennoj p'ese Bernarda Shou,irlandskogo dramaturga, pisatelja, romanista, laureata Nobelevskoj premii v oblasti literatury. Izyskannaja, ostroumnaja istoricheskaja komedija, raskryvajushhaja tajnu zagadochnoj krasavicy, kotoroj Shekspir posvjashhal svoi legendarnye stihi. Rech' idet o samom legendarnom pojete i dramaturge - o Uil'jame Shekspire. Kakim byl v zhizni jetot genial'nyj chelovek?

The play Anna Christie by Eugene O'Neill tells of the reunion of a troubled daughter and her absent father in New York. Having spent his life on the seven seas, Anna’s father last saw her when she was 5 years old. There are things about her life and work she keeps hidden from her father. While living with him on a barge, they save the lives of five survivors of a shipwreck. One of them, Matt Burke, falls in love with Anna, and after a period of resistance, she returns the feeling. This development upsets her father who would rather not have Anna marry a sailor.

When a handsome young man begins to court Catherine Sloper, she feels she is very lucky. She is a quiet, gentle girl, but neither beautiful nor clever; no one had ever admired her before, or come to the front parlour of her home in Washington Square to whisper soft words of love to her. But in New York in the 1840s young ladies are not free to marry where they please. Catherine must have her father’s permission, and Dr Sloper is a rich man.

Rosmersholm is a play surrounding the deep and intense political and cultural change in Norway in the middle of the 1880s, a period during which the traditional ruling class were forced to relinquish their right to impose their ideals on the rest of society. We follow Johannes Rosmer, a pastor who has resigned from his position; Rebecca West, a woman who sees Rosmer's potential and believes she can help him to realize his dream of creating a world of "happy, noble people"; and Headmaster Kroll, Rosmer's former best friend.

Hedda Gabler is one of the most interesting and intricate figures to appear on stage. Her boredom with her mariage and jealousy of her former lover set off a chain of events that result in an untimely death. Oh, but the deceased did "die beautifully"!

In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away?

Lady Windermere's Fan is a four-act comedy by Oscar Wilde. Like many of Wilde's comedies, it bitingly satirizes the morals of Victorian society, particularly marriage. The story concerns Lady Windermere, who discovers that her husband may be having an affair with another woman. She confronts her husband but he instead invites the other woman, Mrs. Erlynne, to his wife's birthday ball. Angered by her husband's unfaithfulness, Lady Windermere leaves her husband for another lover. Or does she?

The Hairy Ape (1922) is an expressionist play by Eugene O'Neill. The protagonist, Yank, yearns for a sense of belonging in a world he perceives as being controlled by the rich. Initially, Yank enjoys his job stoking the engines of an ocean liner. Then the wealthy daughter of a steel magnate refers to him as a "filthy beast", and Yank starts experiencing an identity crisis. He leaves the ship, and while walking around Manhattan, comes to the conclusion that he does not belong anywhere; not with the rich on Fifth Avenue nor with the labor unions on the waterfront.

Pervonachal'no Lessing sobiralsja napisat' tragediju «Virginija» - na sjuzhet o rimskoj Virginii. Sohranilsja nabrosok pervoj sceny etoj tragedii. Odnako vskore Lessing otkazalsja ot obrabotki dalekogo ot ego vremeni antichnogo sjuzheta, reshiv perenesti dejstvie iz drevnego Rima v sovremennuju emu jepohu. Na russkij jazyk tragedija byla perevedena vpervye N. M. Karamzinym v 1788 g.