European Literature

Berlin, 1922. Der Anhalter Bahnhof am Askanischen Platz ist eines der prächtigsten und verheißungsvollsten Gebäude der Stadt. Täglich verreisen von hier aus Tausende in alle Welt: Menschen auf der Suche nach einer neuen Heimat, Menschen auf der Suche nach dem großen Glück. So auch die Passagiere, die an diesem Abend den Nachtzug nach Paris besteigen: ein falscher Baron, ein Industrieller auf der Flucht, eine Haushälterin mit Fernweh, ein heldenhafter Kondukteur, ein heimliches Liebespaar und ein Dieb.

Ce roman fait partie des "Scènes de la vie parisienne" dans la section "Les Parents pauvres" tout comme "La Cousine Bette". Pons, musicien sans fortune, bon et naïf, est traité en parent pauvre par sa riche famille, les Camusot de Marville. Le jour où ils découvrent que la collection d'objets d'art qu'il a accumulée est d'une immense valeur, ils le dépouillent et le font mourir.

This is the final book of "The Forsyte Saga". The interlude "Awakening" introduces us to young Jon's discoveries and his love for his mother Irene. To Let tells of Soames' daughter Fleur's and Jon's love for each other - a love which is subjected to the stigma of their parents' divorce.

Mr. Midshipman Easy is the 1836 novel by Frederick Marryat, a retired Captain in the 19th century Royal Navy. The novel is set during the Napoleonic Wars, in which Marryat himself served with distinction. It was adapted twice into films in 1916 and in 1935 as Midshipman Easy. Captain Frederick Marryat (July 10, 1792 - August 9, 1848) was an English Royal Navy officer, novelist, and a contemporary and acquaintance of Charles Dickens, noted today as an early pioneer of the sea story.

Mary Ann Evans (1819-1880), known by her pen name George Eliot, was one of the leading writers of the Victorian era. Her novels are known for their realism and psychological insight. Four of them are included in this volume: Middlemarch, Daniel Deronda, The Mill on the Floss, and The Lifted Veil.

After WWII, a small Italian town struggles to emerge from under the thumb of Fascism. With wit, tenderness, and irony, Elsa, the novel’s narrator, weaves a rich tapestry of provincial Italian life: two generations of neighbors and relatives, their gossip and shattered dreams, their heartbreaks and struggles to find happiness. Elsa wants to imagine a future for herself, free from the expectations and burdens of her town’s history, but the weight of the past will always prove unbearable, insistently posing the question: “Why has everything been ruined?”

Our agent, a man named Mr Verloc, minds his own business while he keeps his shop in London's Soho, alongside his wife, who attends to her aged mother and disabled brother. Their lives are turned upside down when Verloc is reluctantly employed to plant a bomb and destroy an observatory in London. What was once the perfect bomb plot inevitably turns awry and Verloc, his family and his associates are forced to face the consequences.

One of Henry James’ main themes was the interaction between the Old World and the New. Restless Baroness Eugenia Munster and her charming bohemian brother Felix are visiting their American cousins in Boston, New England. The effect these two extravagant characters have on their austere Puritan relations forms the substance of the book and is told in a series of scenes or ‘sketches’.

Vous croisez au bord d'une falaise une jolie fille ? Ne lui tendez pas la main ! On pourrait croire que vous l'avez poussée. À Yport, parti courir sur la plus haute falaise d'Europe, Jamal a d'abord remarqué l'écharpe, rouge, accrochée à une clôture. Puis la femme, incroyablement belle, la robe déchirée, le dos face au vide, les yeux rivés aux siens. Jamal lui tend l'écharpe comme on tend une bouée.

Olivia Denis is a content young wife with a carefree life in late 1930s London. Then her world is shattered with the violent death of her husband, Reggie. The police want to call it a suicide and close the case, but Olivia knows Reggie couldn't possibly have fired the fatal shot. Further mysteries surface surrounding her husband's death. Did the trustworthy Foreign Office employee betray government secrets? Was his murder linked to the death of a German embassy clerk the same night? And who searched their flat?

