English Irish

Compact Irish Phase 1, Unit 1 contains 30 minutes of spoken language practice, with an introductory conversation, and isolated vocabulary and structures. Detailed instructions enable you to understand and participate in the conversation. The lesson contains full practice for all vocabulary introduced in this unit.

Un jour de printemps, Mrs Dalloway, maîtresse de maison londonienne, s'apprête à donner une réception à Westminster. Tandis qu'au fil de la journée, Big Ben sonne les heures, les personnages s'affairent, vivant chacun à leur manière leur rapport au temps et aux autres. À travers les souvenirs et les réflexions des personnages se dévoilent apparences et faux-semblants et le temps ne devient plus qu'une succession d'événements minuscules et de bouleversements camouflés.

Ireland, AD 671. On the eve of the pagan feast of Samhain, Brother Eadulf and the warrior Aidan discover a man murdered in an unlit pyre in the heart of Cashel. He has been dressed in the robes of a religieux and killed by the ritualistic 'three deaths'. When a strange woman known as Brancheó appears in a raven-feather cloak foretelling of ancient gods returning to exact revenge upon the mortal world, she is quickly branded a suspect. But in their search for the killer, Sister Fidelma and Eadulf will soon discover a darker shadow looming over the fortress.

The Irish have always had a knack for telling wonderful stories, and their fantastic ability has been recognized from early Gaelic times. For centuries, stories of all kinds have been offered to friends and strangers alike as a form of entertainment and communication. Today in Ireland, the short story is revered even above the novel. Hearing these magnificent stories, we become aware of more than just the humor and travail of a small island.

Proud and canny, ignorant and intensely ambitious, Hannah Massey is a born ruler. Her kingdom may only be a working-class household in County Durham, but within its walls her iron will governs a predominantly male family, her word unchallengeable law. Now, in late middle age, her ambition is yet to be satisfied. She wants to see her brood living in the house where she was in service as a young girl. The apple of Hannah's eye is her pretty younger daughter, Rosie, who has just returned home after a spell in London.

The Old Wives' Tale is broken up into four parts, and the lives of two sisters are laid bare: one timid and unassuming, the other romantic and adventurous. From working as children in their family's drapery shop to their later years, Constance and Sophia's journey through life could not be more different. While one travels the world and defies male expectations, the other becomes a dutiful wife and mother.

The Mill on the Floss, first published in 1860, tells the story of Maggie Tulliver and her brother Tom as they grow from children to young adults in the small rural town of St. Ogg's, England. Intelligent and passionate, Maggie yearns to develop her mind and break free of the constraints of her provincial village. Though she loves her brother above anyone else, Tom's rigid, pragmatic personality often conflicts with Maggie's headstrong nature, with increasingly tragic consequences.

Thirty-four-year-old Jess is perfectly happy living the single life as a journalist in bustling Dublin – if only her mother would stop trying to set her up. She has the perfect escape when, working on her next column, she finds a vintage children’s book with a mysterious dedication to a little girl. Her research leads to a tumbledown farmhouse in a tiny Irish village. But grumpy, infuriatingly handsome owner Owen is a spanner in her story…

As the golden summer draws to a close and the Darcys look ahead to the end of their first year of marriage, Mr. Darcy could never have imagined that his love could grow even deeper with the passage of time. Elizabeth is unpredictable and lively, pulling Darcy out of his stern and serious demeanor with her teasing and temptation. Looking ahead and planning for celebrations and life events large and small, Lizzy can still catch Darcy unawares when he least expects it.

After an audacious assassination attempt on boss Daniel Kinahan's life, the Kinahan Cartel recruited an unprecedented number of killers to retaliate against their attackers, the Hutch gang. Kinahan Assassins is the compelling behind-the-scenes account of one man's thirst for vengeance and how it proved fatal for his organization. Kinahan Assassins has the stories of the men who killed for the cartel - including vulnerable drug addicts, a former British soldier, an MMA fighter and an invisible 'Mr Nobody' who acted as a cartel quartermaster - as well as those who gave them orders.

Gwendolen Harleth gambles her happiness when she marries a sadistic aristocrat for his money. Beautiful, neurotic, and self-centered, Gwendolen is trapped in an increasingly destructive relationship, and only her chance encounter with the idealistic Deronda seems to offer the hope of a brighter future. Deronda is searching for a vocation, and in embracing the Jewish cause he finds one that is both visionary and life-changing.

Oliver has always longed for a love just like his parents have—all three of them. He’s certain he’s already halfway to that happily ever after. His foster brother calls it wild, but Ollie knows they can find the woman of their dreams. Gavin has always accepted that life is just one disappointment after another. Growing up in the foster care system taught him that. Oliver is one of the few people he can trust, so he prefers they stay a two-man band.

Sinn Féin is the most popular political party in both Northern Ireland and the Republic. A movement once synonymous with a paramilitary campaign is on the brink of taking real power through purely democratic means. But if Sinn Féin has mastered the art of electoral politics, it remains strangely opaque. Who really runs the party? How is it funded? And what can we expect of it as a party of government? Aoife Moore, Irish Journalist of the Year in 2021, explores these and other burning questions in The Long Game.

Paddy Buckley is a grieving widower who has worked for years for Gallagher's, a long-established - some say the best - funeral home in Dublin. One night, while driving home after an unexpected encounter with a client, Paddy hits a pedestrian crossing the street. He pulls over and gets out of his car, intending to do the right thing. As he bends over to help the man, he recognizes him. It's Donal Cullen, brother of one of the most notorious mobsters in Dublin. And he's dead.

Dr. Vail Mifflin has been emotionally knocked out by his father’s murder. He can’t prove a thing, but hitmen from one of the mob families he dug up info about are the suspected culprits. They wanted Vail dead, not his father, who was caught in the crossfire. In a struggle with his grief and ADHD, which is worse with the additional stress, Vail isn’t himself. He leans heavily on Aspen, Fallon, Rowen, and Cillian to keep him safe while he tries to cope.

The Marriage of Heaven and Hell by the English poet William Blake consists of a series of texts written in the style of biblical prophecy but expressing Blake's own beliefs. Composed between 1790 and 1793, the book makes reference to Milton and Swedenborg, and adopts a device from Dante's Divine Comedy and Milton's Paradise Lost: a visit to hell. Blake expresses a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are both part of the divine order.

Le capitaine Marlow raconte sa remontée d'un grand fleuve africain sur un vapeur jusqu'au "cœur des ténèbres", à la recherche d'un certain Kurtz.

Rowen Shaughnessy thought he had the only man he needed—Dr. Vail Mifflin. But when Fallon shows interest, Rowen starts to question his entire view on the world, along with his feelings. How much love can one man give? Fallon has been a constant in Rowen’s life for months, and Rowen never paid much attention to the younger man until now. There is more to Fallon than meets the eye, and he deserves to be romanced. Rowen wants to play that part in Fallon’s life.

Cillian Shaughnessy has a reputation for being violent. He is the kind of killer who can get any job done, which is why his boss sends him and his partner in crime, Aspen, to Miami to finally rid the Killough Company of an enemy. As long as he has his best friend, Aspen, at his side, he can take on any assignment, no matter how difficult. No target stands a chance.

From Paris to Prague, from the past to the present, authors and artists say farewell in this unique collection. In this audiobook you'll find personal letters, reminiscences, poetry, art and brand new fiction from some of the most talented and important voices at work today, including Jessie Burton, Alain de Botton, Matt Haig, Richard Herring, Owen Jones, Mark Kermode, Robert Macfarlane, Kate Mosse, Chris Riddell, Lionel Shriver and many others.