Film Art

Black Mirror - the Emmy-winning Netflix series that holds up a dark, digital mirror of speculative technologies to modern society-shows us a high-tech world where it is all too easy to fall victim to ever-evolving forms of social control. In Black Mirror and Philosophy, original essays written by a diverse group of scholars invite you to peer into the void and explore the philosophical, ethical, and existential dimensions of Charlie Brooker's sinister stories.

Screen Acting Trade Secrets is the definitive guide for the screen actor in the 21st century. From your first awakening as an actor to the end of your first day on a movie set, Screen Acting Trade Secrets walks you through it all with humor, priceless information, eye-opening revelations, helpful exercises, real-world examples, tales from the trenches, insider secrets, and a boat load of genuine inspiration. You won’t be able to put it down. Then, you’ll start again with a highlighter.

Ted Lasso and Philosophy explores the hidden depths beneath the vibrant veneer of AppleTV's breakout, award-winning sitcom. Blending philosophical sophistication with winsome appreciation of this feel-good comedy, the collection features original essays canvassing the breadth of the series and carefully considering the ideas it presents.

A fascinating look at Hollywood’s most turbulent decade and the demise of the studio system—set against the boom of the post–World War II years, the Cold War, and the atomic age—and the movies that reflected the seismic shifts “The definitive book on 1950s Hollywood.” —Booklist...

From Academy Award-winning multi-talent Jamie Foxx, a hilariously candid look at the joys and pitfalls of being the father of two daughters. Jamie Foxx has won an Academy Award and a Grammy Award, laughed with sitting presidents, and partied with the biggest names in hip-hop. But he is most...

On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle. The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty's bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages.

In 2001, Ian McKellen put on the robe and pointed hat of a wizard named Gandalf and won a place in the hearts of Tolkien fans worldwide. Though his role in the film adaptation of Lord of the Rings introduced him to a new audience, McKellen had a thriving career a lifetime before his visit to Middle Earth. He made his West End acting debut in 1964 in James Saunders's A Scent of Flowers, but it was in 1980 that he took Broadway by storm when he played Antonio Salieri in Peter Shaffer's Tony Award-winning play Amadeus....

Silver Shamrock. Thorn. White Horses. It’s all in here. Join authors Dustin McNeill and Travis Mullins for a deep dive into the evolution of Halloween’s vast mythology. Extensively researched, Taking Shape is the ultimate guide to the first 40 years of Haddonfield history. Featuring exclusive interviews with filmmakers from every installment, prepare to gain new insight into Halloween’s iconic boogeyman. Oh, you don’t believe in the boogeyman? You should.

The Shining, de Stanley Kubrick, cette histoire étrange située dans un hôtel où s’installent hors-saison un écrivain, sa femme et leur garçon aux pouvoirs extrasensoriels, a impressionné une foule de spectateurs depuis sa sortie en 1980. C’est à l’âge de dix ans que Simon Roy a découvert ce film, médusé par une réplique: «Tu aimes les glaces, canard?» Depuis, il l’a revu au moins quarante-deux fois, sans doute parce qu’il «contient les symptômes tragiques d’une fêlure» qui l’habite depuis des générations.

A fascinating and hilarious deep dive into 30 Rock, Tina Fey's beloved modern classic comedy. In this combination of narrative and oral history, culture writer and editor Mike Roe brings to life the history of the gloriously goofy show through interviews with the creators, stars, writers, and bit players.

Today both reality and entertainment crowd our fields of vision with brutal imagery. The pervasiveness of images of torture, horror, and war has all but demolished the 20th-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away? Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel.

While other books give you tips on how to “write funny,” this book offers a paradigm shift in understanding the mechanics and art of comedy and the proven, practical tools that help writers translate that understanding into successful commercial scripts. The Hidden Tools of Comedy unlocks the unique secrets and techniques of writing comedy. Kaplan deconstructs sequences in popular films and TV that work and don’t work and explains what tools were used (or should have been used).

Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn't yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick's widow, Christiane.

You can learn a lot from the movies—about sex and relationships, about business, about history. Sure, there’s a fair amount of fantasy, wish fulfillment, and glorious hair to exaggerate everything, but for better or for worse, films remain one of the most important ways that viewers around the world learn about other people and cultures. And almost since the dawn of the medium, movies have shaped the public’s understanding of and assumptions about disability.

For five decades, no American filmmaker has been as prolific or as paradoxical as Woody Allen. From Play It Again, Sam (1972) to Midnight in Paris (2011) and Blue Jasmine (2013), Allen has produced an average of one film a year; yet in many of these movies Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists.

An in-depth look at, and written in collaboration with, the man considered to be the most profound, and commercially successful director at work today--a franchise unto himself--whose deeply personal million-dollar blockbuster movies (The Dark Knight (2008), Inception (2010), Dunkirk (2017)...

Multi-Emmy Award-winning filmmaker Shane Stanley writes a book anyone and everyone should hear if they want an entertainment industry insider's professional guidance on how to create a movie. This book is an especially invaluable tool for those who have or plan to, attend a college or university film school. It's your complete guide to (independent) filmmaking.

How to Write a Screenplay is the guide you need! We will teach you how to write a screenplay in seven easy steps. This guide is designed to provide you with all the tools you need in a concise, easy-to-understand format that will answer all your burning questions and get you on your way to successful screenplay writing.

Now Tom Santopietro has written the ultimate Sound of Music fan audiobook with all the inside dope, from behind-the-scenes stories of the filming in Austria and Hollywood to new interviews with Johannes von Trapp and others. Santopietro looks back at the real-life story of Maria von Trapp, goes on to chronicle the sensational success of the Broadway musical, and recounts the story of the near cancellation of the film when Cleopatra bankrupted 20th Century Fox.

A legendary fusion of science fiction and horror, Ridley Scott's Alien (1979) is one of the most enduring films of modern cinema – its famously visceral scenes acting like a traumatic wound we seem compelled to revisit. Exploring the ways in which Alien compels us to think about otherness, Luckhurst demonstrates how and why this interstellar slasher movie, this old dark house in space, came to coil itself around our darkest imaginings about the fragility of humanity.