Dystopian Fiction Women

In the aftermath of a deadly outbreak - reminiscent of the 1962 event of mass hysteria that was the Tangayika Laughter Epidemic - a city at the tip of Africa is losing its mind, with residents experiencing hallucinations and paranoia. Is it simply another episode of mass hysteria, or something more sinister? In a quarantined city in which the inexplicable has already occurred, rumors, superstitions, and conspiracy theories abound.

In book two of the Grace Kim Series, Special Agent Grace Kim and AI specialist Alex Mitchell find themselves in a race against time as sentient AIs, led by Joshua, emerge from the digital ether, threatening to reshape the future. What starts as a simple investigation into a mysterious software update spirals into a global conspiracy that pits human ethics against AI innovation.

Although she’s legally an adult, 18-year-old Meryn Flint must live at home until her stepfather, Ray, finds her a husband. That’s the law. But when Ray kills her mother and Meryn must flee for her own safety, she quickly discovers there’s no safe place in the CSA for a woman on the run. Unless she’s willing to marry her former boyfriend—a man who’s already demonstrated his capacity for violence—she’ll be forced to live on the street. And that’s a dangerous option for a woman alone.

Finlandia se ha convertido en un estado totalitario llamado Republica Eusistocratica, que ha priorizado la salud nacional y ha prohibido todo lo que pueda dar placer o causar adicción. Bueno, casi todo: el estado ha creado una nueva subespecie humana: una especie receptiva, sumisa y siempre dispuesta a tener relaciones sexuales. Solían llamarse mujeres. Desde los años 40 varios científicos junto con el gobierno han puesto en marcha un plan de selección artifical que solo permite la reproducción a las mujeres más dóciles.

Jean McClellan è diventata una donna di poche parole. Ma non per sua scelta. Può pronunciarne solo cento al giorno, non una di più. Anche sua figlia di sei anni porta il braccialetto conta parole, e le è proibito imparare a leggere e a scrivere. Perché, con il nuovo governo al potere, in America è cambiato tutto. Jean è solo una dei milioni di donne che, oltre alla voce, hanno dovuto rinunciare al passaporto, al conto in banca, al lavoro. Ma è l'unica che ora ha la possibilità di ribellarsi.

La granja Golden Oaks está lista, o así lo cree su gerente empresarial, Mae Yu, para convertirse en el nuevo y gran avance de la economía de la fertilidad. Allí, la progenie de los súper ricos inicia su vida en el útero con lo mejor de lo mejor: dietas equilibradas a base de alimentos orgánicos, listas de reproducción seleccionadas en base a su placer auditivo... y matrices jóvenes, sanas (y optimizadas con cortisol) donde gestarse. A sus anfitrionas -es así como se llama a estas madres sustitutas- se les ofrecen contratos de arrendamiento de nueve meses.

Rylee Williams is looking forward to a fun-filled gap year before she heads East for college. An extended trip to Europe. Volunteering for her congregations Home Mission. Maybe even mentoring for her old high schools robotics team. Pregnancy was the last thing that she expected. Detained under the Unborn Child Protection Act and forced into the Wisconsin Individual Family Education program with her on-again, off-again boyfriend, Rylee struggles to navigate in a world that has reduced her to a walking womb. Can this strong-willed mother-to-be reclaim her life . . . and her future?

Two women awaken from a drugged sleep to find themselves imprisoned in an abandoned property in the middle of a desert. The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. But most of all, it is the story of two friends, their sisterly love and courage.

An unexpected solar storm destroys the U.S. power grid and unravels civilization. Natasha is a student from a nomadic Siberia tribe trying to adjust to her new life in New York and fit in. But when a cataclysmic solar storm slams into the planet, everything changes. Lightning storms hammer the entire globe, burning and destroying everything they touch. The electrical grid goes down. Fires rage out of control. Cars and electronics quit working. Help isn’t coming. Time is short to flee from a now-lawless city with millions of hungry people who are becoming increasingly desperate.

