Film History

Deutschland im Mai 1945. Der Krieg ist verloren: Trümmer und Ruinenfelder, so weit das Auge reicht. Während die Alliierten den Sieg feiern, suchen russische Spezialeinheiten in Berlin nach den Überresten von Feind Nummer 1: Adolf Hitler. Dieser hatte sich am 30. April gemeinsam mit seiner kurz zuvor angetrauten Ehefrau das Leben genommen. Unmittelbar nach dem Tod hatten die letzten Getreuen die Leichen ins Freie getragen und verbrannt. Dass es überhaupt eine Frau an Hitlers Seite gab, ist nicht nur für die Sieger eine Überraschung.

Citizen Kane reimagined, a novel about ambition and the relentless desire to belong, from the author of the Commonwealth Prize-winning and Governor General's Literary Award-nominated The Electrical Field. Frankie Hanesaka isn't afraid of a little hard work. An industrious boy, if haunted by the...

I was a “Monster Kid” and “The Weird Kid, The Horror Movie Kid.” I found out early…horror is always personal. Now I make horror for a living. It shouldn’t just be WATCHED. Horror should be ENJOYED. This isn’t some stuffy analysis telling you what’s good or bad. Instead, it’s a tour of the 1930s through the 1980s—a personal account of how the best and worst of this era gave us so many memories and experiences that impacted our own lives. It’s fun…just how horror should always be.

هناك أمر غريب بات ملموسًا في السنوات القليلة الماضية؛ حيث صار «شيرلوك هولمز»- ذلك المحقق السري متقلب المزاج، بارد المشاعر، الذي لا ينجذب للجنس الآخر، والذي سكن شوارع لندن المزدحمة في الجزء الأخير من القرن التاسع عشر- شخصًا لطيفًا ورائعًا.

Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises important questions about artistry, authorship, and cultural influence. In Animating Space: From Mickey to WALL-E, renowned scholar J. P. Telotte explores how animation has confronted the blank template, and how responses to that confrontation have changed.

Rollyson fully explores Brennan's work with Hollywood's greatest directors, such as Howard Hawks, John Ford, and Fritz Lang. As a father and grandfather, Brennan instilled generations of his family with an outlook on the American Dream that remains a sustaining feature of their lives today. His conservative politics, which grew out of his New England upbringing and his devout Catholicism, receive meticulous attention and a balanced assessment in A Real American Character.

The incomparable Simone Signoret (1921 - 1985), one of the grand actresses of the twentieth century and one of France's most notable stars, considered herself the "oldest discovery" in Hollywood. After years of blacklisting during the McCarthy era, she was 38 years old when she entered Hollywood through the back door in the 1959 British blockbuster Room at the Top. Her portrayal of the endearing Alice Aisgill earned her the Academy Award in 1960, the first French actor to win a coveted Oscar.

The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.

Dana Andrews (1909-1992) worked with distinguished directors such as John Ford, Lewis Milestone, Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Mervyn Le Roy, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the modern screen, including Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Linda Darnell, Susan Hayward, Maureen O'Hara, and most important of all, Gene Tierney, with whom he did five films.

This warm, loving, and often hilarious personal history of My Fair Lady, Camelot, and Gigi describes the cast of a great era in American musical theater: Moss Heart, Fritz Loewe, Julie Andrews, Richard Burton, Rex Harrison, Cecil Beaton, Louis Jourdan, Maurice Chevalier, Leslie Caron...

Ernest Hemingway called Huckleberry Finn “the best book we’ve ever had. There was nothing before. There’s been nothing as good since.” Critical opinion of this book hasn’t dimmed since Hemingway uttered these words; as author Russell Banks says in these pages, Twain “makes possible...

Bizarre, brilliant and filled with things you didn't know you didn't know - The Compendium of (Not Quite) Everything evokes a sense of wonder at the scale of this planet, and the universe in which it sits. The Compendium of (Not Quite) Everything is a treasure trove of random knowledge. Covering...

At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's traditional blend of business and art. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making - and unmaking - of movies, from Frankenstein to Spellbound to Grand Hotel. The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.

Go deeper inside the hit TV show The Boys and its characters with psychologists, media experts, filmmakers, and more—including the original comic series' cocreator and the actors behind Soldier Boy and Stormfront. Supes Ain't Always Heroes offers a fresh look at The Boys, delving into the show's unflinching depiction of celebrity, politics, social media, corporate greed, racism, sexism, and more.

Strikingly beautiful and exceptionally talented, Montgomery Clift was at the peak of his fame in 1956 when a devastating car crash nearly destroyed his face. While this traumatic event robbed him of his heartthrob status and turned him into a somewhat disturbing, socially alienated character, author Elisabetta Girelli argues that Clift had always combined on-screen erotic ambiguity with real-life sexual nonconformity.

As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we learn how the American theater serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American musical to life in all its artistry and excitement.

A sweeping cultural history of two iconic landmarks that reflect the spirit, character, and values of the US—the Empire State Building and the Statue of Liberty—and the role they play in shaping American culture, US history, and international relations In Empire and Liberty, historian Dr...

A brutally honest look at the systemic exclusion of women in film—an industry with massive cultural influence—and how, in response, women are making space in cinema for their voices to be heard. Generation after generation, women have faced the devastating reality that Hollywood is a system...

During the first hundred years of Chinese immigration--from 1848 to 1943--San Francisco was home to a shockingly extensive underground slave trade in Asian women, who were exploited as prostitutes and indentured servants. In this gripping, necessary book, bestselling author Julia Flynn Siler...

In 1939 Rev. Waitstill Sharp, a young Unitarian minister, and his wife, Martha, a social worker, accepted a mission from the American Unitarian Association: They were to leave their home and young children in Wellesley, Massachusetts, and travel to Prague, Czechoslovakia, to help address the mounting refugee crisis. Armed with only $40,000, the Sharps quickly learned the art of spy craft and covertly sheltered political dissidents and Jews and helped them escape the Nazis.