When murders in the poverty-stricken Liberties are credited to a savage dark beast with the soul of a recently deceased serial killer, Alderman James knows he must take on the case. He sees an all too human hand at work and is determined to win over the people he once let down so badly. With only the duplicitous and deceitful Hellfire Club member, Mr. Edwards, for assistance, James ventures out in the cold, snowy streets in search of the true killer. Can he solve the case and redeem himself once and for all? Or will the fear and anger in the streets finally boil over into chaos?

Oscar Wilde's first play confronts the hypocrisy of public "morality" compared with genuine, private kindness. The reasons for its continued popularity are not difficult to identify: the play's witty dialogue contains many of Wilde's most quoted aphorisms, its stylish setting provides opportunities for elegant presentation, and its cast of memorable characters play out a story which is genuinely moving. This new audio production brings together a full cast worthy of Wilde's creative genius.

Clover has grown up with rockstars for parents. They expect her to follow in their footsteps. But Clover doesn't want to be famous, she just wants to create the music she loves. Will that change when her twin brother needs her to take his place in the pop band Saving Creed? Her crazy mother puts a wig on her head, bandages up her boobs and throws her onto the stage at the London o2. Suddenly, she finds herself living with four hot men. The only problem? They all think she's her twin brother, Creed!

Le XVIIe siècle est un siècle majeur pour la langue et la littérature française. Poésie et théâtre se développent avec force, le classicisme s'impose avec un nombre de chefs d'œuvre rarement atteint tandis que le roman naît et s'épanouit parallèlement aux productions des moralistes et des fabulistes : rarement époque aura produit autant de grands écrivains, dont la marque est indélébile dans l'ensemble de la culture.

La littérature française du XVIIIe siècle évolue selon deux orientations majeures : le mouvement des Lumières et ses remises en cause des fondamentaux de la société, et l'émergence d'une sensibilité qui donnera par la suite naissance au mouvement romantique. Cette collection de citations présente la pensée de six figures incontournables du XVIIIe siècle sous forme concise, accessible et pratique.

Petits ou grands, nous avons tous en tête des fables de La Fontaine : "Le corbeau et le renard", "La cigale et la fourmi", "La grenouille qui veut se faire aussi grosse que le bœuf", "Le chêne et le roseau", "Le lièvre et la tortue" et tant d'autres. Chacune de ces fables est une petite histoire, avec des mots simples, et contient des vérités qui servent de leçons. Il y a un peu de nous, un peu des autres, un peu de tous, dans chacune des fables. Elles nous parlent, nous nous y reconnaissons. Elles croquent avec humour et finesse nos mœurs et nos faiblesses, nos travers et nos défauts, nos petites lâchetés comme nos grandes vanités. Les puissants qui nous gouvernent ne sont pas épargnés, tout autant que tout un chacun.

Au tournant du XXe siècle, on laisse de plus en plus à la jeune fille la liberté de choisir son mari ; une place est faite à ses préférences et plus encore à ses inclinations : on lui permet d'aimer, quitte à contredire les us et coutumes qui mettent l'amour après le mariage - la femme n'attend plus d'être mariée, d'avoir acquis une identité sociale par sa dot, pour éprouver des sentiments. D'où l'insistance de "Gigi" : être aimée comme elle aime ; échapper au conventionnel d'une vie mondaine où elle sera traitée en conquête de l'homme, faire-valoir négligeable de la masculinité qui l'entretient.

The final volume in A History of the Plantagenets covers the century from 1377 to 1485 when civil war ravaged England, rebellious peasants marched on London and wandering preachers sowed dissent in the credulous poor. The last Plantagenet monarchs governed in violence and confusion. Kings came...

In The Europeans, Eugenia, Baroness Munster, is about to be repudiated by her husband, a German prince. With her artist brother, she travels to Boston to visit relatives that she has never met in the hope of finding a wealthy new husband. Their uncle, Mr. Wentworth, sets them up in a nearby house, and his children, Gertrude, Charlotte, and Clifford, soon become friends with their newly found cousins.

Eugenia, a baroness divorced from a German prince, and her bohemian brother, Felix, are coming back to America. Raised and cultured in Europe, they are returning destitute to New England to seek out their rich and innocent cousins.