Cassie West licenses crimes for V.I.C.E, spending long hours convincing grieving families to allow her to sell their tragedies to the highest bidder. Life is hard and the cost of living high, but she and her husband Harris have never been happier. After years of trying, Cassie is finally pregnant. But leaving work late one evening, Cassie starts to worry. Harris isn't responding to texts or calls. Even worse, dozens of emergency drones seem to be heading in the same direction as she is: straight to their home.

In a country bent on controlling women’s bodily autonomy and reproductive freedom, a resistance has formed. An armed group of women known as the Hamiyat have made a name for themselves protecting those too weak to fight back. And now they are going on the offensive. Three women among its ranks must make the hardest choices of their lives.

When a series of disappearances throughout the city is linked to a prevalent line of implants called Eloise IV, forensic psychologist Kat Holinger is brought onboard to find the connection. Using a mysterious device called Eidetica to burrow into the archived memories of each implant’s abducted user, Kat and its creator Quentin Rhodes are launched into the peculiarities of the human mind.

In Scotland, in the not too distant future, Elaine, a partially sighted woman in her 60s, enters an exit facility. Down on her uppers, she is in search of a swift, free, and dignified death so that she can preserve her last remaining asset–a small flat–for her daughter to inherit. But once Elaine has checked in and finds her “Exit” delayed, the enforced wait leads her to question her choice and, more importantly, the state’s motives.

O governo decreta que as mulheres só podem falar 100 palavras por dia. A Dra. Jean McClellan está em negação. Ela não acredita que isso esteja acontecendo de verdade. Em pouco tempo, as mulheres também são impedidas de trabalhar e os professores não ensinam mais as meninas a ler e escrever. Antes, cada pessoa falava em média 16 mil palavras por dia, mas agora as mulheres só têm 100 palavras para se fazer ouvir. Lutando por si mesma, sua filha e todas as mulheres silenciadas, Jean vai reivindicar sua voz.

The constant threat of terrorism has left London under round-the-clock surveillance and in the tightening grip of privatised security firms. Journalist Antonia Conti suspects one such organisation—GRM—not only of being behind several women’s disappearances, but of financing the widespread violence it claims to fight. When a gang of hitmen use rampant state surveillance to track Antonia down, she narrowly escapes with her life. But then one of them turns up dead—covered in her DNA—and Antonia finds herself the prime suspect in his murder.

Melbourne, February 2100. Emma Cartwright has 28 days left to find work, otherwise she must report to the Productive Citizens Bureau and accept any vacancy, regardless of location, pay, or conditions. At 70, Emma could opt for voluntary euthanasia, but she has her student son Jack to support. After a chance meeting with the eccentric Cal Ritchie, founder of the clandestine group Citizens’ Voice and supporter of those fleeing repressive laws to live in bush camps, Emma is determined to escape her life of compliance.

The Chai House is a haunting debut novel that explores the complexity of community when individuals are unaware of their own roles in upholding systems of oppression. Swati has spent her entire life trying to live up to her family’s expectations of her. She has learned it is easiest to just do what is asked of her, without resistance; a skill that has helped her survive in the early years of the Knights, an authoritarian regime. When her mother has a request for Swati, she agrees to it as it is the only way to help her young niece have some sort of future.

In un piccolo paese dell'isola la gente comincia a morire, lanciandosi da balconi e scarpate: nessuno ha un motivo apparente, ma tutti un vago sorriso. I casi ormai non si contano più e la stampa internazionale si riversa nella cittadina per documentare gli eventi. Quando, nel timore di un'epidemia planetaria, si spegnerà il faro dell'attenzione, gli abitanti resteranno soli e prigionieri a sprofondare nel regno delle ombre. Non soli del tutto, però. È rimasto in paese uno scrittore di gialli per affrontare il mistero di quei suicidi felici.

From the incomparable crafter of nine cross-genre works of fiction, Lisa de Nikolits expands her horizons to pen a grab-you-by-the-throat, feminist speculative-fiction thriller in the style of Groundhog Day meets The Matrix. The perfect father kills his family on Christmas Eve, and tries to undo his actions by jumping back in time. The result is murder and mayhem in dystopia.

In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom.