Family Life Classics

With Father in Washington and Cuffy away visiting a sick cousin, almost anything might happen to the Melendys left behind at the Four-Story Mistake. In the Melendy family, adventures are inevitable: Mr. Titus and the catfish; the villainy of the DeLacey brothers; Rush's composition of Opus Three; Mona's first rhubarb pie and all the canning; Randy's arrowhead; the auction and fair for the Red Cross.

Raison et Sentiments: À la suite du décès de leur père, les soeurs Dashwood et leur mère, injustement privées de leur héritage, sont contraintes de réduire drastiquement leur train de vie et de quitter leur propriété pour s’installer dans le Devonshire, à Barton Cottage. Orgueil et Préjugés: Dans un petit village d'Angleterre, Mrs Bennet ne songe qu'à marier ces cinq filles. La nouvelle de l'installation à Netherfield, le domaine voisin, de Mr Bingley, célibataire et beau parti, suscite une agitation toute particulière chez toutes les jeunes filles des alentours.

The four Melendy children live with their father and Cuffy, their beloved housekeeper, in a worn but comfortable brownstone in New York City. There's thirteen-year-old Mona, who has decided to become an actress; twelve-year-old mischievous Rush; ten-year-old Randy who loves to dance and paint; and thoughtful Oliver, who is just six-years-old.

The first thing every listener will want to know is whether Anne Shirley appears in these stories of Avonlea and Spencervale. She certainly does. As a matter of fact, page one starts off in this manner: "Anne Shirley was curled up on the window seat of Theodora Dix's sitting room one Saturday evening, looking dreamily afar at some fair starland beyond the hills of sunset. Anne was visiting for a fortnight of her vacation."

The lovable Jo March, introduced to us in Little Women, is now married with two sons of her own and an adopted family of 12 boys. And she couldn't be happier. Since starting an informal school at Plumfield, Jo and Professor Bhaer provide a haven for poor orphaned boys who thrive on warmth, goodness, and the affectionate interest of the March and Bhaer families.

“Murmel, murmel, murmel,” is all Robin hears coming from a hole in her sandbox. When she reaches down and out pops a baby, she finds herself in a real fix: who will take care of it? Robin’s too little! Off she goes, searching her neighborhood for someone who needs a baby. The woman with seventeen cats doesn’t want the baby. Nor does the grumpy man by the bus stop. It looks as though all hope is lost, until a friendly truck driver passes by. He offers to trade his truck for the baby—an exchange Robin can’t refuse.

“Something good” is exactly what Tyya, Andrew and Julie want to put into their shopping cart. Tyya’s dad won’t buy anything good at the store—no ice cream, no candy, no cookies. But when the saleslady puts a price sticker on Tyya’s nose, Daddy is finally forced to buy something good.

The dreams, pranks, misfortunes, and courtships of the March girls form a charming family portrait.

A widow with a small army of suitors, Aurora Greenway loves the limelight. She’s got three grandchildren whom she adores (in small doses) and her son-in-law Flap, whom she’s not really crazy about. And there’s her daughter Emma. In some ways, Emma is all there ever was. Now, there’s little time left to say the things that need to be said.

Following up on the classic children's novel The Saturdays, Elizabeth Enright continues the engaging tale of the Melendy family (Mona, Rush, Randy, Oliver, Father, and Cuffy, the housekeeper) and their move from an old brownstone in New York City to a charming house in the country. Called the Four-Story Mistake for its odd look and confused architectural history, the house offers the Melendys wonderful quirks and surprises.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist intersect at an estate called Howards End. There, the lives of three families become entangled. As chance brings them together, societal conventions come into question as does the ownership of Howards End. Through the fate of the estate - as well as the lives of the families who are affiliated with it - Forster creates a brilliant parallel to the fate of English society itself.

L'héroïne est Marguerite Hale, fille d'un pasteur du Sud rural qui quitte l'Église d'Angleterre pour des raisons de conscience et emmène sa femme et sa fille dans la ville industrielle de Milton dans le Darkshire (le Pays noir), où on lui propose un travail de professeur privé. Belle, intelligente et cultivée, mais aussi fière et réservée, Marguerite découvre avec horreur l'univers âpre et brutal de la révolution industrielle où patrons et ouvriers s'affrontent dans les premières grèves organisées.

Sara Stanley is only 14, but she can weave tales that are impossible to resist. In the charming town of Carlisle, children and grown-ups alike flock from miles around to hear her spellbinding narratives. And when Bev King and his younger brother, Felix, arrive for the summer, they, too, are captivated by the Story Girl.

As John Baxter makes plans to marry Elaine, one of the Baxters enters into the most trying season of all. During a time of renewed love and hope for the future, the Baxters try to come together to establish the sacred ground of marriage and to chart a course for the future. Memories of times gone by meet with the changes of today in a story that proves only the support of faith and family can take a person into the sunset years of life.

In this famous fairytale, the three little pigs remind us that the easiest way, the one that requires less work, is not always the right one. If you want to get something satisfying, you have to give it some commitment.

In preparation for their wedding day, Dayne Matthews and Katy Hart are determined to keep the ceremony a secret from the paparazzi. Their relationship grows closer and stronger as they plan together, but before the wedding, Katy and Dayne face what may be their greatest challenge. Is it possible for Katy to find a place in Dayne's world? Or could the pressures of fame rip away everything they've fought to find together?

The Namesake follows the Ganguli family through its journey from Calcutta to Cambridge to the Boston suburbs. Ashima and Ashoke Ganguli arrive in America at the end of the 1960s, shortly after their arranged marriage in Calcutta, in order for Ashoke to finish his engineering degree at MIT...

From the award-winning author of Girls Burn Brighter, a couple from India—so different from generations of white colonialists who came before them—move to Montana, only to discover the secrets the land holds in this stunning literary novel. Janavi and Sagar were never meant to end up...

Julie thinks her new neighbors must be very scary because all the stuff being moved into their house is enormous. Then she meets David and finds out that he's just a normal, regular boy. But when David's father calls him for supper the sound makes Julie jump in the air, run in a circle three times, run home and lock herself in her room until it is time for breakfast the next day. Could David's father be a giant?

After moving uptown to the Bronx, the charming All-of-a-Kind Family has a new home, new neighbors and a lot going on! Ella misses Jules, who is fighting in World War I, Henny spills tea on a dress she borrowed without asking, Sarah works to win a prize at school, Charlotte takes the elevated train without paying her fare, Gertie make a pancake, and little Charlie is terrified when he meets Santa Claus. In true family spirit, they all come together to keep the house running smoothly when Mama goes into the hospital to have her appendix removed!