English Gothic

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

Theodora Goss's first major short story collection showcases such stories as "The Rose in Twelve Petals," "The Rapid Advance of Sorrow," "Lily, With Clouds," "In the Forest of Forgetting," "Sleeping With Bears," and many more.

It’s 1852 and Margaret Lennox, a young widow, attempts to escape the shadows of her past by taking a position as governess to an only child, Louis, at an isolated country house in the west of England. But Margaret soon starts to feel that something isn’t quite right. There are strange figures in the dark, tensions between servants, and an abandoned east wing. Even stranger is the local gossip surrounding Mrs. Eversham, Louis’s widowed mother, who is deeply distrusted in the village.

For more than two centuries, Winterbourne Hall has stood atop a bluff overseeing the English countryside of Cornwall and the sea beyond. In 1947, Londoner Alice Miller accepts a post as governess at Winterbourne, looking after Captain Jonathan de Grey’s twin children. Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then, the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled.

When Rilke, a dissolute auctioneer, comes upon a hidden collection of violent and highly disturbing photographs, he feels compelled to discover more about the deceased owner who coveted them. Soon he finds himself sucked into an underworld of crime, depravity and secret desire, fighting for his life.

Seven months ago, Ollie surrendered to the darkness, abandoning me in the process. He stripped me of my walls, only to leave me defenseless. Now he's back, along with fresh new faces and obstacles standing in our way. He says to trust no one. Not even him. How am I supposed to be strong for us both when I'm losing my grip?

Sixteen-year-old Sage is a lonely child. Her adoptive parents watch her obsessively, as if studying her for warning signs of...something. And maybe they're right to - even she can't make sense of the strange things she sees and hears. She possesses knowledge that other teenagers don't, that her parents and teachers - no adult - could possibly have. So when Sage finally makes a friend who understands her alarming gift, he becomes her confidant, a precarious link to the truth about who she really is.

From book one: Being able to rip the soul out of a creature, store it in a precious gem, and use it to cast spells might make me the most powerful student at the Astra Argent Magical Academy. Only I can’t tell anybody about it. Because it's illegal, and they’ll kill me if they find out. But they need me whether they know it yet or not, so I’m going to capture a lot of souls and cast a lot of spells. This is gonna be a crazy semester. This is a monster-girl harem dark-magic academy story.

In 1897, at the age of 50, Bram Stoker was touring manager to the actor Henry Irving and was enjoying a modest success as a journalist and writer. Publication in that year of Dracula was to bring him international and lasting fame.

The last time Maeve saw her cousin was the night she escaped the cult they were raised in. For the past two decades, Maeve has worked hard to build a normal life in New York City, where she keeps everything—and everyone—at a safe distance. When Andrea suddenly reappears, Maeve regains the only true friend she’s ever had. Soon she’s spending more time at Andrea’s remote Catskills estate than in her own cramped apartment. Maeve doesn’t even mind that her cousin’s wealthy work friends clearly disapprove of her single lifestyle.

Once upon a time Orla was: a woman, a painter, a lover. Now she is a mother and a wife, and when her husband Nick suggests that their city apartment has grown too small for their lives, she agrees, in part because she does agree, and in part because she is too tired to think about what she really does want. She agrees again when Nick announces with pride that he has found an antiquated Georgian house on the Dorset cliffs—a good house for children, he says, tons of space and gorgeous grounds. But as the family settles into the mansion—Orla finds herself unsettled.

In a place and time unknown, two elderly sisters live in a walled garden, secluded from the outside world. Evelyn and Lily have only ever known each other. What was before the garden, they have forgotten; what lies beyond it, they do not know. Each day is spent in languid service to their home: tending the bees, planting the crops, and dutifully following the instructions of the almanac written by their mother. So when a nameless boy is found hiding in the boarded house at the center of their isolated grounds, their once solitary lives are irrevocably disrupted.

With its irrepressible heroine and playful literary games, Northanger Abbey is the most youthful and optimistic of Jane Austen's novels. It tells the story of young, impressionable Catherine Morland, whose first experience of fashionable society introduces her to the thrills of gothic romances, and to the sophisticated Tilneys, who invite her to their family home, Northanger Abbey. But there, influenced by novels of horror and intrigue, Catherine begins to think that terrible crimes are being committed, and her imagination threatens to run away with her.

At 10 years old, Hadley Dixon's life changed forever. Since those few tragic weeks, she's tried to keep the past buried, but old bones have a way of rising up. Grown now, Hadley can't hide any longer. Haunted by a boy who never made it home, a woman who sings in moonlight and dances in flames, and the strange, scarred recluse who watches it all from the shadow of the pines, the time has come for Hadley to pay for her sins.

It’s the summer of 1980 in Cleveland, Ohio, and Phoebe Shaw and her best friend Jacqueline have just graduated high school, only to confront an ugly, uncertain future. Across the city, abandoned factories populate the skyline; meanwhile at the shore, one strong spark, and the Cuyahoga River might catch fire. But none of that compares to what’s happening in their own west side neighborhood. The girls Phoebe and Jacqueline have grown up with are changing. It starts with footprints of dark water on the sidewalk. Then, one by one, the girls’ bodies wither away....

The startling conclusion to the instant New York Times bes-tselling Something Dark and Holy trilogy The girl, the monster, the prince, the queen. They broke the world. And some things can never be undone. In Emily A. Duncan’s Blessed Monsters, they must unite once more to fight the dark chaos they've unleashed - but is it already too late?

In the deep woods of East Texas, Henry supports his family by selling bootleg liquor. It's all he can do to keep his compassionate but ailing mother and his stepfather - a fanatical grassroots minister with a bruising rhetoric - from ruin. But they have no idea they've become the obsession of the girl in the woods. Andoned and nearly feral, Eve has been watching them, seduced by the notion of family - something she's known only in the most brutal sense. Soon she can't resist the temptation to get close.

It is the nineteenth century, the twilight of Europe’s bloody bacchanals, and a vampire must escape. She arrives to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city. She adapts, intermingles with humans, and attempts to be discreet.

After the Great War, American heiress Ruby Vaughn made a life for herself running a rare bookstore alongside her octogenarian employer and house mate in Exeter. She’s always avoided dwelling on the past, even before the war, but it always has a way of finding her. When Ruby is forced to deliver a box of books to a folk healer living deep in the Cornish countryside, she is brought back to the one place she swore she’d never return. A more sensible soul would have delivered the package and left without rehashing old wounds. But no one has ever accused Ruby of being sensible.

This second Gothic novel in the dark Mirror Sisters trilogy continues the tale of sisterly love at its absolute worst - from the legendary New York Times best-selling author of Flowers in the Attic and the My Sweet Audrina series (now Lifetime movies). For fans of Ruth Ware ( In a Dark, Dark Wood) and Liane Moriarty ( The Husband's Secret).