Entertainment History

Secrets of the Serpent: After years of research, the real religious history of the world can be told. In Secrets of the Serpent, Philip Gardiner for the first time reveals that the world’s most mysterious places were once sacred to the Serpent Cult. The Cross of Thoth: Deep within the great pyramid is a secret that has remained hidden for over 4000 years. An ancient instrument designed to unlock mysteries that have baffled mankind for generations. The Real BloodlineTim Wallace-Murphy talks about the real bloodline of Jesus Christ and Mary Magdalene....

How does magic in J. K. Rowling’s universe work? Finally, the scientific secrets of the Harry Potter universe are revealed! The Science of Harry Potter examines the scientific principles behind some of the spells, scenes, and games that Harry, Hermione, Ron, and Dumbledore love best. Author Mark Brake, whose The Science of Star Wars was a knockout success, has found the answers to satisfy the curious spirits of muggles everywhere.

The Show That Never Ends is the behind-the-scenes story of the extraordinary rise and fall of progressive ("prog") rock, epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, and their successors Rush, Styx, and Asia. With inside access to all the key figures, Washington Post national reporter David Weigel tells the story with the gusto and insight prog rock's fans (and its haters) will relish.

While every new TV series has to face some problems, no show had to overcome greater obstacles than Gilligan's Island. In spite of that, no series has achieved greater success, as measured by the fact that Gilligan's Island has given rise to three TV movies, two animated series, and is the most rerun program in the entire history of television.

Jonathan Cott met John Lennon in 1968 and remained friends with him and Yoko Ono until John's death in 1980. He has kept in touch with Yoko since that time, and is one of the few writers who understands her profoundly positive influence on Lennon. This deeply personal book recounts the course of these friendships over the decades and provides an intimate look at two of the most astonishing cultural figures of our time. And what Jonathan Cott has to say will be found nowhere else.

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.

In Plunderphonics, Matthew Blackwell tells the story of a group of musicians who advocated for changes to the copyright system by deploying unlicensed samples in their recordings. Though the legal terrain did not shift in the favor of plunderphonic musicians, they changed public perception of fair use and enabled more widespread sampling in underground music.

By the director of the hit documentary Behind the Burly Q, comes the first-ever oral history of American burlesque - as told by the performers who lived it, often speaking out here for the first time. By telling the intimate and surprising stories from its golden age through the women (and men!) who lived it, Behind the Burly Q reveals the true story of burlesque, even as it experiences a new renaissance.

In The Pied Pipers of Rock 'n' Roll, Wes Smith examines the phenomenon of the AM deejays who captivated a generation and helped define the counterculture that has forever changed the landscape of American youth. Smith takes a close look at nine of the men who made this happen and explores the reasons for their influence and its lasting effects on the generation whose lives still unfold to the soundtrack laid down by these platter-spinners of their youth.

Leaving school and starting his career at Decca Records in 1958 at the age of sixteen, Tony King would soon find himself becoming close friends with Elton John, rekindling John Lennon and Yoko Ono's relationship, mediating a quarrelsome Mick Jagger and Keith Richards and spending time with Freddie Mercury in his final days - a far cry from his childhood days in Eastbourne. Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as a stalwart in London and New York's gay scenes.

What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music press, was plainly rejected by the absurdly small collection of bands to which it supposedly applied. In this ambitious oral history of a genre that has eluded definition for three decades, Ryan Pinkard unearths the first wave of shoegaze, following the core bands, their sounds, their influence, and their journeys in and out of obscurity.

The Unlocked interviews was recorded over a period of six months with some of music's biggest stars including Simon Le Bon of Duran Duran who is featured in two separate interviews; the bonus one has never been heard before, as Simon takes you through their second album, Rio, and goes over each track in turn, describing the writing, recording and meaning — and even singing parts of them!

Erin Osmon’s rollicking Won’t Back Down tells the story of the origins, chart-topping development, and tangled legacy of Heartland Rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions. Osmon delves into the making of its classic albums and songs, including Bruce Springsteen’s “Born to Run,” Bob Seger’s “Against the Wind,” John Mellencamp’s “Small Town,” and Tom Petty’s “I Won’t Back Down.”

In The Wicked Witch of the West: The Enduring Legacy of a Feminist Icon, Lona Bailey explores the radical feministic undertones of one of the most enduring characters in popular culture. This book traces her transformation over the past century, highlighting how she has evolved through countless adaptations from The Wizard of Oz to the film adaptation of Wicked while maintaining her core identity as a powerful, defiant figure.

In Strange Tools: Art and Human Nature, philosopher and cognitive scientist Alva Noë raises a number of profound questions: What is art? Why do we value art as we do? What does art reveal about our nature? Drawing on philosophy, art history, and cognitive science, and making provocative use of examples from all three of these fields, Noë offers new answers to such questions. He also shows why recent efforts to frame questions about art in terms of neuroscience and evolutionary biology alone have been and will continue to be unsuccessful.

Fifty years ago, a little boy was cast in a movie with some of Hollywood's brightest stars. The movie: It's a Wonderful Life; the boy: Jimmy Hawkins; today, he tells his story. Through personal recollection, careful research, and interviews with cast and crew, actor Jimmy Hawkins, who played four-year-old Tommy Bailey, takes you behind the scenes for a first-hand look at the American movie classic It's a Wonderful Life.

The Rape of Europa is one of Titian's great masterpieces, a work charged with eroticism and classical mystique behind which lies a tale as compelling as the painting itself. Here Charles FitzRoy weaves a unique account of its history and the painting's movement following the rise and fall of the countries in which it has been housed. This is the tale of how Titian's masterpiece has captivated kings, nobles, artists, and lovers alike for over four centuries since its conception and continues to do so today.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall.

Unearth a piece of music history with this definitive, no-holds-barred biography of John Entwistle, The Who's legendary bass guitarist. It is an unequivocal fact that in terms of rock bands, The Beatles, The Rolling Stones, and The Who represent Year Zero, the beginning of all things...