Film History

How does magic in J. K. Rowling’s universe work? Finally, the scientific secrets of the Harry Potter universe are revealed! The Science of Harry Potter examines the scientific principles behind some of the spells, scenes, and games that Harry, Hermione, Ron, and Dumbledore love best. Author Mark Brake, whose The Science of Star Wars was a knockout success, has found the answers to satisfy the curious spirits of muggles everywhere.

Is the top still spinning? Was it all a dream? In the world of Christopher Nolan's four-time Academy Award-winning movie, people can share one another's dreams and alter their beliefs and thoughts. Inception is a metaphysical heist film that raises more questions than it answers: Can we know what is real? Can you be held morally responsible for what you do in dreams? What is the nature of dreams, and what do they tell us about the boundaries of "self" and "other"?

Based on very real and practical commentary, life experience, and occasionally, tongue-in-cheek-misfortunes of horror legends, Necessary Death explores how the horror genre offers individuals a unique opportunity for insight and understanding of their own lives.

A new edition of the first book in the acclaimed Pop Classics series The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it’s time for a good hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for.

The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In Madness at the Movies, James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters’ inner worlds, and he analyzes moments that help define their particular mental illness.

In this elegant and compelling biography, best-selling writer Shawn Levy writes of these many De Niros - the characters and the man - seeking to understand the evolution of an actor who once dove deeply into his roles as if to hide his inner nature, and who now seemingly avoids acting challenges, taking roles which make few apparent demands on his overwhelming talent.

Hosts Mike Kalinowski and Brad Gilmore team up in this comprehensive breakdown of the longest running film series in the history of cinema. In Bond, James Bond, they explore the cinematic history of the James Bond collection to celebrate everything it got right and reflect on everything it got wrong.

Danny Plotnick showcases the history of Super 8 filmmaking in this must-listen audiobook. Super 8 offers a detailed look at the beloved medium - one not only embraced by suburban dads, the target audience of the format, but by the art world, punk rockers, and ultimately popular culture. Filmmakers who got their start in Super 8 include Robert Zemeckis, Jim Jarmusch, Todd Haynes, Sam Raimi, Wes Anderson, and Alex Gibney.

Dueling Banjos: The Deliverance of Drew is a collection of stories of the making of the iconic movie, Deliverance, told from the perspective of one of the four main actors in the film, Ronny Cox, who played the character of Drew. Based on the novel by James Dickey, the movie was filmed in the summer of 1971 and was released the following year in 1972. Forty years later, it remains one of the most recognized films in movie history for being raw, emotional, violent and shocking - yet it leaves a lasting impression of artistic excellence.

David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition - one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960.

In this first biography of Woody Allen in over a decade, David Evanier discusses key movies, plays, and prose as well as Allen's personal life. Evanier tackles the themes that Allen has spent a lifetime sorting through in art: morality, sexuality, Judaism, the eternal struggle of head and heart. Woody will be the definitive word on a major American talent as he begins his ninth decade and his sixth decade of making movies.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

Do you watch movies with your eyes open? You buy your tickets and concessions, and you walk into the theater. Celluloid images flash at 24 frames per second, and the hypnotic sequence of moving pictures coaxes you to suspend disbelief and be entertained by the implausible. Unfortunately, many often suspend their beliefs as well, succumbing to subtle lessons in how to behave, think, and even perceive reality.

In The Time of My Life, celebrated music journalist Andrea Warner excavates the layers of Dirty Dancing, from its anachronistic, chart-topping soundtrack, to Baby and Johnny’s chemistry, to Bergstein’s political intentions, to the abortion subplot that is more relevant today than ever. The film’s remarkable longevity would never have been possible if it was just a throwaway summer fling story. It is precisely because of its themes—deeply feminist, sensitively written—that we, over 30 years later, are still holding our breath during that last, exhilarating lift.

A Companion to Martin Scorsese is a comprehensive collection of original essays assessing the career of one of America's most prominent contemporary filmmakers....

The paranormal investigator series picks up with what we are calling series two. This series will feature more Famous investigators both real and fictional. This book will explore not only the lives of these investigators but their specialized fields of study. Collin de Plancy, like most other demonologists who came before him, followed the tradition of cataloging demons according to their names and titles. Dictionnaire Infernal is his most renowned work. Reginald Scot wasn't at first convinced of the idea of witches.

Film noir: the name comes from the French for “black” or “dark film.” It points to the central feature of the genre: mood. There is a darkness about film noir, a somberness accompanied by a thrill of dread and ever-present danger. This aura envelops wealthy heiresses, English aristocrats, tough-guy drifters, jazz musicians, drug dealers, and respected schoolteachers—all of whom have secrets to hide and much to lose if those secrets are unveiled.

Take an unforgettable journey with the man George Bernard Shaw called "the only genius to come out of the movie industry" as he moves from his impoverished South London childhood to the heights of Hollywood wealth and fame; from the McCarthy-era investigations to his founding of United Artists to his "reverse migration" back to Europe.

Glenn Ford: A Life chronicles the volatile life, relationships, and career of the renowned actor, beginning with his move from Canada to California and his initial discovery of theater. It follows Ford’s career in diverse media - from film to television to radio - and shows how Ford shifted effortlessly between genres, playing major roles in dramas, noir, westerns, and romances. This biography by Glenn Ford’s son, Peter Ford, offers an intimate view of a star’s private and public life.

A lively and colorful biography of Hollywood's first superagent - one of the most outrageous showbiz characters of the 1960s and 1970s, whose clients included Barbra Streisand, Ryan O'Neal, Faye Dunaway, Michael Caine, and Candice Bergen. Before Sue Mengers hit the scene in the mid-1960s, talent agents remained quietly in the background. But staying in the background was not possible for Mengers.