Film Art

Torture porn, shock-for-shock’s sake, violence that doesn’t serve the plot, and characters you hate — what was going on in the 2000s in horror cinema? And why were audiences hungry for it? Millennial Nasties takes a critical but appreciative look at an oft-ignored subset of horror. This book dissects the English-language horror films of the 2000s and the cultural events they were responding to.

Steven Spielberg has changed the cinematic world with his hugely popular films. Testing out new technology, telling dramatic stories, and collaborating with successful directors, actors, and producers built Spielberg's reputation as a director and producer.

Three people – Indigenous, immigrant, and settler – journey over dangerous terrain in a race against time, and each other, to gain control of a vast parcel of land. YOU decide how events unfold, ultimately determining how the land is stewarded, and by whom. An urban couple are on a...

Hollywood in the years between 1929 and 1948 was a town of moviemaking empires. The great studios were estates of talent: sprawling, dense, diverse. It was the Golden Age of the Movies, and each studio made its distinctive contribution. But how did the studios, "growing up" in the same time and place, develop so differently? What combinations of talents and temperaments gave them their signature styles?

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Mark Kermode’s compelling study of this horror classic was originally published in 1997, and then extensively updated and expanded in 2003 to incorporate the discovery of new material. This revised edition documents the deletion and reinstatement of key scenes that have now been integrated into the film to create The Exorcist: The Version You’ve Never Seen. Candid interviews with director William Friedkin and writer/producer William Peter Blatty reveal the behind the-scenes battles which took place during the production.

From this audiobook, you'll learn: how planning and shooting a short film today can lead to a feature-length project tomorrow; everything you need to know about writing a movie project on a burger budget; tips on how to find locations and not get arrested; Shooting tips galore for building exciting scenes; sound and film editing tips and all kinds of special effects wizardry, including puppetry; screenings, promotions, and juicy tips on film festival strategy; and more.

Why would anyone want to watch horror movies? Why would Christians, in particular, bother with the genre? In Fear Not!, critic Josh Larsen makes the case that monster movies, creature features, slashers, and other fright films artfully reflect our deep worries in a way that resonates with the Christian experience. Combining critical observation and theological reflection, Larsen devotes each chapter to a different horror subgenre, connecting that subgenre to a commonly shared fear.

Since its publication in 1966, Jacqueline Susann's Valley of the Dolls has reigned as one of the most influential pieces of commercial fiction. Dolls! Dolls! Dolls! digs deep into the creation of that hugely successful film - a journey nearly as cut-throat, sexually charged, tragic, and revelatory as Susann's novel itself - and uncovers how the movie has become a cherished, widely imitated camp classic, thanks to its over-the-top performances, endlessly quotable absurd dialogue, outre costumes and hairdos, despite the high aspirations, money, and talent lavished on it.

He's charismatic, talented and extremely sexy. His breathtaking performance as the latest James Bond won him legions of fans and proved that, as well as being an outstanding actor, he coud cut it as an action hero and redefine a cinematic icon to huge critical acclaim. Last year, he was thrust into the spotlight once more as he took the lead role in the hotly anticipated remake of Stieg Larsson's The Girl with the Dragon Tattoo.

By 1920, the movies had suddenly become America's new favorite pastime and one of the nation's largest industries. Never before had a medium possessed such power to influence; yet Hollywood's glittering ascendancy was threatened by a string of headline-grabbing tragedies - including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.

The saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard’s Lampoon and Chicago’s Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene.

Is the Dude a bowling-loving stoner or a philosophical genius living the good life? Naturally, it's the latter, and The Big Lebowski and Philosophy explains why. Enlisting the help of great thinkers like Plato and Nietzsche, the book explores the movie's hidden philosophical layers, cultural reflection, and political commentary.

A candid and moving memoir from the critically acclaimed singer and songwriterFor thirty years as a musician, Rosanne Cash has enjoyed both critical and commercial success, releasing a series of albums that are as notable for their lyrical intelligence as for their musical excellence.Now, in her...

Kiss Tomorrow Goodbye: The Barbara Payton Story is the only family-authorized biography of the late Hollywood actress whose promising film career in the 1950s was quickly overtaken by a disastrous and scandal-ridden personal life that left her career in ashes. Barbara Payton’s story has long been considered one of the saddest and most potent cautionary tales the town has ever known.

Partiendo de conceptos básicos (¿qué es una escena?, ¿qué es una secuencia?, ¿cómo lograr el clímax de un acto?, ¿cómo lograr el clímax de una película?) McKee muestra el misterio de las estructuras, explica las características de cada género, define la importancia de la ambientación, la diferencia entre la caracterización y la realidad de un personaje, en suma, todo aquello que hace que un guión destaque por encima de los demás.

Quels sont les éléments du langage cinématographique (mouvements de caméra, plans, montage, etc.) ? Comment les cinéastes les ont-ils utilisés et comment ont-ils évolués depuis le début du XXe siècle ? En répondant à ces questions, Jean-Claude Carrière, scénariste de Luis Bunuel et de Louis Malle, nous permet de décrypter les images et le son, d'en prendre une conscience nouvelle et de changer à jamais notre regard sur le cinéma.

En "Conversaciones con Billy Wilder" el legendario director, ya nonagenario, accedió por primera vez a hablar extensamente sobre su vida y obra. Entrevistado por Cameron Crowe, en sus páginas habla de su experiencia en el mismo corazón de Hollywood, así como sobre guiones, fotografía y...

Everyone loves some travel fun to pass the time! This audiobook is a great way to keep family and friends entertained at home or on the road. It’s time to spark a little holiday competition with the perfect mix of questions, to be enjoyed by all ages. Divide into teams or go head to head, keep score, and let the fun begin!

Damn good coffee, cherry pie, and the “big bang of auteur television”―why Twin Peaks deserves to be a pop culture classic In 1990, avant garde filmmaker David Lynch (Eraserhead, The Elephant Man, Dune, Blue Velvet) and acclaimed television writer Mark Frost (Hill Street Blues) teamed up to create a television show that would redefine what the medium could achieve in a one-hour drama.