Film Entertainment

Габриэль Гарсиа Маркес — один из величайших писателей ХХ века, лауреат Нобелевской премии по литературе, автор романов «Сто лет одиночества», «Осень патриарха», «Любовь во время чумы» и многих других произведений. В 1986 году он основал Международную школу кино и телевидения на Кубе, а в следующем открыл особые курсы — сценарную мастерскую Габриэля Гарсиа Маркеса. Вместе с молодыми талантливыми сценаристами, операторами, актерами и режиссерами маэстро сочинял и разбирал разнообразные сюжеты, превращая их, словно по волшебству, в полноценные киносценарии.

Margaret Yvonne Middleton (September 1, 1922 - January 8, 2007), known professionally as Yvonne De Carlo, was a Canadian-American actress, dancer and singer. She became a Hollywood film star and sex symbol in the 1940s and 1950s, made several musical recordings, and later acted on television and stage. De Carlo won a Laurel Award for Topliner Supporting Actress for her performance in Cecil B. DeMille's The Ten Commandments, and later starred in the tv show, The Munsters, from 1964 to 1966, playing Herman Munster's wife, Lily.

Forget the boring textbooks. How to Speak K-Drama is a witty, stylish, and super-accessible cultural guide for the modern K-drama fan. Narrated by your new Korean best friend, Dami, this isn't a lecture—it's a fun, fascinating chat that turns your "Wait, what just happened?" moments into "Aha! Now I get it!" moments.

Here, Frankie describes the entire story behind Having Fun Up There, including the films that preceded, the writing and casting, the nine grueling production days, the edit and color correction, and the film festival circuit and distribution woes. Learn about the technology, techniques, and philosophies behind Frankie and crew's production in this entertaining tool for any beginning filmmaker.

Academy Award-winning actress and New York Times bestselling author Shirley MacLaine shares a dazzling memoir in photographs, chronicling her extraordinary life with 150+ images from her personal archive With more than seventy years on the silver screen, Shirley MacLaine has, as she says, seen...

Dana Andrews (1909-1992) worked with distinguished directors such as John Ford, Lewis Milestone, Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Mervyn Le Roy, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the modern screen, including Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Linda Darnell, Susan Hayward, Maureen O'Hara, and most important of all, Gene Tierney, with whom he did five films.

Filmmakers, film students, documentary makers for film and television, and lovers of pop culture will hear, in the filmmakers’ own words, the challenges and triumphs faced in making documentaries. Firsthand knowledge is shared on such topics as how the documentary process differs from making fictional films, storytelling technique, ethical boundaries, funding, film festivals, and much more.

Strikingly beautiful and exceptionally talented, Montgomery Clift was at the peak of his fame in 1956 when a devastating car crash nearly destroyed his face. While this traumatic event robbed him of his heartthrob status and turned him into a somewhat disturbing, socially alienated character, author Elisabetta Girelli argues that Clift had always combined on-screen erotic ambiguity with real-life sexual nonconformity.

Sofia Coppola’s Lost in Translation (2003) brings two Americans together in Tokyo, each experiencing a personal crisis. Both are distant — emotionally and spatially — from their spouses. They are lost until they develop an intimate connection. In the film’s poignant, famously ambiguous closing scene, they find each other, only to separate. In this close look at the multi-award-winning film, Suzanne Ferriss mirrors Lost in Translation’s structuring device of travel: her analysis takes the form of a trip, from planning to departure...

Hollywood was born just over a century ago, at a time of huge forward motion for women's rights. With no rules in place to stop them, there were women who forged ahead in many areas of filmmaking. Yet, despite the work of early pioneers like Dorothy Arzner, Mabel Normand, Mary Pickford and Alice Guy-Blaché, it soon came to embody the same old sexist standards. Women found themselves fighting a system that fed on their talent, creativity and beauty but refused to pay them the same respect as their male contemporaries - until now....

A scintillating debut novel that brings the golden age of Hollywood to glittering life, from star-studded opening nights to backlot brawls, on-location Westerns to the Hollywood Canteen. Through character actress turned gossip columnist Edie O'Dare's eyes, Lindsay Lynch draws back the curtain...

Long before Mary Poppins danced across the rooftops and into the hearts of millions, Robert and Richard Sherman were struggling songwriters in Los Angeles, trying to find their voices—and their futures. In this vivid and deeply researched narrative, author and Disney historian Todd James Pierce traces the unlikely path that brought the Sherman brothers to Walt Disney's attention, and how their personal history, musical genius, and emotional lives shaped the film's unforgettable songs and surprising storyline.

Dorothy Jean Dandridge (November 9, 1922 to September 8, 1965) was an American actress and singer. She was the first African-American film star to be nominated for the Academy Award for Best Actress for Carmen Jones (1954). Dandridge had also performed as a vocalist in venues such as the Cotton Club and the Apollo Theater. During her early career, she performed as a part of the Wonder Children, later the Dandridge Sisters, and appeared in a succession of films. In 1959, Dandridge was nominated for a Golden Globe Award for Porgy and Bess.

Today, the name Clint Eastwood conjures up many different and unforgettable images. While many will always associate him as the quintessential Western hero in classics like The Good, the Bad, and the Ugly, new generations know him as a critically acclaimed director and even an outspoken conservative firebrand.

La vie de la reine Elisabeth II et de sa famille racontée dans une série à succès de Netflix réunit des millions de fans à chaque épisode de "The Crown". Netflix a investi 140 millions d'euros pour une seule saison de "The Crown", c'est la plus chère de l'histoire devant même "Game of Thrones". Depuis le succès de la série historique Rome diffusée sur HBO, les moyens des séries ont décuplé et le public ne s'y trompe pas.

Have no fear! The Great Book of Pub Trivia Volume 2 is finally here, and it’s the perfect companion for game nights, fun family times, fun evenings with friends, or just reading to brush up on your pub trivia knowledge. You’ll get instant access to fun quizzes covering different topics such as film, politics, science, history, fashion, and many more.

At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's traditional blend of business and art. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making - and unmaking - of movies, from Frankenstein to Spellbound to Grand Hotel. The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.

"Mani Ratnam’s Nayakan is among Time’s ‘100 Best Movies Ever’; and his Roja launched A.R. Rahman. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, in a series of freewheeling conversations— candid, witty, pensive, and sometimes combative—and looks back at these...

A brutally honest look at the systemic exclusion of women in film—an industry with massive cultural influence—and how, in response, women are making space in cinema for their voices to be heard. Generation after generation, women have faced the devastating reality that Hollywood is a system...

A New York Times bestselling author dives into a horror movie classic to examine his favorite film’s importance to our history, culture, and psychology, creating a perfect blend of research and memoir in the vein of Quentin Tarantino’s Cinema Speculation. Daniel Kraus first saw George A. Romero’s Night of the Living Dead when he was five years old. Through watching it approximately three hundred times since, Kraus discovered the many ways the film is tied to his childhood trauma and how its influence has carried into his adulthood.