Family Genre

FILLE, nom féminin : 1. Personne de sexe féminin considérée par rapport à son père, à sa mère ; 2. Enfant de sexe féminin ; 3. (Vieilli.) Femme non mariée ; 4. Prostituée. Laurence Barraqué grandit avec sa sœur dans les années 1960 à Rouen. "Vous avez des enfants ? demande-t-on à son père. - Non, j’ai deux filles", répond-il. Naître garçon aurait sans doute facilité les choses. Un garçon, c'est toujours mieux qu'une garce. Puis Laurence devient mère dans les années 1990. Être une fille, avoir une fille : comment faire ? Que transmettre ?

Emily Emerson is used to being alone; her dad ran out on the family when she was just a kid, her mom died when she was 17, and her beloved grandmother has just passed away as well. But when she's laid off from her reporting job, she finds herself completely at sea until the day she receives a beautiful, haunting painting of a young woman standing at the edge of a sugarcane field under a violet sky. That woman is recognizable as her grandmother - and the painting arrived with no identification other than a handwritten note saying, "He always loved her."

Sierra Madrid's life has just been turned upside down when she discovers the handcrafted quilt and journal of her ancestor Mary Kathryn McMurray, a young woman who was uprooted from her home only to endure harsh conditions on the Oregon Trail. Though the women are separated by time and circumstance, Sierra discovers that many of the issues they face are remarkably similar. By following Mary Kathryn's example, Sierra learns to surrender to God?s sovereignty and unconditional love.

Joachim von Hartmann was born and raised in Buenos Aires by his loving German mother, inseparable from his identical twin. When Joachim moves to Paris with his mother in his late teens, his twin stays behind and enters a dark world. Meanwhile, Joachim begins training to be a butler, fascinated by the precision and intense demands, and goes on to work in some of the grandest homes in England. Olivia White has given 10 years of her life to her magazine. A bequest from her mother allows her a year in Paris to reinvent herself. It is then that her path and Joachim's cross.

Plymouth, 1941. As sirens blare all around, the Shawbrook family take refuge in a packed shelter. Bombs have already begun to fall through the night sky when they realize their infant son, Freddie, has been forgotten in the rush, left to sleep in his crib. Terrified, Vera, his young mother, races to find him and bring him to safety. The next morning, air-raid warden David Shawbrook returns from his watch to find the shelter pulverized, and his family seemingly all dead. Dirty footprints inside their home betray the looters who have rifled through the house.

I'm a protector, and my family is my responsibility. When it comes to my team, I'm the same way. They are family and the reason that me and Capone are able to do us in the streets, knowing they are tucked away safe. As a man, you sometimes fall short, and something—someone—falls through the cracks. I know one thing; I put that on my grandson that I'm going to crack his uncle's skull. He has hurt his own family, tossed them out to the wolves, and has hurt mine. I don't take too kindly to people hurting mine.

Eric Jerome Dickey strides boldly over the minefield that is modern marriage. The central couple's biggest challenge is timing: He works days; she works nights. Instead of growing together, they're rapidly drifting apart, coexisting on stolen phone calls from work, punctuated by occasional bedroom encounters that leave them both feeling even emptier and more alone. When she finds out about his affair - and starts her own - the delicate fabric of their marriage is torn irrevocably asunder. Or is it?

Debut novelist Shilpi Somaya Gowda pens this compelling tale about two families, worlds apart, linked by one Indian child. After giving birth to a girl for a second time, impoverished Kavita must give her up to an orphanage. The baby, named Asha, is adopted by an American doctor and raised in California. But once grown, Asha decides to return to India.

When Meer saw me off at the airport, I never expected to come home and become his wife. His daughter becoming mine. Our lives intertwining into one. I didn't think I was worthy of being loved the way this man loved me. Worthy of a man telling me how's he coming behind me and actually standing on that. He loves and accepts all parts of me. Our families have become one because of our love. For every good thing in my life, there's always a bad thing lurking. Death. Dishonor. Redemption? We're in the end game now.

From the author of Sunday Times and New York Times best seller Damaged, the gripping story of a woman caught in a horrific cycle of abuse - and the desperate lengths she must go to in order to escape. When Aisha spots an ad for a 'personal introductory service for professionals' in the newspaper, she could never have guessed it would lead to such a perfect marriage. But you should be careful what you wish for.... Mark is sorry the first time he hits Aisha.

