English Renaissance

As dawn breaks over the city of Florence on New Year's Day 1557, Jacopo da Pontormo is discovered lying on the floor of a church, stabbed through the heart. Above him are the frescoes he labored over for more than a decade―masterpieces all, rivaling the works of Michelangelo in the Sistine Chapel. When guards search his quarters, they find an obscene painting of Venus and Cupid―with the face of Venus replaced by that of Maria de' Medici, the Duke of Florence's oldest daughter. The city erupts in chaos.

It was the splendor and the scandal of the age. In 1506, the ferociously ambitious Renaissance Pope Julius II tore down the most sacred shrine in Europe, the millennium-old St. Peter's Basilica built by the Emperor Constantine over the apostle's grave, to build a better basilica.

The Teutonic Knights were powerful and ferocious advocates of holy war. Their history is suffused with crusading, campaigning, and struggle. Feared by their enemies but respected by medieval Christendom, the knights and their Order maintained a firm hold over the Baltic and Northern Germany and established a formidable regime that flourished across Central Europe for 300 years. William Urban's narrative charts the rise and fall of the Order and, in an accessible and engaging style, throws light on a band of knights whose deeds and motives have long been misunderstood.

In the scorched city of Rome, the cobbled streets hum with gossip and sin. Costanza Piccolomini is a respectable young wife - until she meets Gianlorenzo Bernini, the famed sculptor and star of Roman society, whose jet-black gaze matches his dark temper. From the second they set eyes upon each other, a fatal attraction is born. Their secret love burns with a passion that consumes them. But with every stolen kiss and illicit tryst, Costanza's reputation is at stake. Meanwhile, Bernini has a dangerous desire: he wants to make Costanza immortal.

Cesare Aldo, a former soldier and now an officer of the Renaissance city's most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany—or suffer the consequences. During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de' Medici. If the duke falls, it will endanger the whole city. But a rival officer of the court is determined to expose details about Aldo’s private life that could lead to his ruin.

In sixteenth-century Venice, one young noblewoman dares to resist the choices made for her Venice in 1509 is on the brink of war. The displeasure of Pope Julius II is a continuing threat to the republic, as is the barely contained fighting in the countryside. Amid this turmoil, noblewoman...

In the gripping conclusion to Tracy Borman’s Stuart-era trilogy, Frances Gorges must face a dangerous new enemy deep within the court of James I.

With humor-filled personal tales and in-depth research, Carrie Lloyd will unfold the meaning behind the characteristics of nobility--self-sacrifice, humility, courage, self-conquest, integrity, honesty--all required for nurturing noble virtues. What would happen if we intentionally chose to live...

Scholars suggest the Renaissance started with the first scientific study of perspective. It was introduced in a treatise named De pictura, published in 1435. The author was Leon Battista Alberti (1404-1472). He was an Italian polymath.

What would you think if, in your old age, the doctors tell you that you only have a couple years left to live, and even ultra-modern medical technology is powerless to help? Some may spend their remaining years at the bottom of a bottle, others may choose to spend it quietly, with family...But there are also those who are ready to leave everything behind. Volper is one of those who has decided to have one last hurrah and immerse himself in a virtual reality.

The Crime Writers' Association Historical Dagger Winning Author 'Brilliant' – Ian Rankin 'Full of dash and atmosphere' – The Times Venice. Winter, 1539. When Cesare Aldo learns of a conspiracy to assassinate Duke Cosimo de’ Medici, he is hired to protect the ruler of Florence – with his...

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

This superb account of the siege emphasises the crucial importance of the siege while at the same time putting it in a far wider context. While seen as a climactic battle between the West and the East, it was also much more nuanced than that – both sides had many other interests and priorities beyond Malta. Suleiman the Magnificent had conquered and subsumed regions from Hungary to the Persian Gulf; Philip II was building an empire in America and Asia.

From the New York Times bestselling author of A Long Strange Trip and the publicist of the Grateful Dead, a riveting social history of everything that led up to the 1960s counterculture movement. Few cities represent the countercultural movement of the 1960s more than San Francisco. By that...

Tom Swan - soldier, scholar, bastard, spy. Tom Swan and his friends are trying to save Europe from the Turks, but most of his adversaries seem to be other Europeans. This time, an unnamed cabal is trying to kill him and, incidentally, ruin the banks and trade of England, France and Italy. Join Tom Swan on his latest adventure as the likes of Cosimo di Medici, Warwick the Kingmaker, Bessarion the cardinal and Aneas Picclomini the Pope show Tom the Renaissance in all its deadly glory!

On August 22, 1485, at Bosworth Field, Richard III fell, the Wars of the Roses ended, and the Tudor dynasty began. The clash is so significant because it marks the break between medieval and modern; yet how much do we really know about this historical landmark? Michael K. Jones uses archival discoveries to show Richard III's defeat was by no means inevitable and was achieved only through extraordinary chance. He relocates the battle away from the site recognized for more than 500 years.

Jacob Fugger lived in Germany at the turn of the 16th century, the grandson of a peasant. By the time he died, his fortune amounted to nearly 2 percent of European GDP. Not even John D. Rockefeller had that kind of wealth. Most people become rich by spotting opportunities, pioneering new technologies, or besting opponents in negotiations. Fugger did all that, but he had an extra quality that allowed him to rise even higher: nerve.

In 1474, a 23-year-old woman ascended the throne of Castile, the largest and strongest kingdom in Spain. Ahead of her lay the considerable challenge not only of being a young female ruler in an overwhelmingly male-dominated world but also of reforming a major European kingdom that was riddled with crime, corruption, and violent political factionism. Her pivotal reign was long and transformative, uniting Spain and setting the stage for its golden era of global dominance.

Scotland, 1468: a nation at the edge of Europe, a civilization on the threshold of the Modern Age. Merchants, musicians, politicians, and pageantry fill the court of King James III. In its midst, Nicholas seeks to avenge his bride's claim that she carries the bastard of his archenemy, Simon St. Pol. When she flees before Nicholas can determine whether or not the rumored child is his own-or exists at all-Nicholas gives chase. So begins the deadly game of cat and mouse that will lead him from the infested cisterns of Cairo to the misted canals of Venice at carnival.