Film Director

Featuring a foreword from legendary director Martin Scorcese, Woodstock: Interviews and Recollections combines stories, anecdotes, and perspectives from dozens of musicians and filmmakers about the making of the Academy Award-winning documentary Woodstock. Assembled by associate producer Dale Bell, the oral history takes listeners behind the scenes - and behind the camera - at the decade-defining event.

Ron Howard is long overdue to have his filmography viewed through the lens of the auteur theory. Since his debut in the late-1970s, he has remained one of the most prolific and recognizable working filmmakers, and yet... his "directed by" titles have garnished a low amount of commentary by film academics. Even younger mainstream directors have earned more than one volume of academic attention ? and yet Howard, who has continually developed himself, seems to only get treated with pop-culture-trivia "fun fact" regarding his acting career.

Millie has one goal: to make a movie in tribute to her late father. At the Manhattan Movie Academy, run by Ricky O’Naire, her favorite director, she’s determined to make it happen. But before she can finish her project, the academy is shut down. Six months later, she sees a preview for the new O’Naire movie—and he’s stolen her idea. Outraged, she reunites her former film crew to steal the movie and hold it for ransom days before its high-profile premiere. Putting their training and film-nerd backgrounds to use, they pull off the heist in extravagant fashion.

Dominic Smith’s The Electric Hotel winds through the nascent days of cinema in Paris and Fort Lee, New Jersey - America’s first movie town - and on the battlefields of Belgium during World War I. A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

Greg Mitchell's The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military.

Wawrczeck zeichnet ein subjektives Porträt eines der größten Künstler des 20. Jahrhunderts. Man sitzt mit ihm vor dem Fernseher, wenn er den ersten Hitchcock-Film sieht, begleitet ihn ins Tonstudio zu den Aufnahmen der "Drei ???" und zieht mit ihm durch die Welt: Von Hamburg über New York, von Bodega Bay nach London, immer auf der Spur von Hitchcocks Meisterwerken. Er erzählt, wie ihm Hitchcocks Filme bei der Suche nach der eigenen Identität halfen und ihm zeigten, dass die Beantwortung der Frage "Bin ich verrückt oder sind es die anderen?" immer vom Standpunkt abhängt.

In this first biography of Woody Allen in over a decade, David Evanier discusses key movies, plays, and prose as well as Allen's personal life. Evanier tackles the themes that Allen has spent a lifetime sorting through in art: morality, sexuality, Judaism, the eternal struggle of head and heart. Woody will be the definitive word on a major American talent as he begins his ninth decade and his sixth decade of making movies.

The definitive biography of movie executive and philanthropist Sherry Lansing traces her groundbreaking journey to become the first female head of a major motion picture studio, sharing behind-the-scenes tales from movie sets and Hollywood boardrooms. When Sherry Lansing became the first woman...

Action! is a family saga in which five decades of Hollywood history are embodied in the lives of three generations of a movie dynasty, with each generation reflecting the changing values of the motion-picture industry.

From the celebrated film critic and author of The Biographical Dictionary of Film--an essential work on the preeminent, indispensable movie directors and the ways in which their work has forged, and continues to forge, the landscape of modern film. Directors operate behind the scenes, managing...

From the earliest days of silent films and the swinging era of the Roaring Twenties, through the Golden Age of the studio system and the patriotic call of WWII, to the Red Scare paranoia of the McCarthy years, the history of the Schenck brothers is the story of Hollywood itself—and the enduring power of the American Dream. Moguls is a must-listen for film fans, history buffs, and anyone who loves the movies.

New York City, 1977. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. So he does. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he's doing, and the money sucks. But he's a director. He quickly learns he has the two things he needs to succeed in the fickle world of commercial-making: a talent for telling short, emotional stories, and the hustle to fight for every job no matter how small.

Sean Wellington is a neurotic music video director who was just given the opportunity of a lifetime: to direct his first feature film. In the midst of this celebration, comes a tumultuous breakup with his girlfriend as his neurosis looms overhead while he tries to reorganize his personal and professional lives. A Talent for Trouble is the story of Sean’s battle to balance real-life romance while living through a camera lens.

Se trata del director español más popular y premiado de las últimas décadas, quien por su carácter mediático y carismático ha dirigido a artistas españoles que son auténticos iconos populares de las últimas décadas en el mundo hispano como Miguel Bosé, Carmen Maura, Victoria Abril, Antonio Banderas, Penélope Cruz, entre otros. Sobre su obra y su peculiar lenguaje cinematográfico se ha escrito bastante, tanto en inglés como en español, en el mundo de la cultura de masas y en el ámbito académico.