Entertainment History

In this true crime murder mystery, Mark Shaw tells the story why Pulitzer-Prize-nominated investigative reporter Dorothy Kilgallen was one of the most feared journalists in history. Shaw includes facts that have never before been published, including eyewitness accounts of the underbelly of Kilgallen’s private life, revealing statements by family members, and shocking new information about Jack Ruby’s part in the JFK assassination. Denial of Justice adds the final chapter to the story behind why the famous journalist was killed.

A history of Saturday Night Live that finally reveals what really went on backstage, on the set, in the writers' offices, and on the town. Dozens of stars, writers, and guest hosts recall the backstage gossip, feuds, foibles, drugs, sex, struggles, and calamities of the show that changed television.

At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's traditional blend of business and art. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making - and unmaking - of movies, from Frankenstein to Spellbound to Grand Hotel. The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.

When beloved host Johnny Carson announced his retirement after 30 years on The Tonight Show, millions of Americans mourned. But inside the television industry, the news ignited a battle between two amazing talents - Jay Leno and David Letterman - who both yearned to occupy the departing legend's chair. For NBC, it would be a decision with millions of dollars at stake. Soon these two comedians with strikingly different styles, who had once shared a friendship as they worked the clubs together, would be engaged in a fierce competition for the prize.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Under the Big Black Sun explores the nascent Los Angeles punk rock movement and its evolution to hardcore punk as it’s never been told before. Authors John Doe and Tom DeSavia have woven together an enthralling story of the legendary west coast scene from 1977-1982 by enlisting the voices of...

What would happen to international politics if the dead rose from the grave and started to eat the living? Daniel Drezner's groundbreaking book answers the question that other international relations scholars have been too scared to ask. Addressing timely issues with analytical bite, Drezner looks at how well-known theories from international relations might be applied to a war with zombies.

Ella Fitzgerald (1917-1996) possessed one of the twentieth century's most astonishing voices. Historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer's difficult childhood, the tragic death of her mother, and the year she spent in a girls' reformatory school—where she sang in its renowned choir and dreamed of being a dancer.

Featuring an enlightening introduction by the book's translator, Michael T. H. Sadler, providing generational and cultural context for Kandinsky and his work, Concerning the Spiritual in Art gives testimony to the mind and creative expression of Kandinsky and other artists of his generation. This seminal and thought-provoking book exploring the heart of the artistic endeavor belongs in the library of every serious artist and student of modern art.

The Swedish painter Hilma af Klint (1862-1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe. But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic.

Jean Renoir's career almost spans the history years of cinema - from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war.

Once upon a time, if you wanted to know if a movie was worth seeing, you didn’t check out Rotten Tomatoes or IMDB. You asked whether Siskel & Ebert had given it “two thumbs up.” On a cold Saturday afternoon in 1975, two men (who had known each other for eight years before they’d ever...

The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

A lively and colorful biography of Hollywood's first superagent - one of the most outrageous showbiz characters of the 1960s and 1970s, whose clients included Barbra Streisand, Ryan O'Neal, Faye Dunaway, Michael Caine, and Candice Bergen. Before Sue Mengers hit the scene in the mid-1960s, talent agents remained quietly in the background. But staying in the background was not possible for Mengers.

England's Dreaming is the ultimate book on punk, its progenitors, the Sex Pistols, and the moment they defined for music fans in England and the United States. Savage brings to life the sensational story of the meteoric rise and rapid implosion of the Pistols through layers of rich detail and exclusive interviews. This fully revised and updated edition of the book covers the legacy of punk 25 years later and provides an account of the Pistols' 1996 reunion as well as a completely new introduction.

By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart.

With Stanley Crouch's untimely death in 2020, American literature lost "a critic without peer" (Ta-Nehisi Coates). Born in Los Angeles in 1945, Crouch—a towering stylist, fearless columnist, and without question, one of the finest jazz critics of all time—was Rabelaisian both in stature and in intellectual appetite. Beloved yet cantankerous, Crouch delighted and enflamed the passions of his readers in equal measure, whether writing about race, politics, literature, or music.

Long before Marty McFly and Doc Brown traveled through time in a flying DeLorean, director Robert Zemeckis and his friend and writing partner Bob Gale worked tirelessly to break into the industry with a hit. For the first time ever, the story of how these two young filmmakers struck lightning is being told by those who witnessed it. We Don't Need Roads includes original interviews with Zemeckis, Gale, Christopher Lloyd, Lea Thompson, Huey Lewis, and over 50 others who contributed to one of the most popular and profitable film trilogies of all time.

British airman Dym Ingleford is convinced that the young German prisoner, Max Eckermann, is his brother Anthony, who was kidnapped years before. Raised in the Nazi ideology, Tony has by chance tumbled into British hands. Dym has brought him back, at least temporarily, to the family he neither remembers nor will acknowledge as his own.

Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Venier family waned, and the project was left abandoned and unfinished. Yet in the early 20th century, it attracted three fascinating women: Luisa Casati, Doris Castlerosse and Peggy Guggenheim.