Film History

A dazzling, inventive literary adventure story in which Captain Ahab confronts Captain Nemo and the dark cultural stories represented by both characters are revealed in cliffhanger fashion. A sprawling adventure pitting two of literature's most iconic anti-heroes against each other: Captain Nemo...

Bill Kimberlin may refer to himself as "one of those names on the endless list of credits at the close of blockbuster movies." In reality though, he's a true insider on some of the most celebrated and popular movies and franchises of the past century. Jurassic Park. Jumanji. Even Forrest Gump. And perhaps most notably, Star Wars. Inside the Star Wars Empire is the very funny and insightful tell-all about the two decades Kimberlin spent as a department director at LucasFilm Industrial Light and Magic (ILM), the special effects studio founded by the legendary filmmaker George Lucas.

With oodles of steamy romance, paranormal time travel, adventure, and much more, Outlander is sweeping the nation. From over a dozen volumes to its newest incarnation as a breathtaking Starz show, it continues to delight, even with subtle, clever changes. But what was life really like then - from kilts and bagpipes to selkies and the fair folk? Who was Bonnie Prince Charlie and why was his campaign so disastrous for the Highlanders?

हिंदी में ऐसे लेखक अधिक नहीं हैं जिनकी रचनाएं आम पाठकों और आलोचकों के बीच सामान रूप से लोकप्रिय हो. ऐसे लेखक और भी कम हैं जिनके पैर किसी विचारधारा की बेड़ी से जकड़े ना हो. मनोहर श्याम जोशी के लेखन,पत्रकारिता को अपने शोध-कार्य का विषय बनाने की 'रिसर्च स्कोलर्स' में होड़ लगी थी. प्रभात रंजन ने न सिर्फ जोशी जी के लेखन पर अपना शोध-कार्य बखूबी किया बल्कि उनके साथ बिताए गए समय को इस संस्मरण की शक्ल देकर एक बड़ी ज़िम्मेदारी पूरी की है. "प्रभात ने आत्मीय वृत्तांत लिखा है."

A palavra pressa é o particípio passado, em latim, do verbo premere (apertar). Assim, pode-se dizer que A História do Cinema para Quem Tem Pressa se propõe a contar uma das maiores sagas do século 20 (e deste início do 21) para quem precisa apertar o passo ou está apertado de tempo. E quem não está? Sabadin traça um panorama do cinema – linguagem que há mais de um século revoluciona nossa maneira de ver a vida –, desde a época em que seus inventores nem sabiam direito o que fazer com ele, até os dias de hoje, quando movimenta bilhões de dólares pelos cinco continentes.

Between 1934 and 1968, no Hollywood studio could make a movie without the permission of, and a seal of approval from, the Production Code Administration. Formed in 1930 but not enforced until 1934, the Production Code was Hollywood’s official censorship system. Screenplays, books, plays, costumes, and even story ideas and song lyrics had to be cleared by the Code before they could be filmed, and Code staffers watched at every stage of the production process to ensure compliance.

Probablemente, Quentin Tarantino sea uno de los mayores cineastas de la historia, pero de lo que no hay atisbo de duda es de que estamos hablando del espectador que mejor puede contagiar su pasión entusiasta por las películas que ha visto. Ahora, por fin llega el libro con el que tantos años soñaron él y sus seguidores.

Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises important questions about artistry, authorship, and cultural influence. In Animating Space: From Mickey to WALL-E, renowned scholar J. P. Telotte explores how animation has confronted the blank template, and how responses to that confrontation have changed.

As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we learn how the American theater serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American musical to life in all its artistry and excitement.

The first comprehensive history of Hollywood's high-flying career women during the studio era, Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist. Based on a decade of archival research, author J. E. Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood.

When Anna Broinowski learned that fracking had invaded downtown Sydney, she had a brilliant idea: she would seek guidance for a kryptonite-powerful, anti-fracking movie from the world's greatest propaganda factory - apart from Hollywood. After two years of trying, she was allowed to make her case in Pyongyang and was granted full permission to film. She worked closely with the leading lights of North Korean cinema, even playing an American in a military thriller.

Rollyson fully explores Brennan's work with Hollywood's greatest directors, such as Howard Hawks, John Ford, and Fritz Lang. As a father and grandfather, Brennan instilled generations of his family with an outlook on the American Dream that remains a sustaining feature of their lives today. His conservative politics, which grew out of his New England upbringing and his devout Catholicism, receive meticulous attention and a balanced assessment in A Real American Character.

The incomparable Simone Signoret (1921 - 1985), one of the grand actresses of the twentieth century and one of France's most notable stars, considered herself the "oldest discovery" in Hollywood. After years of blacklisting during the McCarthy era, she was 38 years old when she entered Hollywood through the back door in the 1959 British blockbuster Room at the Top. Her portrayal of the endearing Alice Aisgill earned her the Academy Award in 1960, the first French actor to win a coveted Oscar.

The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.

When Brian DePalma's operatically violent and profane Scarface debuted in 1983, the film drew almost as much fire as the relentless gunfire in the film itself. The movie was a remake of 1932's Scarface—revamped for a new era of drugs, sex, and graphic violence. Attacked as both a celebration of cocaine-fueled excess and a condemnation of it, the film's reputation only grew as the years went by. But the real story of its success started nearly a century ago—when Hollywood first fell in love with the American gangster....

A new edition of the first book in the acclaimed Pop Classics series The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it’s time for a good hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for.

Ride Lonesome, the fifth film in the "Ranown cycle," is both the best and most representative of the whole series, which has been called "the most remarkable convergence of artistic achievement in the history of low-budget moviemaking." Director Bud Boetticher captures the alienation and loneliness of an America faced with the Cold War and the daily threat of nuclear annihilation. Shot in seventeen days for under a half-million dollars, Ride Lonesome is a masterpiece of cinematic minimalism.

This warm, loving, and often hilarious personal history of My Fair Lady, Camelot, and Gigi describes the cast of a great era in American musical theater: Moss Heart, Fritz Loewe, Julie Andrews, Richard Burton, Rex Harrison, Cecil Beaton, Louis Jourdan, Maurice Chevalier, Leslie Caron...

Ernest Hemingway called Huckleberry Finn “the best book we’ve ever had. There was nothing before. There’s been nothing as good since.” Critical opinion of this book hasn’t dimmed since Hemingway uttered these words; as author Russell Banks says in these pages, Twain “makes possible...

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.