Dramatized Horror Fiction

It is 1944. A message from Paris warns Allied Intelligence of something big in the works - something which might have serious implications for D-Day. The only way to get more information from the agent in Paris - now closely watched by the Gestapo - is to send in a personal courier. Russian émigré Michael Gallatin is picked for the job. In retirement as a secret agent since a grisly episode in North Africa, Gallatin is parachuted into occupied France, on a mission which will take him to the festering heart of the Third Reich on the scent of doomsday.

It is 1944. A message from Paris warns Allied Intelligence of something big in the works - something which might have serious implications for D-Day. The only way to get more information from the agent in Paris - now closely watched by the Gestapo - is to send in a personal courier. Russian émigré Michael Gallatin is picked for the job. In retirement as a secret agent since a grisly episode in North Africa, Gallatin is parachuted into occupied France, on a mission which will take him to the festering heart of the Third Reich on the scent of doomsday.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon's classic, The Wolf's Hour. These all-new, interlinked stories offer a full measure of McCammon's trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation. The volume opens with a pair of brief glimpses into Michael's early life in Russia and his initial recruitment into the British Secret Service. It ends with a haunting vision of the werewolf at twilight.

Nevada, 1872. Out of the merciless 40-mile desert, a stranger appears in the town of Golgotha, home to the blessed and the damned. He carries with him an innocent victim of a horrible massacre and a dire warning for Sheriff Jon Highfather. The conflict between the Indian nations and Mormon settlers has been brewing for years, and now the spirits of the fallen Indian dead have begun to rise to join in the fight.

Stylish gentlemen and ladies await their carriages in the Victorian London night. But lurking in the shadows is one of the creatures of the night, one who brings chilling fear to those he encounters, a man who cannot die yet must prey upon the blood of others to prolong his doomed existence...the vampire Dracula.

Louisiana, 2065. A lot has changed in the 43rd of the Kurian Order. Possessed of an unnatural and legendary hunger, the bloodthirsty Reapers have come to Earth to establish a New Order built on the harvesting of enslaved human souls. They rule the planet. They thrive on the scent of fear. And if it is night, as sure as darkness, they will come. On this pitiless world, the indomitable spirit of mankind still breathes in Lieutenant David Valentine. Brought into the Wolves - an elite guerrilla force sworn to win back Earth - Valentine leads his first command in the Kurian Zone.

Among the ancient artifacts concealed in a London Victorian mansion lies an ornate human-sized sarcophagus which houses the body of an ancient Egyptian sorceress dead for centuries...or is she?

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

An unplanned murder during a bank robbery has another sheriff on the trail of those on the lam.