Film History

In 1939 Rev. Waitstill Sharp, a young Unitarian minister, and his wife, Martha, a social worker, accepted a mission from the American Unitarian Association: They were to leave their home and young children in Wellesley, Massachusetts, and travel to Prague, Czechoslovakia, to help address the mounting refugee crisis. Armed with only $40,000, the Sharps quickly learned the art of spy craft and covertly sheltered political dissidents and Jews and helped them escape the Nazis.

Défier les lois de la physique avec "Ant-Man", et celles de l'anatomie avec "Godzilla". S'aventurer aux abords d'un trou noir... et y plonger avec "Interstellar". Communiquer avec les aliens comme dans "Premier Contact". Se retrouver seul sur Mars et tenter d'y survivre. Étudier Prometheus et s'interroger sur l'origine et l'évolution des espèces extraterrestres.

You may not recognize my name-or my face for that matter-but it's very likely you've seen me at work. I've managed to cram quite a bit into my thirty-year acting career. In fact I've helped put more bums on cinema seats than Will Smith or Tom Hanks. Who else can say that they've helped destroy a Death Star? Defeated an evil sorceress? Taught magic to Harry Potter? Become a Jedi Master? Reluctantly hitchhiked across the galaxy in search of the answer to the Ultimate Question?

Filled with revelations about the origins and making of American Graffiti, Star Wars, The Empire Strikes Back, Raiders of the Lost Ark, and Return of the Jedi, this only full-length biography of filmmaker and cinematic visionary George Lucas has been updated with a substantial new chapter that discusses the revamped Star Wars Trilogy Special Edition, the Star Wars prequels, the filming of the first installment, and the controversial ways in which Lucas's approach and success continue to alter the landscape of the film industry.

Strikingly beautiful and exceptionally talented, Montgomery Clift was at the peak of his fame in 1956 when a devastating car crash nearly destroyed his face. While this traumatic event robbed him of his heartthrob status and turned him into a somewhat disturbing, socially alienated character, author Elisabetta Girelli argues that Clift had always combined on-screen erotic ambiguity with real-life sexual nonconformity.

In this mixture of cultural and social history that is both scholarly and vastly entertaining, Eyman dispels the myths and gives us the missing chapter in the history of Hollywood, the ribbon of dreams by which America conquered the world.

This eBook contains two essays on film: "On Viewing Hans Richter's Rhythmus 21": the search for cinematic meaning in one of the most famous early German avant-garde films. "The Perfect Filmic Appositiveness of Jack Smith": impressions of the films of one of cinema's most eccentric auteurs.

Raised in the Hollywood of the 1920s as the privileged son of a pioneer studio mogul, Budd Schulberg went on to win fame as a distinguished novelist, short story writer, playwright, Oscar-winning screenwriter, and boxing historian.

Television and TV viewing are not what they once were - and that's a good thing, according to award-winning author and critic Clive James. Since serving as television columnist for the London Observer from 1972 to 1982, James has witnessed a radical change in content, format, and programming, and in the very manner in which television is watched. Here he examines this unique cultural revolution, providing a brilliant, eminently entertaining analysis of many of the medium's most notable 21st-century accomplishments.

For the first time, the complete history of David Lynch and Mark Frost’s Twin Peaks—from the landmark, original cult series that changed the course of television to its 25-years-in-the-making sequel—is told through fascinatingly detailed reporting and exclusive interviews with the show's...

Written by film critic Odie Henderson, Black Caesars and Foxy Cleopatras is a spirited history of a genre and the movies that he grew up watching, which he loves without irony (but with plenty of self-awareness and humor). Blaxploitation was a major trend, but it was never simple. The films mixed self-empowerment with exploitation, base stereotypes with essential representation that spoke to the lives and fantasies of Black viewers. The time is right for a reappraisal, understanding these films in the context of the time, and exploring their lasting influence.

Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for more than a quarter century! A film so dangerous half its cast and crew met their demise bringing it, eccentric billionaire Howard Hughes’ final cinematic vision, to life! Starring all-American legend John Wayne in full Fu Manchu makeup as Mongol madman Genghis Khan and sultry seductress Susan Hayward as his lover, The Conqueror is possibly the worst movie ever made.

"Mrs. Robinson, you're trying to seduce me. Aren't you?" These famous lines from The Graduate (1967) would forever link Anne Bancroft (1931-2005) to the groundbreaking film and confirm her status as a movie icon. Along with her portrayal of Annie Sullivan in the stage and film drama The Miracle Worker, this role was a highlight of a career that spanned a half-century and brought Bancroft an Oscar, two Tonys, and two Emmy awards. In the first biography to cover the entire scope of Bancroft's life and career, Douglass K. Daniel reveals how, from a young age, Bancroft was committed to challenging herself and strengthening her craft.

Greg Mitchell's The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military.

The day-by-day inside story of the making of Tombstone (1993) as told to the author by those who were there--actors, extras, crew members, Buckaroos, historians and everyone in between. Historical context that inspired Kevin Jarre's screenplay is included. Production designers, cameramen, costume designers, composers, illustrators, screenwriter, journalists, set dressers, prop masters, medics, stuntmen and many others share their recollections--many never-before-told--of filming this epic Western.

An in-depth celebration of the romantic comedy’s modern golden era and its role in our culture, tracking the genre from its heyday in the ’80s and the ’90s, its unfortunate decline in the 2000s, and its explosive reemergence in the age of streaming, featuring exclusive interviews with the directors, writers, and stars of the iconic films that defined the genre.

Film noir: the name comes from the French for “black” or “dark film.” It points to the central feature of the genre: mood. There is a darkness about film noir, a somberness accompanied by a thrill of dread and ever-present danger. This aura envelops wealthy heiresses, English aristocrats, tough-guy drifters, jazz musicians, drug dealers, and respected schoolteachers—all of whom have secrets to hide and much to lose if those secrets are unveiled.

Transforming Harry: The Adaptation of Harry Potter in the Transmedia Age is an edited volume of eight essays that look at how the cinematic versions of the seven Harry Potter novels represent an unprecedented cultural event in the history of cinematic adaptation.

How Does It Feel? follows a lifetime of musical misadventures which have seen Mark striking rock star poses in the Sixth Form Common Room, striding around a string of TV shows dressed from head to foot in black leather, getting heckled off stage by a bunch of angry septuagenarians on a boat on the Mersey, showing Timmy Mallet how to build a tea-chest bass - and winning the International Street Entertainers of the Year award as part of a new wave of skiffle. Really.

What did President Ronald Reagan think of Rocky IV? How did the Matthew Broderick film WarGames inform America's missile defense system? What Michael J. Fox movie made such an impression on President Reagan that he felt compelled to mention it in a speech to the Joint Session of Congress? Over the course of eight years, Mark Weinberg travelled to Camp David each weekend with Ronald and Nancy Reagan.