Essays Social

Marion Winik is esteemed for bringing humor and wit to that most unavoidable of subjects: death. At last, Winik's critically acclaimed, cult favorites Glen Rock and Baltimore Book of the Dead have been carefully combined in their proper order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself.

In his debut essay collection, Nicholas Belardes uses today’s pop culture and self-deprecating humor as a filter for discussing personal stories of family, writing, gender, art, and race. He dives into the Harry Potter play and discusses his cursed childhood home. He tells coming-of-age tales of Dungeons & Dragons and blames Stranger Things for jogging those hilarious memories.

What was the real significance of William James's breakdown? Of the anti-Semitism in T.S. Eliot's writing? At each step in his latest journey through American cultural history, Menand has an original point to make.

Als die Achtziger ausbrechen, ist Frank Goosen dreizehn, und als sie enden, vierundzwanzig: Dazwischen werden Zechen und Hochöfen stillgelegt, Schimanski erobert die Fernsehbildschirme und Starlight Express die Rollschuhbahnen. Beste Voraussetzungen also, um erwachsen zu werden! In seinen neuen Stories und Glossen nimmt Frank Goosen uns mit in diese legendäre Zeit des kulturellen Wandels und in seine eigene Jugend.

Martin Suter (Linda Zervakis) und Benjamin von Stuckrad-Barre (Caren Miosga) unterhalten sich über: Badehosen, Glitzer, Äähm, Hochzeiten, LSD, Teufel, Gott, Madonna, Arbeit, Ibiza, Kochen, Rechnungen, Siri, Fotos, Mundharmonika, Geldscheine, Verliebtheit, Wiedersehen. Den Schweizer Songtext im Kapitel "Arbeit" liest Stephan Eicher. Die Mundharmonika im Abspann spielt Martin Suter.

Is wealth inherently good? Is it inherently evil? How much is morally acceptable to enjoy? Should all excess be given away? Do we feel ashamed of having wealth? Do we feel “blessed” by it? In Essays on Wealth, Generosity, and Legacy, Travis C. Mallett invites fellow progressive Christians to struggle with these ancient questions together. Each essay brings the topics of faith, personal finance, and social justice into uncomfortably close proximity with each other. This book calls us to engage with our sacred responsibility to struggle with them.

In this galloping collection of twenty pointed essays, G. K. Chesterton (1874-1936) nimbly punctures the philosophical pretensions of modern non-Christian thinkers and artists—heretics, as he calls them. Chesterton good-naturedly takes on contemporaries Rudyard Kipling, H. G. Wells, James McNeill Whistler, and even his good friend George Bernard Shaw, exposing the muddled logic of their popular ideas with his characteristic wisdom and razor-sharp wit. He also begins to lay the groundwork for Orthodoxy, his subsequent account of a rational and coherent Christian faith.

The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets - like Slave and Master morality, the Superman - can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects.

"Was macht eigentlich das Unterschichtskind auf dem Roten Teppich?", fragt eine Besucherin auf dem Münchner Filmfest in meine Richtung. Ja, was macht sie da? Sie ist auf einer Mission. Die Tussi suggeriert durch ihre Erscheinung ein grenzüberschreitendes Begehren. Es geht um Kitsch, Glamour, Trash, es geht um Camp. Es geht um Körper, Identitäten. Es geht um Strass, um Klasse und um künstliche Fingernägel. Pleasure ist eine atemberaubend eloquente Tour de Force durch die Luxus-Triade Schlaf (meterlange Hotelbett-Laken!), Nahrung (Schlemmermaus!) und Kleidung (Dior, aber fake!).

What defines Boston? Its history? Its landmarks? Its sports teams and shrines? Perhaps the question should be, who defines Boston? From Henry David Thoreau to Dennis Lehane, Boston has been beloved by many of America's greatest writers, and there is no better group of men and women to capture the heart and soul of the Hub. In Our Boston, editor Andrew Blauner has collected both original and reprinted essays from Boston-area writers past and present, all celebrating the city they love.

Die liebliche Bestie Mensch verliert jedesmal, wie es scheint, die gute Laune, wenn sie gut denkt...

While millions face hunger, malnutrition, and starvation, the world's population is increasing by over 225,000 people per day, 80 million per year. In many countries, supplies of food and water are inadequate to support the population, so the world falls deeper and deeper into what economists call the "Malthusian trap". Here, Malthus examines the tendency of human numbers to outstrip their resources, and argues that poverty, disease, and starvation are necessary to keep societies from moving beyond their means of subsistence.

"Ideas are the greatest and most crucially practical power on earth," wrote Ayn Rand. In the title essay of this collection, Leonard Peikoff applies this principle to the world of business. He shows that certain philosophic ideas, such as reason, egoism, and individualism, are needed to defend and protect the freedom of businessmen, while the opposite ideas, such as mysticism, altruism, and collectivism (which dominate our universities), destroy that freedom.

In the century since the Armenian Genocide, Armenian survivors and their descendants have written of a vast range of experiences using storytelling and activism, two important aspects of Armenian culture. Wrestling with questions of home and self, diasporan Armenian writers bear the burden of repeatedly telling their history, as it remains widely erased and obfuscated. Telling this history requires a tangled balance of contextualizing the past and reporting on the present, of respecting a culture even while feeling lost within it.

Ralph Waldo Emerson was an American philosopher and writer best known for leading the transcendentalist movement of the mid-19th century. He was also a heavy influence in romanticism or the Romantic era. Through his lectures, essays, and poems, Emerson championed individualism and following one's intuition, believing one will become a more moral and idealistic person in so doing. This collection is eight of Emerson's essays from The First Series published in 1841 and The Second Series published in 1844 including "Self-Reliance", "Circles", and more.

Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of Black art making". Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones.

In these writings, Gibran offers verses and lyric prose that possess all the grandeur of rich music. Here are the great truths and heartening joys drawn from the tears and sufferings of man. Each work sparkles with simile and symbolism, from “Seven Reprimands”, containing wise rules to live by, to “The Sayings of the Brook”, about the secrets to beauty, wealth, and virtue. These are profound exaltations of a great soul, and a trove of wisdom as relevant today as when it was first written.

It is on the knife’s edge between fury and farce that the essays in this exquisite collection balance. Whether confronting the medical profession’s racial biases, considering the complicated legacy of Michael Jackson, paying homage to his writing mentor James Alan McPherson, or attempting to break free of personal and societal stereotypes, Walker elegantly blends personal revelation and cultural critique. The result is a bracing and often humorous examination by one of America’s most acclaimed essayists of what it is to grow, parent, write, and exist as a Black American male.

This philosophical essay is the development of a lecture on probabilities which I delivered in 1795 to the normal schools whither I had been called, by a decree of the national convention, as professor of mathematics with Lagrange. I have recently published upon the same subject a work entitled The Analytical Theory of Probabilities. I present here without the aid of analysis the principles and general results of this theory, applying them to the most important questions of life, which are indeed for the most part only problems of probability.

A welcome surprise: more than 50 prose pieces, gathered together for the first time, by one of America's most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary - appearing in the New York Review of Books, the New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper's Magazine, and elsewhere - have been parsing the political, artistic, and media idiom for the last three decades.