Entertainment History

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

I'm Dying Up Here chronicles the collective coming of age of the standup comedians who defined American humor during the past three decades. Born early in the Baby Boom, they grew up watching The Tonight Show, went to school during Vietnam and Watergate, migrated en masse to Los Angeles in the mid-1970s, and created an artistic community unlike any before or since. They were arguably the funniest people of their generation, living in a late-night world of sex, drugs, dreams, and laughter.

David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition - one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960.

In the summer of 1982, eight science fiction films were released within six weeks of one another. E.T., Tron, Star Trek: Wrath of Khan, Conan the Barbarian, Blade Runner, Poltergeist, The Thing, and Mad Max: The Road Warrior changed the careers of some of Hollywood's now biggest names―altering the art of movie-making to this day.

From the childhood nostalgia of Peter Pan in Speak Now to the haunted halls of Rebecca in Evermore, Taylor Swift’s lyrics are packed with literary connections. Make sure you’re catching them all with this expert guide to the novels, poems, and plays that influenced her songwriting. Let a literature professor and a musical theater artist guide you through the Swift canon—from Shakespeare to Dickinson to the Brontë sisters. Learn what “New Romantics” has to do with the old Romantics, get to know the Gothic monsters haunting Midnights, and spot Taylor’s many Great Gatsby references.

To honor the twentieth anniversary of beloved comedienne Gilda Radner’s death from ovarian cancer comes a commemorative edition of her memoir, It’s Always Something—featuring an updated resource guide for people living with cancer and a tribute by Radner’s former colleagues at Saturday...

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels.

In this true crime murder mystery, Mark Shaw tells the story why Pulitzer-Prize-nominated investigative reporter Dorothy Kilgallen was one of the most feared journalists in history. Shaw includes facts that have never before been published, including eyewitness accounts of the underbelly of Kilgallen’s private life, revealing statements by family members, and shocking new information about Jack Ruby’s part in the JFK assassination. Denial of Justice adds the final chapter to the story behind why the famous journalist was killed.

The History of Gangster Rap is a deep dive into one of the most fascinating subgenres of any music category to date. Sixteen detailed chapters, organized chronologically, examine the evolution of gangster rap, its main players, and the culture that created this revolutionary music. From still-swirling conspiracy theories about the murders of Biggie and Tupac to the release of the 2015 film Straight Outta Compton, the era of gangster rap is one that fascinates music junkies and remains at the forefront of pop culture.

With the 75th anniversary of Citizen Kane in May 2016, Harlan Lebo has written the full story of Orson Welles' masterpiece film. The book explores Welles' meteoric rise to stardom in New York and the real reason behind his arrival in Hollywood and unprecedented contract with RKO Studios for total creative control. It also delves into the dispute over who wrote the script; the mystery of the "lost" final script; and the plot by Hearst to destroy Welles' project through blackmail, media manipulation, and other tactics.

The definitive oral history of the 1967 novel for teens, turned blockbuster film turned Tony-winning musical, and commemorated with a newly opened museum. This groundbreaking story has managed to stay gold for nearly sixty years. *Includes interviews with Rob Lowe, Ralph Macchio, C. Thomas...

The life of Franz Schubert has been a gift to romantically inclined biographers: the beautiful, brilliant, modest boy who sprang to fully fledged genius at the age of sixteen; the quintessential ‘artist in a garret’, entirely consumed by his art and living a hand-to-mouth existence in Vienna (home of Mozart, Haydn and Beethoven); the gentle, cheerful, convivial young man who prized friendship almost as highly as music itself; the unworldly poet from whom great music poured like water from a fountain; the unrecognized master who died almost penniless at the age of 31.

You can learn a lot from the movies—about sex and relationships, about business, about history. Sure, there’s a fair amount of fantasy, wish fulfillment, and glorious hair to exaggerate everything, but for better or for worse, films remain one of the most important ways that viewers around the world learn about other people and cultures. And almost since the dawn of the medium, movies have shaped the public’s understanding of and assumptions about disability.

Punk rock and hip-hop, disco and salsa, the loft jazz scene and the downtown composers known as Minimalists—in the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented, all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another.

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall.

Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet also dotted throughout this remote land are pianos - grand instruments created during the boom years of the 19th century, as well as humble, Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snow-bound wilderness is a testament to governors, adventurers, and exiles.

In the '80s, the Birmingham, England, band Duran Duran became closely associated with new wave, an idiosyncratic genre that dominated the decade's music and culture. No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound—influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock—the full-length sold millions and spawned smashes such as "Hungry Like the Wolf" and the title track.

Mike Medavoy is a Hollywood rarity: a studio executive who, though never far from controversy, remained loved and respected through four decades of moviemaking. He helped bring to the screen some of the most acclaimed Oscar-winning films of our time, including Apocalypse Now, One Flew over the Cuckoo's Nest, Amadeus, The Silence of the Lambs, Philadelphia, and Sleepless in Seattle.

Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the nightmare of the Red Scare and how it victimized political innocents. But Ronald and Allis Radosh tell for the first time the “backstory” behind this myth. They show how the Soviet Comintern targeted the film capital in the late 1920s, taking us inside the cells and discussion groups that Communist Party members formed, the guilds and unions they tried to take over, and the studios they aimed to influence.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.