English Theater

Michelle has been figuring out what her life is like now that the demon has been killed, and Sylvia and Varro are dead. Even the clans of witches trying to attract her to their way of life have backed off and given her a chance to grieve. Her relationship with Elron is stronger than ever, but there are things left unsaid. On the way to her parents' wedding, the delicate calm she’d been living in is broken. Witches are out for her blood, her family is caught in the crossfire, and friendships are threatened.

REBEL IN VENUS takes place over one 'girl's night in' spent between best friends, Maria and Layla. Over the course of the witty and unexpected evening, Layla's memory is jolted, and her once carefully repressed past begins to return to her, triggering a sequence of events that ultimately jeopardizes Layla's unconventional life. In REBEL IN VENUS, the bold, and sometimes brutally honest stories that unfold, are filled with sexual revelations, high-school humiliations, unwanted pregnancies, unwavering friendships, sex work, divorce, and loss.

Following his massive personal loss in the second book, Oric Rune reaches the city of Tael to join Lothar and Sam Raid. Battered and bruised but not yet ready to give up on his quest to save Unigaea, Oric and company set off for Tagvornin to address the Red Plague. With a newfound mission and time running out as the Red Plague continues to spread, the moment for Oric to make his mark on Unigaea is now. But will he be able to? And is it even possible?

Conor Night, the world's only necromancer, has finally learned what it means to be the world's only necromancer. It’s a lesson he wishes he had never received, because thanks to him an ancient wizard with an apocalyptic agenda is back in business, ready to finish cleaning house. Even worse? He’s the only one who can stop it. He’s been living on a roll of the dice for years, but the stakes have never been higher, and the outcome never so clear: To save the world, he has to die.

Actor and comedian Kevin O'Brien performs Mark Twain's classic—and delivers four lectures analyzing the brilliance of this great American novel.

Just off of Highway 95 in the state of Nevada, there lies the small town of Tonopah. For miles around, it's desolate and in the silence, there lies one lonely motel. Across from the motel is an old cemetery, where miners were buried. It's not the ghosts within the cemetery that will make you run in fear.... For those of you faint of heart and fearful of clowns, this is not a delicate story.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

'That Ever Lovin Wife of Hymies' and 'A Light in France' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

With his ongoing exploration into actor behavior and an ever-innovative body of work, Richard Maxwell has written a study guide to the art of making theater. This illuminating volume provides a deeper understanding of his work, aesthetic philosophy, and process for creating theater.

Alex/Xeal tried to let things come to him and in doing so things escalated quickly almost ending in disaster for him. Now it’s time for him to make his will known and assert himself on those who wish to assert themselves on him. As forces from both reality and Eternal Dominion try to manipulate Alex/Xeal for their own designs, will he succeed, or will he find himself overwhelmed and bogged down by the plans of others?

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Like many teenagers, there's a lot about Daniel Meadows' life that's out of his control. For example, having to start in a new school district for his freshman year of high school thanks to his dad's new job. Inside the realm of his control, however, is the decision to try a brand-new sport purely to impress a girl. But the day of tennis tryouts proves far more fateful than Dan ever could have imagined, when a failed attempt by Truck-kun and the powers that be to kill him and transport his consciousness to a fantasy realm leaves him on Earth with miraculous abilities instead.