Film History

A must-listen for movie buffs, The Trouble with Love in the Movies is a painfully honest account of labouring in the fields of film production, of loving and losing, living and learning. Through six movies, across three continents, in clashes on and off the set: It's a romance.

Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight the writers' creative work and their struggle to achieve recognition.

In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the dooror had it shut in their faces.

1974 was a busy year for Mel Brooks. Although still recovering after a series of failed projects threatened his career, he pulled off a one-two punch that saw the release of two of the most beloved American comedies ever made: Blazing Saddles and Young Frankenstein. Although both films are well-known, the stories beyond the making of each movie are less so. How did they come to be, and how did the era's culture and politics not only permit them to be made, but help them to become enduring comedy classics?

In this wholly original work of film criticism, David Thomson, celebrated author of The Biographical Dictionary of Film, probes the many ways in which sexuality has shaped the movies - and the ways in which the movies have shaped sexuality.

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present.

Malta 1565 - die Insel Malta wird von den Türken belagert. Nur ein Mann, so scheint es, kann den Christen noch helfen: Der Deutsche Mattias Tannhäuser wurde als Zwölfjähriger von den Türken entführt und ist bei ihnen aufgewachsen. Er kennt ihre Kultur und ihre Waffen. Um ihn auf die Insel zu locken, schickt der Großmeister des Malteser Ordens die schöne Contessa Clara nach Sizilien, wo Tannhäuser mit einem jüdischen Freund erfolgreich Handel treibt.

Film noir: the name comes from the French for “black” or “dark film.” It points to the central feature of the genre: mood. There is a darkness about film noir, a somberness accompanied by a thrill of dread and ever-present danger. This aura envelops wealthy heiresses, English aristocrats, tough-guy drifters, jazz musicians, drug dealers, and respected schoolteachers—all of whom have secrets to hide and much to lose if those secrets are unveiled.

In a long line of beloved books, Loud Pictures stands as Marc Spitz’s final project. This big, broad, noisy, and expansive exploration of art marries the two things Marc loved most—movies and rock and roll. In many ways, films can become imprinted on our brains because of their soundtracks.

A smart, funny, and heartfelt middle grade novel about Lily Hong’s attempts to save her parents’ Chinese school and the town’s community center using all the resources she has—devoted friends, ingenuity, a passion for filmmaking, mediocre dance moves (at best), and perhaps even her archnemesis.

Un repaso concienzudo a una época que algunos llaman dorada en el cine español, una época de agudeza, de ingenio y de esfuerzo por sacar adelante proyectos enmarcados entre dos crisis mundiales: la bursátil de 2008 y la sanitaria del covid en 2020. Un interesantísimo análisis a través de entrevistas y recuerdos de la década de 2010, los impedimentos y los escollos para hacer cine de calidad, de la mano de quienes los superaron.

हिंदी में ऐसे लेखक अधिक नहीं हैं जिनकी रचनाएं आम पाठकों और आलोचकों के बीच सामान रूप से लोकप्रिय हो. ऐसे लेखक और भी कम हैं जिनके पैर किसी विचारधारा की बेड़ी से जकड़े ना हो. मनोहर श्याम जोशी के लेखन,पत्रकारिता को अपने शोध-कार्य का विषय बनाने की 'रिसर्च स्कोलर्स' में होड़ लगी थी. प्रभात रंजन ने न सिर्फ जोशी जी के लेखन पर अपना शोध-कार्य बखूबी किया बल्कि उनके साथ बिताए गए समय को इस संस्मरण की शक्ल देकर एक बड़ी ज़िम्मेदारी पूरी की है. "प्रभात ने आत्मीय वृत्तांत लिखा है."

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.

Did you know that the UAE ranks first among Middle East and North African countries in terms of economic freedom? That it also ranks among the top nations in the world in terms of security, stability, and diplomatic influence? If you’re like most people, you probably don’t know much about UAE’s legal system, its business environment, your rights and responsibilities. UAE Business Essentials is a no-nonsense guide to help you understand the system, protect yourself and thrive in one of the most vibrant economies in the world.

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

The following recording is a discussion between movie star Vivien Leigh, film producer Samuel Goldwyn and British Theatre critic Kenneth Tynan.

More than 60,000 books have been published on the Civil War. Most Americans, though, get their ideas about the war why it was fought, what was won, what was lost not from books but from movies, television, and other popular media. In an engaging and accessible survey, Gallagher guides listeners through the stories told in recent film and art, showing how they have both reflected and influenced the political, social, and racial currents of their times.

El pueblo de Chinchero -a 28 kilómetros del Cusco- estaba, en 1970, en un territorio hermoso, todavía intocado por la maquinaria aplastante del turismo masivo. Hasta ahí llegó el joven y conflictivo Dennis Hopper para rodar la que vislumbraba como una obra maestra de la contracultura hippie: The Last Movie.

Fruto de três anos de profundas pesquisas, História do cinema mundial traz um viés inédito para o estudo do tema: o enfoque geográfico e cultural da sétima arte.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.