Film Art

In 1984, a new vision of horror was unleashed upon terrified moviegoers—a razor-gloved bogeyman who slashed his way through the children of those who had murdered him years before. In doing so, this cinematic monster would not just invade the dreams of his victims but give those watching a brand-new nightmare to fear forever.

Back in January 1995 in Los Angeles, California, a Singaporean pornstar named Annabel Chong took cultural rebellion to an extreme, on terms that had never been negotiated before. She was filmed having sex with a long receiving line of men, servicing them 251 times over a ten-hour period to set a new world record: The World’s Biggest Gangbang.

This little book is packed with information on how to create compelling, complex 3-dimensional characters. Creating compelling movie characters is a big deal. Glossing over the intricacies of character is putting the screenwriter and ultimately, the feature film at a serious disadvantage. Movie-goers want to root for a character. They want to see conflicts between characters and they want to see how these conflicts are resolved.

Every aspect of screenwriting is covered with an authority and credibility never seen in any book to come before. Told with honesty, humor, and vulnerability from the real-world perspective of a working, professional screenwriter, Kill the Dog reveals the secrets of what it takes to have a successful career as a Hollywood screenwriter.

Easy Rider, Raging Bulls follows the wild ride that was Hollywood in the 70s - an unabashed celebration of sex, drugs, and rock 'n' roll (both on screen and off) and a climate where innovation and experimentation reigned supreme.

Act: The Modern Actor’s Handbook is the result of 30 years of one of North America’s most renowned acting teachers teaching some of the world's most talented screen actors. This is a full tour through the concepts at the heart of Rotenberg’s techniques: states of being, primaries and secondaries, images that you elaborate up or distill down, modifiers, actions and beats, and more. Although his methods loosely draw on the great acting teachers like Hagen and Meisner back to Stanislavski, he teaches new techniques suited to the best of today’s screen actors.

If you're watching a movie where a world-weary detective is having trouble with a "dame" or a "broad", and cigarette smoke is wafting through the scene - you're probably appreciating a bit of "film noir". Film noir literally means black film referring to both the look and the attitude of these movies.

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all, he loves talking about film, and how they'd be a shit-ton better if only people would pull their asses out of their ears and listen to Gordy LaSure. Why are some films bad and some films terrible? How come just a handful of films (Titanic, Porky's, Dirty Harry) are any good at all? Gordy'll tell you How and Why, and he'll give you a shot of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.

For 60 years, since the birth of United Artists, the studio landscape was unchanged. Then came Hollywood’s Circus Maximus---created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world The Lion King---an entertainment empire called DreamWorks.

Here is the epic human drama behind the making of the five movies nominated for Best Picture in 1967 - Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Dolittle, and Bonnie and Clyde - and through them, the larger story of the cultural revolution that transformed Hollywood and America forever.

In a snow-covered morning in upstate New York, a girl out riding her horse is hit by a 40-ton truck. Though horribly injured, both 13-year-old Grace and her horse Pilgrim survive. Annie, Grace's mother, refuses to have Pilgrim destroyed and hears about a man in Montana, a 'whisperer' who is said to have the gift of healing troubled horses. They set off across the continent to find him and there, under the massive Montana sky, all their lives are changed forever.

Jasmine Bashara, dite Jazz, une jeune femme d'origine saoudienne, vit sur Artémis depuis l'âge de six ans. Elle connaît la cité lunaire comme sa poche : ses cinq bulles où se répartissent toutes les classes sociales, du plus riche au plus misérable, ses lois si particulières - et pas seulement gravitationnelles - et sa corruption. La vie sur Artémis est rude quand on n'est pas un riche touriste ou un milliardaire.

Most screenwriting books tend to focus on story structure, scene writing, navigating the business, and other parts of the craft that come after the initial choice of the central concept for a story. Multiple Emmy- and Golden Globe-winning writer/producer Erik Bork (HBO’s Band of Brothers) takes a different approach. His experience in the industry and as a screenwriting professor and coach have led him to recognize that it's the selection of the initial idea that is the most important part of the process - with the most impact on the project's chance of success.

This book is an invaluable and inspirational material for the film, television and theater professional. It helps directors, actors, writers, designers, producers and executives tap into their imagination and instincts, in turn helping them create the films they’ve always dreamed of creating.

One of The Hollywood Reporter’s 100 Greatest Film Books of All Time A National Book Critics Circle finalist One of People's top 10 books of 2021 An instant New York Times bestseller Named a best book of the year by NPR and Time A magnificent biography of one of the most...

In 1969, Illeana Douglas' parents saw the film Easy Rider and were transformed. Taking Dennis Hopper's words - "That's what it's all about, man" - to heart, they abandoned their comfortable upper-middle-class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it." I Blame Dennis Hopper is a rollicking, funny, at times tender exploration of the way movies can change our lives.

In the perfect companion piece to his first book, Blake Snyder delivers even more insider information gleaned from a 20-year track record as one of Hollywood's most successful spec screenwriters. Designed for screenwriters, novelists, and movie fans, this book gives listeners key breakdowns of the 50 most instructional movies from the past 30 years. From M*A*S*H to Crash, Alien to Saw, and 10 to Eternal Sunshine of the Spotless Mind, Snyder reveals how screenwriters in the past tackled the same challenges faced by screenwriters today.

The ad men behind CBC Radio’s The Age of Persuasion combine lively social history and years of industry experience to show how the art of persuasion shapes our culture. Witty, erudite and irrepressibly irreverent, The Age of Persuasion provides a hugely entertaining — and eye-opening —...

For fans of one of the most successful and highly discussed shows in recent memory, LOST: Back to the Island is both a delightful time capsule and a rousing work of entertainment criticism.

A legendary fusion of science fiction and horror, Ridley Scott's Alien (1979) is one of the most enduring films of modern cinema – its famously visceral scenes acting like a traumatic wound we seem compelled to revisit. Exploring the ways in which Alien compels us to think about otherness, Luckhurst demonstrates how and why this interstellar slasher movie, this old dark house in space, came to coil itself around our darkest imaginings about the fragility of humanity.