Family Genre

It’s 1963, two years since Barbara Feldman’s husband died. Raising two kids, she’s finally emerging from her cocoon of grief. Not yet a butterfly, but she’s anxious to spread her wings. Then one day her mother-in-law, Ruth, shows up on her doorstep with five suitcases, expecting a room of her own with a suitable mattress. Abrasive and stuck in her ways yet well meaning, Mother Ruth arrives without warning to help with the children. How can Barbara say no to a woman who is not only a widow herself but also a grieving mother?

Emily Emerson is used to being alone; her dad ran out on the family when she was just a kid, her mom died when she was 17, and her beloved grandmother has just passed away as well. But when she's laid off from her reporting job, she finds herself completely at sea until the day she receives a beautiful, haunting painting of a young woman standing at the edge of a sugarcane field under a violet sky. That woman is recognizable as her grandmother - and the painting arrived with no identification other than a handwritten note saying, "He always loved her."

After too many dates, thirtysomething Mimi Perkins is still single, unmoored, and longing for love. So when Ren Yardley—a handsome, divorced fellow drama teacher and single father—falls in love with her and proposes, she’s sure this is at last the good news her psychic predicted. Soon after proposing, Ren receives the devastating news that his ex-wife has been in a debilitating car accident, prompting him to temporarily move back into his former home to care for her and his daughters.

Published two weeks after Vladimir Nabokov’s seventieth birthday, Ada, or Ardor is one of his greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest, but it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

Lisa Wingate has been favorably compared to authors Nicholas Sparks and Richard Paul Evans. In A Month of Summer, Hanna Beth has been caring for her aging husband - who suffers from Alzheimer's - and her developmentally challenged adult son for years on her own. But when she suffers a stroke, estranged stepdaughter Rebecca must take the reins. As she cares for her father and the step-brother she's barely met, Rebecca slowly begins to heal both herself and her family.

Eric Jerome Dickey strides boldly over the minefield that is modern marriage. The central couple's biggest challenge is timing: He works days; she works nights. Instead of growing together, they're rapidly drifting apart, coexisting on stolen phone calls from work, punctuated by occasional bedroom encounters that leave them both feeling even emptier and more alone. When she finds out about his affair - and starts her own - the delicate fabric of their marriage is torn irrevocably asunder. Or is it?

When a successful New York lawyer suddenly disappears without a trace, neither his wife nor his daughter Julia has any idea where he might be - until they find a love letter he wrote many years ago to a Burmese woman they have never heard of. Intent on solving the mystery and coming to terms with her father’s past, Julia decides to travel to the village where the woman lived. There she uncovers a tale of unimaginable hardship, resilience, and passion that will reaffirm the listener’s belief in the power of love to move mountains.

An IndiBound best seller, The Days of Abandonment shocked and captivated its Italian public when first published. It is the gripping story of a woman's descent into devastating emptiness after being abandoned by her husband, with two young children to care for. When she finds herself literally trapped within the four walls of their high-rise apartment, she is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal.

Suzi did a bad thing. She’s paying for it now, pregnant, scared, and living in an isolated cottage with her jealous husband, Nick. When Nora moves into the only house nearby, Suzi is delighted to have a friend. So much so that she’s almost tempted to tell Nora her terrible secret. But there’s more to Nora than meets the eye. It’s impossible - does she already know what Suzi did?

It is 1483, and Sir Thomas Lemuel Hawke, a Cornish knight, is about to ride into battle. On the eve of his departure, he composes a letter to his four young children, consisting of 20 virtues that provide instruction on how to live a noble life and on all the lessons, large and small, that he might have imparted to them himself were he not expecting to die on the battlefield.

Spencer Brooke always knew she was destined to be CEO of her grandfather’s business—the most respected and luxurious department store in New York City. Brooke’s has been at the center of every happy memory she has, but it hasn’t been an easy journey. Seven years after her father’s death, her life is very different from the days when she walked through the store with her grandfather as a young girl. She may be the owner of Brooke’s, but she’s also now a divorced single mother of twin boys.

Set against the backdrop of 1940s America, the play explores the consequences of Elwood's unconventional friendship on his relationships with his family and society. As Elwood's sister, Veta, attempts to have him committed to a mental institution, misunderstandings and comedic chaos ensue, challenging the perceptions of what is real and the importance of embracing life's enchanting mysteries. Mary Chase skillfully weaves humor, warmth, and a touch of the fantastical to create a timeless story that delves into the acceptance of uniqueness.

Everything happened so fast. So much was said, and so much blood was shed. As I stood there with blood on my hands, a knife in someone's head, and everyone looking at each other, there was only one person I could think to call—my husband. Meer would figure out what to do, and he would come when I called. As I stared at what used to be my best friend, standing with blood on her hands, I realized she had shed the best friend title, and became my sister. Zoya and I stared at her, and it solidified that she would protect the Delgatos, Infernos, and Casellis as her own.

New York Times best-selling author Maeve Binchy has a way of making everyday experiences extraordinary. Scarlet Feather introduces budding entrepreneurs Cathy and Tom who, along with their extended families, meet the trials and rewards of life head on. Scarlet Feather is a new catering company formed by two friends from cooking school, Cathy Scarlet and Tom Feather. Their dream is to have the best business in Dublin.

Growing up on their hardscrabble farm in rural Kentucky, 15-year-old Albertina "Bertie" Winslow has learned a lot from her mama, Polly. She knows how to lance a boil, make a pie crust, butcher a pig, and tend to every chore that needs doing. What she doesn't know, but is forced to reckon with all too soon, is how to look after children as a mother should. When Polly succumbs to a long illness, Bertie takes on responsibility for her four younger siblings and their dissolute, unreliable daddy.

Je me souvenais qu'un jour, dans une plaisanterie sans gaîté, Charlotte m'avait dit qu'après tous ses voyages à travers l'immense Russie, venir à pied jusqu'en France n'aurait pour elle rien d'impossible [...]. Au début, pendant de longs mois de misère et d'errances, mon rêve fou ressemblerait de près à cette bravade. J'imaginerais une femme vêtue de noir qui, aux toutes premières heures d'une matinée d'hiver sombre, entrerait dans une petite ville frontalière [...].

Une fois n'est pas coutume : la vérité sort de la bouche des parents ! " Ils vécurent heureux et eurent beaucoup d'enfants... " Les contes ne racontent pas la suite. Et pour cause. Être parent n'est pas un chemin bordé de roses ! Qui n'a jamais eu " mal à ses enfants " ? D'où les petites crises de daronnalgie, ces douleurs spécifiques à la parentalité : air pompé, sang d'encre et cheveux blancs, porte-monnaie troué, oubli de soi chronique.

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

There were a lot of things that I could live without. I had lived without freedom for the past fifteen years. My wife was someone that I couldn't live without, and I needed her. Alaia saved a lot of people with just a touch of her hand on my arm. She calmed the beast within me, reminded me what I had at home. Alaia was someone that I refused to live without, and now, they took her from me. They touched my wife and thought they would be able to live to talk about it. You didn't touch a Delgato and thought you would live. You didn't touch what was mine and think you could live.

Tama is just a helpless chick when he is rescued by Marnie, and this is where his story might have ended. “If it keeps me awake,” says Marnie's husband Rob, a farmer, “I'll have to wring its neck.” But with Tama come new possibilities for the couple's future. Tama can speak, and his fame is growing. Outside, in the pines, his father warns him of the wickedness wrought by humans. Indoors, Marnie confides in him about her violent marriage. The more Tama sees, the more the animal and the human worlds—and all the precarity, darkness and hope within them—bleed into one another.