English Poetry Literature

In this journey of self-expression and self-exploration, Wakefield Brewster overcomes educational systems, addiction, and mental despair to deliver messages of hope, wellness, and pride in his blackness. In his own words, “In an odyssey of self awareness and societal association, I have crafted a deeper communion with the world around me.”

Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī is commonly known to us as Hafiz, the Persian poet who was born in Shiraz, Iran, in either 1315 or 1317. The facts of much of his early life are unknown to us but it is said that, at an early age, he memorised many passages of the Quran and was therefore given the title of Hafiz, which means 'the memoriser or the safe keeper'. Hafiz mainly wrote lyric poetry or ghazals - an ideal form for expressing the ecstasy of the divine and the intoxicating mystical union with God.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives.

"Stopping by Woods on a Snowy Evening" is a poem written in 1922 by Robert Frost and published in 1923 in his New Hampshire volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance".

Zero at the Bone begins with Wiman's preoccupation with despair, and through fifty brief pieces, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman's thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and others join his own.

The Kalevala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology. The Kalevala was instrumental in the development of the Finnish national identity and the sense of nationality that led to Finland's independence from Russia in 1917. Beginning with the traditional Finnish creation myth, the Kalevala branches out into stories of the creation of the earth, plants, creatures, and the sky. There are many stories of, romance, kidnapping, seduction, and magical spell casting and singing.

William Cowper was born 26th November 1731 in Berkhamsted, Hertfordshire. Traumatically he and his brother, John, were the only siblings, out of seven, to survive infancy. His mother died when he was six. In 1763 he was offered a Clerkship of Journals in the House of Lords. With the examinations approaching, Cowper had a mental breakdown. He tried to commit suicide three times, and a period of depression and insanity seemed to settle on him. The end of this unhappy period saw him finding refuge in evangelical Christianity, becoming the inspiration behind his much-loved hymns.

Byron was the ideal of the Romantic poet, gaining notoriety for his scandalous private life and being described by one contemporary as "mad, bad and dangerous to know". Here, Tyrone Power reads a selection of his finest work.

A collection that acknowledges the challenges of wresting with the human condition, the infinite of one's own inner spirit confined to the finitude of one body, of one life, within the context of what it means to be an Artist; having to contend with inexhaustible dreams confined to limited abilities, and offers a means for the Artist and the Athlete to burn away that which does not serve their ends.

Sonata of the Soul is a collection of poetry expressing personal transformation, the beauty of the natural world, and the depths of spiritual awakening. Each poem bridges the mystical and the mundane, weaving elements of mysticism and personal memoir—drawing inspiration from Western science and Eastern philosophy, including Kundalini and Reiki. This collection encourages readers to find their own path to spiritual illumination, offering a sanctuary for contemplation and enlightenment.

New Hampshire features Frost's meditations on rural life, love, and death, delivered in the voice of a soft-spoken New Englander. Critics have long marveled at the poet's gift for capturing the speech of the region's natives and his realistic evocations of the area's landscapes. This compilation, first published in 1923, earned Frost the first of his four Pulitzer Prizes and includes several of his best-known poems: "Stopping by Woods on a Snowy Evening", "Nothing Gold Can Stay", and "Fire and Ice".

Following the innovative collection Spill, Alexis Pauline Gumbs's M Archive - the second book in a planned experimental triptych - is a series of poetic artifacts that speculatively documents the persistence of Black life following a worldwide cataclysm.

Known for his romantic and lyrical style of poetry, Yeats’s work was often inspired by Irish myths, spiritualism, love, longing and loss. His later work became more modernist in style, challenging poetic conventions and shifting to a political focus. In this definitive collection, you will find some of Yeats’s most noteworthy poems, written from the late nineteenth century right up until his death in 1939.

This Collection of 63 poems by various authors including Christina Rossetti, Thomas Ken, John Nelson Darby, Richard Baxter, Isaac Watts, Gerhardt Ter Steegan, Anne Ross Cousin and many others has been brought together in order that these spiritual truths and impressions, presented in poetical form, will comfort and edify God's people as they wrestle daily with the world, the flesh, and the devil.

After the bestselling I Wish I Knew, Donna Ashworth has now produced an extraordinary three-volume collection of poems that will touch and inspire every listener in the ups and downs we all face in love, in life and in loss. These brilliantly accessible poems bring delight, comfort and strength in the height of romance, the darkness of grief and the endlessly unpredictable moments in between.

Mind Platter is a compilation of reflections on life as seen through the eyes of an educator, student, and human who experienced her early days in silence. It is written in the words of a woman who came from Lebanon to Canada at the age of 16 and experienced what it was like to have fate push her to a place where she didn't belong. It is written in the voice of every person who has felt unheard, mistreated, misjudged, or unseen.

Welcome to Dante's The Divine Comedy, the ultimate journey to Paradise. Follow Italian writer and philosopher Dante Alighieri and his guide, the poet Virgil, through each circle of hell, over the mountain of Purgatory, and ultimately to Paradise, to be reunited with his beloved Beatrice. Dante meets many familiar faces among the sinners and the saved and learns many things of value throughout his long, dangerous journey.

The mystics who coined the phrase "the way of affirmation" understood the apocalyptic nature of the word yes, the way it can lead out of one life and into another. Moving among the languages of Christian conversion, Classical metamorphosis, seasonal transformation, and gender transition, Luke Hathaway tells the story of the love that rewired his being, asking each of us to experience the transfiguration that can follow upon saying yes—with all one’s heart, with all one’s soul, with all one’s mind, with all one’s strength ... and with all one’s body, too.

This is the audio program to play at home over Christmas or during the car journey to see relatives. Dylan Thomas, "The Little Match Girl," and "The Nutcracker" are read by Jenny Agutter with accompanying Tchaikovsky's music - this is a must for Christmas. It contains new recordings as well as some of the finest tracks from the Naxos AudioBooks catalogue.

Aster of Ceremonies asks what rites we need now and how poetry, astir in the asters, can help them along. What is the relationship between fleeing and feeling? How can the voices of those who came before—and the stutters that leaven those voices—carry into our present moment, mingling with our own? When Ellis writes, “Bring me the stolen will / Bring me the stolen well,” his voice is a conduit, his “me” is many.