Entertainment History

In Tinder Box, Tony Hatch, former CBS reporter and Emmy Award winner, tells the Iroquois story as it has never been told before. In a rush to open the theater on time, corners were cut, and the Iroquois lacked the most basic fire-fighting equipment: sprinklers, fire alarm boxes, backstage telephone, exit signs, and functioning asbestos curtain. Some exits, for aesthetic reasons, were hidden behind heavy draperies, doors opened inward, and exterior fire escapes were unfinished.

Is the Dude a bowling-loving stoner or a philosophical genius living the good life? Naturally, it's the latter, and The Big Lebowski and Philosophy explains why. Enlisting the help of great thinkers like Plato and Nietzsche, the book explores the movie's hidden philosophical layers, cultural reflection, and political commentary.

On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle. The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty's bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages.

In this mixture of cultural and social history that is both scholarly and vastly entertaining, Eyman dispels the myths and gives us the missing chapter in the history of Hollywood, the ribbon of dreams by which America conquered the world.

Now Tom Santopietro has written the ultimate Sound of Music fan audiobook with all the inside dope, from behind-the-scenes stories of the filming in Austria and Hollywood to new interviews with Johannes von Trapp and others. Santopietro looks back at the real-life story of Maria von Trapp, goes on to chronicle the sensational success of the Broadway musical, and recounts the story of the near cancellation of the film when Cleopatra bankrupted 20th Century Fox.

Nearly 20 years in the making, Can't Buy Me Love is a masterful work of group biography, cultural history, and musical criticism. That the Beatles were an unprecedented phenomenon is a given. Here Jonathan Gould seeks to explain why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise.

Reflective and expansive, Mirror in the Sky situates Stevie Nicks as one of the finest songwriters of the twentieth century. This biography from distinguished music historian Simon Morrison examines Nicks as a singer and songwriter before and beyond her career with Fleetwood Mac, from the Arizona landscape of her childhood to the strobe-lit Night of 1000 Stevies celebrations.

From the New York Times best-selling author Marc Eliot comes the definitive biography of one of the most critically acclaimed and commercially successful actors, producers, and directors in the history of American motion pictures. Marc Eliot examines the ever-exciting, often tumultuous arc of Eastwood's life and career, from his days as a disaffected college dropout, to his rise to fame as the archetypal loner, to his acceptance into the pantheon of the Academy as a multiple Oscar Award winner.

In a sharp, witty memoir, iconic trailblazer and legendary journalist Connie Chung pulls no punches in detailing her storied career as the first Asian woman to break into an overwhelmingly white, male-dominated television news industry—"an absorbing look at a pioneering news figure" (TIME)...

In his tell-all, legendary Doors guitarist, Robby Krieger, one of Rolling Stone's "100 Greatest Guitarists of All Time," opens up about his band's meteoric career, his own darkest moments, and the most famous black eye in rock 'n' roll. ​Few bands are as shrouded in the murky haze of rock...

Born Vincent Capuccio on December 3, 1955, Vinnie Stigma—as his countless friends and fans lovingly refer to him—is the founder and guitarist of New York City's legendary hardcore band Agnostic Front. He's also one of the Big Apple's earliest punk rockers, having frequented such eclectic downtown haunts as Max's Kansas City, The Electric Circus, and of course, CBGB while it was still known as Hilly's on the Bowery during the early 1970s.

What does it mean to call something "new"? Why is Western art and culture, even after postmodernism, still so obsessed with the concept? What are the consequences of relying on culture to bring about social change? In this provocative book, David Balzer argues that Western culture was never designed to produce truly new or original artifacts. Rather, we move from fixation to fixation, trend to trend—a cycle of creation and destruction with deep origins in Judeo-Christianity and the paganism that preceded it.

Christina Crawford's book was an immediate bestseller, addressing the infrequently discussed topic of child abuse. When Paramount Pictures released the film, starring Faye Dunaway as Crawford, it was critically panned, and remains one of the most legendary critical bombs in film history. The lavish, big-screen adaptation drew unexpected laughter in the scenes depicting life in the Crawford household. Rarely have such good intentions been met with such ridicule.

David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition - one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960.

Chinatown is the Holy Grail of 1970s cinema. Its twist ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of the most colorful characters in the most colorful period of Hollywood history. Here is Jack Nicholson at the height of his powers, as compelling a movie star as there has ever been, embarking on his great, doomed love affair with Anjelica Huston.

Responding to many recent calls for redress and restitution, Richardson summarises the historical and current situation and attributes its problematics to the fact that theorists and historians have taken the concept art as a generic that includes both design and craft - which are actually and validly distinguishable from art by application of the concept function/al-or else ignored the two entirely.

Stories of "The American West" often rely on tired tropes of tough cowboys, but real history is much less straight and narrow and way more interesting. Join host Niecy Nash-Betts for a wild round-up of LGBTQ+ lives that got buried in the dust of popular culture and history, and a look at how queer people continue to shape the West today–from gay rodeo to two-spirit identity to trans truckers.

In this true crime murder mystery, Mark Shaw tells the story why Pulitzer-Prize-nominated investigative reporter Dorothy Kilgallen was one of the most feared journalists in history. Shaw includes facts that have never before been published, including eyewitness accounts of the underbelly of Kilgallen’s private life, revealing statements by family members, and shocking new information about Jack Ruby’s part in the JFK assassination. Denial of Justice adds the final chapter to the story behind why the famous journalist was killed.

This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis.

In 1984, a new vision of horror was unleashed upon terrified moviegoers—a razor-gloved bogeyman who slashed his way through the children of those who had murdered him years before. In doing so, this cinematic monster would not just invade the dreams of his victims but give those watching a brand-new nightmare to fear forever.