Film Art

Fifty years ago, a little boy was cast in a movie with some of Hollywood's brightest stars. The movie: It's a Wonderful Life; the boy: Jimmy Hawkins; today, he tells his story. Through personal recollection, careful research, and interviews with cast and crew, actor Jimmy Hawkins, who played four-year-old Tommy Bailey, takes you behind the scenes for a first-hand look at the American movie classic It's a Wonderful Life.

From this audiobook, you'll learn: how planning and shooting a short film today can lead to a feature-length project tomorrow; everything you need to know about writing a movie project on a burger budget; tips on how to find locations and not get arrested; Shooting tips galore for building exciting scenes; sound and film editing tips and all kinds of special effects wizardry, including puppetry; screenings, promotions, and juicy tips on film festival strategy; and more.

This is a short book, with just one goal - to teach you the simple principles you can use right now to design a powerful scene before you write it. If you've already written your novel, you can use these same principles to make each scene better.

Few actors have had a career as dynamic as that Kathleen Turner's; success has followed her from the television screen to major blockbusters, from indie films to the theater stage. Over her 40-year career, Turner has developed an instinctual knowledge of what it takes to be a successful actor, and, in her conversations with esteemed film professor Dustin Morrow, she shares these lessons with the world.

Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the nightmare of the Red Scare and how it victimized political innocents. But Ronald and Allis Radosh tell for the first time the “backstory” behind this myth. They show how the Soviet Comintern targeted the film capital in the late 1920s, taking us inside the cells and discussion groups that Communist Party members formed, the guilds and unions they tried to take over, and the studios they aimed to influence.

Partiendo de conceptos básicos (¿qué es una escena?, ¿qué es una secuencia?, ¿cómo lograr el clímax de un acto?, ¿cómo lograr el clímax de una película?) McKee muestra el misterio de las estructuras, explica las características de cada género, define la importancia de la ambientación, la diferencia entre la caracterización y la realidad de un personaje, en suma, todo aquello que hace que un guión destaque por encima de los demás.

Forget the boring textbooks. How to Speak K-Drama is a witty, stylish, and super-accessible cultural guide for the modern K-drama fan. Narrated by your new Korean best friend, Dami, this isn't a lecture—it's a fun, fascinating chat that turns your "Wait, what just happened?" moments into "Aha! Now I get it!" moments.

INTERNATIONAL BESTSELLER! FEATURED ON NPR FRESH AIR, NPR WEEKEND EDITION, CBS MORNINGS, AND NBC THE TODAY SHOW “A brilliant literary thriller.” – NBC The Today Show "A masterclass in suspense … Extraordinary." – Paula Hawkins “Terrifying, explosive and exhilarating” – Katie...

The enormously puzzling TV series The Prisoner has developed a rapt cult following, and has often been described as "surreal" or "Kafkaesque." Alex Cox watched all the episodes of The Prisoner on their first broadcast, at the ripe old age of thirteen. In I Am (Not) a Number, Cox believes he provides the answers to all the questions which have engrossed and confounded viewers.

Following the adventures of two brothers who investigate deeply strange and paranormal mysteries in their never-ending road trip, the TV show Supernatural has many fans eager to better understand the psychology behind the series' themes and characters. Featuring cast and crew interviews, this collection examines issues at the heart and soul of Supernatural's heroes and foes.

For more than three decades, director Ken Kwapis has charted a career full of exceptional movies and television, from seminal shows like The Office to beloved films like He’s Just Not That into You. He is among the most respected directors in show business, but getting there wasn’t easy. He struggled just like everyone else. With each triumph came the occasional faceplant. Using his background and inside knowledge, But What I Really Want to Do Is Direct tackles Hollywood myths through Ken’s highly entertaining experiences.

Hawk Koch is a renowned film producer who has served as president of the Academy of Motion Picture Arts and Sciences. He has produced some of the most iconic films of all time, including The Way We Were, Chinatown, Heaven Can Wait, Gorky Park, and Wayne’s World, among many others. He was born into the business, the son of legendary Howard W. Koch, who ran Frank Sinatra’s production company, was head of Paramount Studios, and was president of the Academy. Growing up, Hawk was dealt an immense amount of privilege.

The Thin Man films are one of the most highly regarded and successful series of films from Hollywood's classic era. This book looks at the people who populated the films, including full chapter profiles of its stars, William Powell and Myrna Loy, whose chemistry together was a huge reason for the success of the films. As Nick and Nora Charles, they knocked the stereotypes of on-screen marriage out of the park and replaced the stiff and formal with fun and sexy.

Collected for the first time, the New York stories of John O'Hara, "among the greatest short story writers in English, or in any other language" (Brendan Gill, Here at The New Yorker) Collected for the first time, here are the New York stories of one of the twentieth century’s definitive...

Hollywood in the years between 1929 and 1948 was a town of moviemaking empires. The great studios were estates of talent: sprawling, dense, diverse. It was the Golden Age of the Movies, and each studio made its distinctive contribution. But how did the studios, "growing up" in the same time and place, develop so differently? What combinations of talents and temperaments gave them their signature styles?

Raised in the Hollywood of the 1920s as the privileged son of a pioneer studio mogul, Budd Schulberg went on to win fame as a distinguished novelist, short story writer, playwright, Oscar-winning screenwriter, and boxing historian.

Long before Mary Poppins danced across the rooftops and into the hearts of millions, Robert and Richard Sherman were struggling songwriters in Los Angeles, trying to find their voices—and their futures. In this vivid and deeply researched narrative, author and Disney historian Todd James Pierce traces the unlikely path that brought the Sherman brothers to Walt Disney's attention, and how their personal history, musical genius, and emotional lives shaped the film's unforgettable songs and surprising storyline.

This book is created for you, hard-working father who works at a corporate American job to pay the bills. You long to support your family composing music for film, TV, and video games. You get no joy or fulfillment from your work...this is a safe, “real” job. You complain to your wife every night about how you long for the day when you can support your family composing music for film, TV, and video games.

TV WRITING TOOL KIT 2nd Edition—is an update of my latest story tools, breakdowns, and handouts. The book covers story structure for a TV pilot and spec script, logline formulas for Logline For Your Life and your story, and character. With character, the book goes into the wound and the flaw. I cover everything that I teach in Writers on the Verge at NBC. There are breakdowns for several shows, including—THE GOOD WIFE, MODERN FAMILY, THE NIGHT MANAGER, HOMELAND, FLEABAG, and DEAD TO ME. The book also explores staffing and development.

One of the world's most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author of ten works of fiction and memoir. Now, more than fifty years after the release of his enduring epic Spartacus, Douglas reveals the riveting drama behind the making of the legendary gladiator film. Douglas began producing the movie in the midst of the politically charged era when Hollywood’s moguls refused to hire anyone accused of Communist sympathies.