English Theater

Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time 400 years - to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life - in none other than William Shakespeare.

It's the first real summer since the devastating accident that killed Cedar's father and younger brother, Ben. But now Cedar and what's left of her family are returning to the town of Iron Creek for the summer. They're just settling in to their new house when a boy named Leo, dressed in costume, rides by on his bike. Intrigued, Cedar follows him to the renowned Summerlost theatre festival. Soon she not only has a new friend in Leo and a job working concessions at the festival, but she finds herself surrounded by mystery.

From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. The Playbook takes us through some of its most remarkable productions.

Songbird Gloria Houghton has always needed to be the center of attention, but the spotlight has shifted. Seeking fame and a fresh start, she finds a new stage in Branson, Missouri...only to risk being replaced by a manipulative rival. Jack-of-all-trades Nick Sherwood is just one leaf on a vast family tree that includes a restaurant chef, hotel owners, and even the headline act at a family-owned theater. He's seen how fame can blind a person with jealousy. If only he wasn't so fascinated - and irritated - by the newest addition to the staff.

Danielle Lefontaine, an orphaned actress raised to the lullaby of Broadway, searches for her long-lost brother and her place on the stage. After a successful audition lands her a part in the same city his adoptive family had moved to, Dani believes she's finally close to finding her place to belong. Meanwhile, Alex Sheridan is living his dream playing the trumpet at his family's dinner theater. He's got everything he ever wanted…except someone special to share it with.

Free-spirited Elizabeth Foster turned her back on her father's photography business — and her faith — to pursue musical theater instead. Now, with a one-show contract, Liz is a few weeks away from unemployment forcing her back home when a chance encounter in the theater lobby resurrects her childhood dream of a life behind the camera. Meanwhile, sought-after photographer Ryan Callahan has put his freelance career on hold to help his sister's family while her husband is deployed. After another heart-breaking rejection by her father, Ryan is there to pick up the pieces.

Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City during what is now known as the golden age of musical theater. Toward the latter half of the 20th century, decentralization and deindustrialization brought the emergence of nationally distributed regional theaters and performing arts centers.

The Sit Room brings you inside the secretive Situation Room of the White House, the most important deliberative room in the world, during the early 1990s when the author was one of the policymakers who framed the Clinton Administration's policy toward the bloody Balkans War. Drawing upon newly declassified documents and his own notes, David Scheffer, who later became America's first Ambassador-at-Large for War Crimes Issues, weaves the true story of how policy options were debated in the Sit Room among the highest national security officials.

Oric Rune, A Player Killer with nothing left to lose, wants nothing more than to avenge the villagers of Ducat, who were butchered before his very eyes by the Drachma Killers. But with the people of the Rune Lands encroaching on the southern cities of Unigaea, and something brewing in the sky that could prove fatal to the entire online world, Oric must make the choice between personal vengeance, and becoming the hero he is destined to be. Joining him on his epic journey are a giant Tagvornin wolf, a mute Solar Mage, and a cunning illusionist named Sam Raid.

The adventures of a talking wooden puppet who yearns to become a real boy.

Blending a behind-the-scenes history of New York City’s Public Theater with an affecting remembrance of her husband, Public Theater founder Joe Papp, Public/Private is Gail Merrifield Papp’s enthralling and heartfelt memoir of a legendary theatrical institution.

Few actors have had a career as dynamic as that Kathleen Turner's; success has followed her from the television screen to major blockbusters, from indie films to the theater stage. Over her 40-year career, Turner has developed an instinctual knowledge of what it takes to be a successful actor, and, in her conversations with esteemed film professor Dustin Morrow, she shares these lessons with the world.

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

In considerable operational detail, this chronicle captures not only the logistical nightmare of fighting in the CBI theater, but also the impossible dilemma confronted by colonial subjects in Asia during an inescapable global conflict. Should they trade a western colonial power for a Japanese version? Should the Burmese National Army betray Japan and ally with the British and Allied forces? Could Japan be trusted to “Free India” within a “Greater East Asian Co-Prosperity Sphere” as the India National Army hoped?

Lessons from the Set is a comprehensive filmmaking guide that takes a cinephile’s do-it-yourself approach to low-budget indie film production and distribution. The book is peppered with filmmaking tips and tricks, as well as valuable, practical insight into the process of writing, directing, producing, and distributing commercial feature films on a low budget - whether you’re working with $1,000 or $1 million.

After receiving a request for aid from a beautiful and mysterious messenger, Lee and his inner circle travel to nearby Birnefeld, a large and prosperous city ruled by the dragon king. Before he ever arrives, however, Lee encounters a group of marauders ransacking the countryside, meets a strange new herald who has set up camp in the region, and receives the dire news that the hero Brigid of Kildare has gone missing. To make things worse, a powerful new enemy is stalking him from the shadows, toying with his dreams, and striking at his closest relationships.

Uncertain Allies looks at the United States military's experience in the China-Burma-India (CBI) theater during World War II through the eyes of Joseph Stilwell, the commanding general of American forces in those three countries. Historian Eric Setzekorn focuses on two themes: uncertain allies and ambiguous missions.

Carl thought his life was on track until disaster struck. Now he looks like a 35-year-old and is out of points, so he needs to scramble to change the situation before anyone finds out the truth. The question is, what should he do next? Buy more businesses, or focus on his love life? And always in the background is his family, wondering what happened to their father and grandfather and if he will ever talk to them again. Follow Carl as he discovers new ways of living when he is nearing the end of his own life.

Broadway’s most esteemed visionaries tell all - how they got started in the business, how they chose projects, how they raise money, why some of their shows were huge hits and others flopped, and much more. From Flo Ziegfeld and David Merrick, from Joseph Papp, from Cameron Mackintosh, from today’s up-and-coming new generation of producers - here are priceless words of wisdom.

Why would the multimillionaire producer of Cats, The Phantom of the Opera, and Miss Saigon take his limo from Manhattan to the struggling former steel town of Levittown, Pennsylvania, to see a high school production of Les Misérables? To see the show performed by the astoundingly successful theater company at Harry S Truman High School, run by its legendary director, Lou Volpe. Broadway turns to Truman High when trying out controversial shows such as Rent and Spring Awakening before they move on to high school theater programs across the nation. Volpe’s students from this blue-collar town go on to become Emmy-winning producers, entertainment executives, newscasters, and community-theater founders.