English Theater

REBEL IN VENUS takes place over one 'girl's night in' spent between best friends, Maria and Layla. Over the course of the witty and unexpected evening, Layla's memory is jolted, and her once carefully repressed past begins to return to her, triggering a sequence of events that ultimately jeopardizes Layla's unconventional life. In REBEL IN VENUS, the bold, and sometimes brutally honest stories that unfold, are filled with sexual revelations, high-school humiliations, unwanted pregnancies, unwavering friendships, sex work, divorce, and loss.

I was a just normal guy until the night the cherry blossoms bloomed, the night that Grace appeared on my doorstep. A failed sci-fi writer, a gamer, but a normal guy nonetheless. Grace was everything I was not - a psychic shifter, beautiful beyond my wildest imagination, a government conspiracy waiting to be unraveled. And that was before the second superpowered woman showed up to kill us both.

The third in the Pearl Sands Beach Resort cozy-mystery series finds retired detective and private investigator Charlene Charlie Davis solving another murder. If you like fast-paced mysteries with interesting characters, a mischievous monkey, and unexpected twists, you’re going to love Pearl Sands.

'That Ever Lovin Wife of Hymies' and 'A Light in France' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

With his ongoing exploration into actor behavior and an ever-innovative body of work, Richard Maxwell has written a study guide to the art of making theater. This illuminating volume provides a deeper understanding of his work, aesthetic philosophy, and process for creating theater.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Like many teenagers, there's a lot about Daniel Meadows' life that's out of his control. For example, having to start in a new school district for his freshman year of high school thanks to his dad's new job. Inside the realm of his control, however, is the decision to try a brand-new sport purely to impress a girl. But the day of tennis tryouts proves far more fateful than Dan ever could have imagined, when a failed attempt by Truck-kun and the powers that be to kill him and transport his consciousness to a fantasy realm leaves him on Earth with miraculous abilities instead.

In the city of Puerto Manada, orphans never get a chance they don’t make for themselves—especially not rare badgerboy orphans, such as the unnamed protagonist. Struggling to even find a little bread to feed himself, he survives by working as a pickpocket for local crime bosses, while his world is ravaged by a war between its two great superpowers. But everything changes when an enigmatic member of the elite wolfmen hands the badgerboy a mysterious package to deliver to a faraway land.

Daniel's Guide to Early Retirement: 1. Intercept illegal money transfer from mafia boss. 2. Hide out in super-exclusive Full Immersion Virtual Reality game until the heat is off. 3. Roll a bard. Max out charisma. Live it up. 4. Profit. With all the pesky planning out of the way, Daniel set out to realize his ultimate dream: gaining enough money to buy a tropical island and spend his days playing the violin and RPGs. What could possibly go wrong?

Jack is back! He is once again joined by his loyal friend Gooch and his loveable familiar Rat Damon as they attempt to save Earth from the might of the Ravanan Empire. With the addition of two newcomers from earth, the party continues their quest to shut down power sources, make friendly with the natives, and be excellent to each other.

Jace's old life is gone. Earth is a memory, replaced by a game world where survival itself is a challenge. But even if given a choice, Jace would never go back. He is a Northblood now, descendant of a proud barbarian lineage that once reigned over the chill realm he now calls home.

The reason that Oric Rune became a Player Killer continues to loom at the back of his mind as he makes his way north with Sam Raid and Wolf. All is well until an ambush throws a wrench in their plans, forcing Oric to come to grips with his digital existence, and the fragile lives of those closest to him. With the Red Plague spreading, and the denizens of Unigaea becoming increasingly hostile, Oric must decide if he should go after those who have ambushed and betrayed him, or ride north to the Rune Lands and address the Red Plague head on.