Film History

Much has been written about the work of David Lynch and existential fear in relation to Americana and the American Dream-as-American Nightmare in terms that are circular and artistically self-referential—or Lynchian. With reference to the 1983 television phenomenon The Day After, Lynch's work is newly situated in a resurgence of works reassessing the legacy of Trinity. With David Lynch's Part 8, a cultural circuit is completed, from the idiosyncratic and personal—or Lynchian—to the shared space of what theorist Paul Virilio describes as "cosmic fear"—or an emergency of social media.

Jean Renoir's career almost spans the history years of cinema - from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war.

The choice is yours, and you'll have to live with the consequences for at least the rest of your life. Will you take the blue pill - skip this audiobook and go on thinking of The Matrix as just a movie? Or will you take the red pill - listen to this book, and find out just how far down the rabbit-hole goes?

Long before Marty McFly and Doc Brown traveled through time in a flying DeLorean, director Robert Zemeckis and his friend and writing partner Bob Gale worked tirelessly to break into the industry with a hit. For the first time ever, the story of how these two young filmmakers struck lightning is being told by those who witnessed it. We Don't Need Roads includes original interviews with Zemeckis, Gale, Christopher Lloyd, Lea Thompson, Huey Lewis, and over 50 others who contributed to one of the most popular and profitable film trilogies of all time.

Christina Crawford's book was an immediate bestseller, addressing the infrequently discussed topic of child abuse. When Paramount Pictures released the film, starring Faye Dunaway as Crawford, it was critically panned, and remains one of the most legendary critical bombs in film history. The lavish, big-screen adaptation drew unexpected laughter in the scenes depicting life in the Crawford household. Rarely have such good intentions been met with such ridicule.

The definitive book on the TV show Ted Lasso, written by New York Times journalist and editor Jeremy Egner, celebrating the show’s improbable rise and cultural impact while never losing sight of the heart, friendship, and passion that have made it an enduring favorite for the ages.

In this elegant and compelling biography, best-selling writer Shawn Levy writes of these many De Niros - the characters and the man - seeking to understand the evolution of an actor who once dove deeply into his roles as if to hide his inner nature, and who now seemingly avoids acting challenges, taking roles which make few apparent demands on his overwhelming talent.

Throughout history, there has been a consistent crossover between show business and espionage, often producing some of the most extraordinary undercover agents, and occasionally leading to disastrous and dangerous failures. The fact that one relies on publicity and the other on secrecy might seem to rule out a successful symbiosis, but as both require high levels of creative thinking, improvisation, disguise and role-play, they inevitably attract some remarkably similar personalities. Stars and Spies is the first history of the interplay between the two worlds.

There is a common belief that we live in unprecedented times, that people are too sensitive today, that nobody objected to the actions of actors, comedians, and filmmakers in the past. Modern pundits would have us believe that Americans of a previous generation had tougher skin and seldom complained. But does this argument hold up to scrutiny? In Outrageous, celebrated cultural historian Kliph Nesteroff demonstrates that Americans have been objecting to entertainment for nearly two hundred years, sometimes rationally, often irrationally.

"A wild success." — Publishers Weekly "A surefire hit." —Library Journal STARRED review "A brilliant star turn." —Andrew O’Hagan A riotous and revealing story of Hollywood’s most spectacular flops and how they ended careers, bankrupted studios and changed film history. "Failure...

The animations of Japan's Studio Ghibli are among the most respected in the movie industry. Their delightful films rank alongside the most popular non-English language films ever made, with each new eagerly anticipated release a guaranteed box-office hit. Yet this highly profitable studio has remained fiercely independent, producing a stream of imaginative and individual animations. The studio's founders, the late Isao Takahata and Hayao Miyazaki, have created timeless masterpieces. Although their films are distinctly Japanese, their themes are universal.

The most successful director in movie history, Steven Spielberg has been responsible for such box-office blockbusters as Jurassic Park, Jaws, E.T. the Extra-Terrestrial, Close Encounters of the Third Kind, and the Indiana Jones trilogy. And yet throughout much of his career, Spielberg's work has been undervalued by critics who have questioned his emotional maturity and intellectual seriousness. It was not until he made Schindler's List in 1993 that he was widely recognized as a serious filmmaker.

In 1939, 50 million Americans went to the movies every week, Louis B. Mayer was the highest-paid man in the country, and Hollywood produced 530 feature films a year. One decade and five thousand movies later, the studios were faltering....

In Camera Man, film critic Dana Stevens pulls the lens out from Keaton’s life and work to look at concurrent developments in entertainment, journalism, law, technology, the political and social status of women, and the popular understanding of addiction. With erudition and sparkling humor, Stevens hopscotches among disciplines to bring us up to the present day, when Keaton’s breathtaking (and sometimes life-threatening) stunts remain more popular than ever as they circulate on the internet in the form of viral gifs

For the first time, learn what really happened inside the walls of Hotel des Mille Collines. In Inside the Hotel Rwanda, survivor Edouard Kayihura tells his own personal story of what life was really like during those harrowing days within the walls of that infamous hotel and offers the testimonies of others who survived there, from Hutu and Tutsi to UN peacekeepers. Kayihura writes of a divided society and his journey to the place he believed would be safe from slaughter.

Drawing on interviews with over 150 people who were called to testify before the House Un-American Activities Committee - including Elia Kazan, Ring Lardner Jr., and Arthur Miller award-winning author Victor S. Navasky reveals how and why the blacklists were so effective and delves into the tragic and far-reaching consequences of Joseph McCarthy's witch hunts.

The saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard’s Lampoon and Chicago’s Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Roger Ebert, the famed film writer and critic, wrote biweekly essays for a feature called "The Great Movies," in which he offered a fresh and fervent appreciation of a great film. The Great Movies collects one hundred of these essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send listeners back to that film with a fresh set of eyes and renewed enthusiasm–or perhaps to an avid first-time viewing.

In the midst of the devastating Hundred Years’ War between France and England, Jean de Carrouges, a Norman knight, fresh from combat in Scotland finds his wife, Marguerite, accusing squire Jacques Le Gris of brutally raping her. A deadlocked court decrees a “trial by combat” that also leaves Marguerite’s fate in the balance. For if her husband loses the duel, she will be put to death as a false accuser. While enemy troops pillage the land, and rebellion and plague threaten the lives of all, Carrouges and Le Gris meet in full armor on a walled field in Paris.