Published two weeks after Vladimir Nabokov’s seventieth birthday, Ada, or Ardor is one of his greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest, but it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

"À quelques mois d'intervalle, la vie m'a rendu témoin des deux événements qui me font le plus peur au monde : la mort d'un enfant pour ses parents, celle d'une jeune femme pour ses enfants et son mari. Quelqu'un m'a dit alors : tu es écrivain, pourquoi n'écris-tu pas notre histoire ? C'était une commande, je l'ai acceptée. C'est ainsi que je me suis retrouvé à raconter l'amitié entre un homme et une femme, tous deux rescapés d'un cancer, tous deux boiteux et tous deux juges, qui s'occupaient d'affaires de surendettement au tribunal d'instance de Vienne (Isère)."

All Maddie wants for Christmas is to stick it to her cheating ex. But how? Enter Sebastian Slater, the NHL’s most infamous player. On a drunken night out in Vegas, Maddie asks the superstar athlete to pose as her new boyfriend. She’s kidding, mostly. But Seb shocks her by making a counter offer: he doesn’t want to date Maddie for the holidays…he wants to marry her. Show up at her ex’s cabin alone or with a surprise new hockey-playing husband? Maddie opts for the ultimate level-up.

Caitlyn O’Brien left for Brazil in the aftermath of a heartbreaking loss. As much as she loves her husband, he can’t help her with the grief and disappointment that plague her life in Dublin. When she discovers that St. Clare’s charity mission, in Manaus, Brazil, needs a primary school teacher, she takes the opportunity to bury herself in missionary work, as her dreams of being a mother slowly vanish.

At 36, Hope McKenna-Smith is no stranger to bad news. She lost her mother to cancer, her husband left her for a 22-year-old, and her bank account is nearly depleted. Now, Hope’s beloved French-born grandmother Mamie, who wowed the Cape with her fabulous pastries for more than 50 years, is drifting away into a haze of Alzheimer’s. But in a rare moment of clarity, Mamie realizes that unless she tells Hope about the past, the secrets she has held on to for so many years will soon be lost forever. Arming her with a scrawled list of names, she sends Hope to France.

It's been over a decade since Nora left her hometown of Scupper Island, Maine, and very seldom looked back. She's carved out a successful life in Boston, where no one knows her as the awkward girl with the delinquent sister and the dad who left, but a not-as-dramatic-as-it-sounds brush with death has her taking stock of her life. Inspired to reconnect with her prickly mother and snarky teenage niece, Nora returns home for the summer, where she's forced to face the people she's spent the last ten years trying to avoid.

After Jimmy's shocking departure, Nellie Castle is feeling bereft. And with Rodney being elusive, she's determined to do all she can to help her youngest son Bert get back on his feet following the terrible injuries he sustained in the bombing. Plagued by guilt and nightmares, the last thing Bert wants is to return to the café - being there only makes his guilt over Gladys's death worse. His relationship with nurse Vi is helping somewhat, but when he receives a formal summons to the trial of the woman who tried to kill him, he is plunged back into the depths of despair.

Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the 20th century as seen through the eyes of an English girl determined to learn about her family and its secrets.

Tara Gallagher is knackered. She used to dream of being Beyoncé but suddenly she’s 36—with three kids, a loving husband, a very boring job—and instead of headlining Coachella, she’s in her pyjamas on a Friday night, watching cheesy TV. It’s time for a mommy makeover. She’s going to show her teenage daughter she’s still cool. She’s going to show her husband she’s still an absolute ride. She’s going to show her colleagues she’s still a Boss Bish.

Harry Clifton’s story began in 1920, as a dock worker in England, and now he is set to write his magnum opus. As he reflects on his days, the lives of his family continue to unfold, unravel, and intertwine in ways no one could have imagined . . . Harry’s wife Emma, who just completed her time at the Bristol Royal Infirmary, receives a surprise call from Margaret Thatcher. Meanwhile, Giles Barrington discovers a shocking truth about his wife, Karin. Sebastian Clifton becomes chairman of Farthings Kaufman bank, but only after Hakim Bishara’s abrupt resignation.