Dystopian Literary Fiction

Being alive is hard. Being human is harder. But since his recent recovery from death, R is making progress. He's learning how to read, how to speak, maybe even how to love, and the city's undead population is showing signs of life. R can almost imagine a future with Julie, this girl who restarted his heart - building a new world from the ashes of the old one.

After the Last War destroyed most of the world, survivors form a new society in four self-sustaining cities in the Mojave Desert. Everything is carefully planned and controlled: the seasons, the weather - and the residents. To prevent mankind from destroying each other again, its citizens undergo a memory wipe every four years in a process called tabula rasa, a blank slate, to remove learned prejudices. With each new cycle, they begin again with new names, jobs, homes, and lives. No memories. No attachments. No wars.

Years ago, just before the country was incinerated to wasteland, 10 men and their families colonized an island off the coast. They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers - chosen male descendants of the original 10 - are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires.

Ten years after the collapse, Huxley has built a good life again. He has a loving wife, a farm with fields of golden barley, and a daughter with a strange and wonderful gift. Then the slavers come. Working out in the fields during the attack, Huxley returns too late. His daughter has been taken, and his wife is bleeding out, her last whispered words about a man with a scorpion tattoo on his neck. Where do the slavers go? Huxley has no idea. He knows only that they head east, and so will he, setting out on foot across the desert of the Wastelands.

Flora 717 is a sanitation worker, a member of the lowest caste in her orchard hive, where work and sacrifice are the highest virtues and worship of the beloved Queen the only religion. But Flora is not like other bees. With circumstances threatening the hive's survival, her curiosity is regarded as a dangerous flaw, but her courage and strength are assets. She is allowed to feed the newborns in the royal nursery and then to become a forager, flying alone and free to collect nectar and pollen.

King has tenderly staked out a territory for his wife and three daughters, Grace, Lia, and Sky. He has lain the barbed wire; he has anchored the buoys in the water; he has marked out a clear message: Do not enter. Or viewed from another angle: Not safe to leave. Here women are protected from the chaos and violence of men on the mainland. The cult-like rituals and therapies they endure fortify them from the spreading toxicity of a degrading world. But when their father, the only man they've ever seen, disappears, they retreat further inward until the day two men and a boy wash ashore.

All residents of the City have recently died, and they will remain in the City only as long as someone still living on Earth remembers them. On Earth, however, the population has been devastated by a terrible pandemic. Laura Byrd, isolated at an Antarctic research station, may be the only person to have survived the pandemic. But she's running out of time and supplies, and her memories are fading.

Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Can it be that Todbaum wants to produce one more extravaganza?

At the end of the 21st century - in a transformed America - the families of convicted felons are tested for a set of genetic markers. Boys who test positive become compulsory wards of the state - removed from their homes and raised on "Goodhouse" campuses, where they learn to reform their darkest thoughts and impulses. Goodhouse is a feral place.

Global warming has changed the world's geography and its politics. Wars are waged over water, and China rules Europe, including the Scandinavian Union, which is occupied by the power state of New Qian. In this far north place, 17-year-old Noria Kaitio is learning to become a tea master like her father, a position that holds great responsibility and great secrets. Tea masters alone know the location of hidden water sources, including the natural spring that Noria's father tends. But after her father's death the army starts watching their town - and Noria.

As a child, Linda Russell was left to raise herself in a 20-acre walled-off property in rural Washington. The woods were her home, and for 12 years she lived oblivious to a stark and terrible truth: Her mother had birthed her only to replace another daughter who died in a tragic accident years before. Then one day Linda witnesses something she wasn’t meant to see.

Daniel Quinn, well known for Ishmael - a life-changing book for readers the world over - once again turns the tables and creates an otherworld that is very like our own, yet fascinating beyond words. Imagine that Nazi Germany was the first to develop an atomic bomb and the Allies surrendered. America was never bombed, occupied, or even invaded, but was nonetheless forced to recognize Nazi world dominance....

Japan, after suffering from a massive irreparable disaster, cuts itself off from the world. Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient - frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism.

See the rain forests...northern beauty, misted nights. Come to Lighthouse Island.... In the coming centuries, the world's population has exploded and covered the Earth with endless cities. Animals are nearly all gone. Drought plagues the land and cloudy water is issued by the quart. There are no maps, no borders, no numbered years. On this urban planet the only relief from the overcrowding, the petty informers, and the harsh rule of the big Agencies is the television in every living space, offering dreams of vanished waterfalls and the promise of virtual vacations in green spaces for the lucky few.

In a profoundly strange country called Inner Horner, large enough for only one resident at a time, citizens waiting to enter the country fall under the rule of the power-hungry and tyrannical Phil, setting off a chain of injustice and mass hysteria. An Animal Farm for the 21st century, this is an incendiary political satire of unprecedented imagination, spiky humor, and cautionary appreciation for the hysteric in everyone.

The Dark River opens in New York City with a stunning piece of news. Gabriel's father, who has been missing for nearly 20 years, may still be alive and trapped somewhere in Europe. Gabriel and his Harlequin protector, Maya, immediately mobilize to escape New York and find the long-lost Traveler.

Shelby is struggling with parenthood, marriage, a passive-aggressive mother, and unemployment. But she also has a sweet escape in her beloved Hallmark movies. When a secret admirer promises to sweep her away into a world of those same romantic tropes, the temptation is so heady, Shelby can already smell the pumpkin spice. But this rom-com dream has a whiff of conspiracy....

The first novel Nabokov wrote while living in America, and the most overtly political novel he ever wrote, Bend Sinister is a modern classic. While it is filled with veiled puns and characteristically delightful wordplay, it is, first and foremost, a haunting and compelling narrative about a civilized man caught in the tyranny of a police state. Professor Adam Krug, the country's foremost philosopher, offers the only hope of resistance to Paduk, dictator and leader of the Party of the Average Man.

In the not-so-distant future, the forecasted "death of print" has become a reality. Anana Johnson works with her father, Doug, at the North American Dictionary of the English Language, where he is hard at work on the last edition that will ever be printed. Doug is a staunchly anti-meme, anti-tech intellectual who fondly remembers the days when people used e-mail to communicate - or even actually spoke to one another. One evening, Doug disappears, leaving a single written clue: ALICE - a code word he and Anana devised to signal if one of them ever fell into harm's way.

Frankie finds that the bonobos she's studying are as complex as the humans she's working alongside. Their personalities are strong and distinct, and reigning over it all is Mama, the commanding, matriarchal leader of the group. Frankie comes to know the bonobos and to further develop her groundbreaking theory with the help of her research partner, a man with a complicated past and perhaps a place in her future. And then something changes everything, and the lines that divide them - between subject and scientist, between colleague and companion - begin to blur.