Film History

A sweeping cultural history of two iconic landmarks that reflect the spirit, character, and values of the US—the Empire State Building and the Statue of Liberty—and the role they play in shaping American culture, US history, and international relations In Empire and Liberty, historian Dr...

1974 was a busy year for Mel Brooks. Although still recovering after a series of failed projects threatened his career, he pulled off a one-two punch that saw the release of two of the most beloved American comedies ever made: Blazing Saddles and Young Frankenstein. Although both films are well-known, the stories beyond the making of each movie are less so. How did they come to be, and how did the era's culture and politics not only permit them to be made, but help them to become enduring comedy classics?

Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Jocelyn Szczepaniak-Gillece examines how the parallel trajectories of these two aspects of American culture resulted in them being treated and regulated in similar ways. Rather than looking at drug use within film, she regards cinema and intoxicants as kindred experiences of immersion that have been subject to corresponding forces of ideology and power.

Even 150 years later, we are haunted by the Civil War---by its division, its bloodshed, and perhaps, above all, by its origins. Today, many believe that the war was fought over slavery. This answer satisfies our contemporary sense of justice, but as Gary W. Gallagher shows in this brilliant revisionist history, it is an anachronistic judgment.

Apocalypse Television features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, the backlash from the conservative movement and Religious Right, the challenges encountered by the film's production team, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot.

Upon its release in 2008, Matt Reeves's Cloverfield revitalized the giant creature, a cinematic trope that had languished for over a decade. The film addressed the attacks of September 11, 2001, trading the jingoistic rhetoric of retributive military aggression for serious engagement with personal and collective trauma. It applied the horror genre's fascination with personal stories captured by found footage to the grand violence of history. Innovative and intense, Cloverfield represented blockbuster filmmaking at its best.

Considered by many to be unadaptable due to its length and complexity, Frank Herbert’s science fiction epic Dune has made it to the screen about every two decades.

Still Laughing features never-before-told stories from the creation of one of the most groundbreaking shows in television history.

Join Cecilia Tan, a writer, editor, and devoted Harry Potter fan, as she takes you back to Hogwarts through a fan-centric guided tour of all eight movies in The Binge Watcher's Guide to the Harry Potter Films, where you can re-live all the excitement and wonder of seeing Harry hop on his broom for the very first time.

An epic yet intimate novel about a Colombian man caught up in the sweep of global historical and ideological revolutions. The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It's a hard time for him: his father, famous actor Fausto Cabrera, has just died...

The story goes that under the influence of blues and rock and roll, Britain suddenly started making spectacularly great music in the 1960s like some clever, quick-learning cultural satellite of America. But Britain’s mid-20th-century pop music explosion didn’t happen from a standing start. The reasons, both dazzling and multifaceted, appear to lie deeper than those legendary deliveries of blues records to Liverpool’s port and the legacy of music halls.

I was a “Monster Kid” and “The Weird Kid, The Horror Movie Kid.” I found out early…horror is always personal. Now I make horror for a living. It shouldn’t just be WATCHED. Horror should be ENJOYED. This isn’t some stuffy analysis telling you what’s good or bad. Instead, it’s a tour of the 1930s through the 1980s—a personal account of how the best and worst of this era gave us so many memories and experiences that impacted our own lives. It’s fun…just how horror should always be.

A must-listen for movie buffs, The Trouble with Love in the Movies is a painfully honest account of labouring in the fields of film production, of loving and losing, living and learning. Through six movies, across three continents, in clashes on and off the set: It's a romance.

Film noir: the name comes from the French for “black” or “dark film.” It points to the central feature of the genre: mood. There is a darkness about film noir, a somberness accompanied by a thrill of dread and ever-present danger. This aura envelops wealthy heiresses, English aristocrats, tough-guy drifters, jazz musicians, drug dealers, and respected schoolteachers—all of whom have secrets to hide and much to lose if those secrets are unveiled.

The day-by-day inside story of the making of Tombstone (1993) as told to the author by those who were there--actors, extras, crew members, Buckaroos, historians and everyone in between. Historical context that inspired Kevin Jarre's screenplay is included. Production designers, cameramen, costume designers, composers, illustrators, screenwriter, journalists, set dressers, prop masters, medics, stuntmen and many others share their recollections--many never-before-told--of filming this epic Western.

Julia Childs's TV show, The French Chef, was extraordinarily popular during its broadcast from 1963 until 1973. Child became a cultural icon in the 1960s, and, in the years since, she and her show have remained enduring influences on American cooking, American television, and American culture. In this concise book, Dana Polan considers what made Childs program such a success. It was not the first televised cooking show, but it did define and popularize the genre. Polan examines the development of the show, its day-to-day production, and its critical and fan reception.

Ignoring the systemic racial inequalities in film is losing the industry $10 billion a year. Yet, parity, diversity, and inclusion are fundamental issues that the Oscar Awards are only just beginning to address. In this book, award-winning writer, broadcaster, model, and fashion designer, Ben Arogundade, provides a manual for deconstructing everything you thought you knew about Hollywood - documenting the stories and struggles of black artists within the movie industry that have so far been left out of the canon.

With the success of the Wonder Woman movies and the results following the outcry of the #MeToo movement, now is the time to highlight the female influences in film history previously left unheard!

Go deeper inside the hit TV show The Boys and its characters with psychologists, media experts, filmmakers, and more—including the original comic series' cocreator and the actors behind Soldier Boy and Stormfront. Supes Ain't Always Heroes offers a fresh look at The Boys, delving into the show's unflinching depiction of celebrity, politics, social media, corporate greed, racism, sexism, and more.

From the earliest episodes to speculation on the future of the franchise, author Patrick McCray celebrates the grand themes and iconic characters of Dark Shadows with a devout irreverence. Winner of the 2018 Rondo Award for Writer of the Year, Patrick McCray chronicles the unforgettable series by exploring its episodes in articles and asides, all originally written on the anniversary of their filming.