Film Production

In this sequel to the hit Western, Billy "The Kid" and his gang of outlaws run wild until two of his companions in crime, "Doc" Scurlock and Chavez, are captured, prompting Billy to rescue his friends and flee the law. With a bounty on his head, Billy and company run off to Mexico, only to be sought after by Pat Garrett, a former partner of Billy's.

Often considered one of the greatest filmmakers of all time, Stanley Kubrick has been widely praised for taking risks such as doing at least one film in a number of genres to avoid being pigeonholed into certain styles or expectations. Yet he still received a great deal of support from big Hollywood studios and mass audiences. From his humble beginnings as a chess enthusiast and photographer for Look Magazine who did not excel in academics to a legendary filmmaker who eventually had creative and financial autonomy over the majority.

Not Just Sunglasses and Autographs is a captivating autobiography that follows the author's journey from bar bouncing in Boston to working on award-winning television shows and movies. This is an endearing story of overcoming the odds through dark humor, tenacity, authenticity, and happiness.

Two unlikely lovers propelled into a violent game of high-stake negotiations and high-speed adventure when they take unexpected possession of valuable mob contraband.

When hopeful young writer Keith arrives in Hollywood, he believes fame and success are just around the corner. But the city’s glittering façade quickly gives way to the harsh reality of broken dreams and bruised egos. In the heart of this unforgiving world, he finds an unexpected refuge at Diva’s apartments—a haven where aspiring stars, faded actors, and struggling creatives cross paths, each with their own story of hope and failure.

Finally, a book that confronts the challenges filmmakers of all types of films face when bringing their vision to the screen. Emmy-nominated director and multi-hyphenate filmmaker Christopher Folkens (www.mysticfilms.com) provides an in-depth look at the personal journey necessary for any filmmaker to take on their debut film (or really any creative project for that matter).

Prequel. Exorcist: The Beginning traces the story of Father Merrin back to his first encounter with the devil during his missionary work in Africa.

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

Between 1934 and 1968, no Hollywood studio could make a movie without the permission of, and a seal of approval from, the Production Code Administration. Formed in 1930 but not enforced until 1934, the Production Code was Hollywood’s official censorship system. Screenplays, books, plays, costumes, and even story ideas and song lyrics had to be cleared by the Code before they could be filmed, and Code staffers watched at every stage of the production process to ensure compliance.

Hailed by the New Yorker as "a crucial forebear of generations," award–winning director Joyce Chopra came of age in the 1950s, prior to the dawn of feminism, and long before the #MeToo movement. As a young woman, it seemed impossible that she might one day realize her dream of becoming a film director. In this engaging, candid memoir, award–winning director Joyce Chopra describes how she learned to navigate the deeply embedded sexism of the film industry, helping to pave the way for a generation of women filmmakers who would come after her.

The son of a celebrated Hollywood director emerges from his father's shadow to claim his own place as a visionary force in American culture. George Stevens, Jr. tells an intimate and moving tale of his relationship with his Oscar-winning father and his own distinguished career in Hollywood and Washington.

A self-made man who rose to dizzying heights, Subhash Ghai proved the adage that destinies are created—and destroyed—every day in the Mumbai film industry. Today he runs Whistling Woods, the country's foremost film institute: his legacy to future generations of filmmakers. Karma's Child, his memoir, written with Suveen Sinha, tells the story of a man who believed he was destined to direct his own future, no less dramatically than a Subhash Ghai film—and did so.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

El impacto visual de Titanic no solo radica en su escala monumental, sino en la maestría cinematográfica con la que James Cameron dio vida a esta historia épica. Este libro explora en profundidad cada aspecto técnico y artístico que convirtió a Titanic en una de las películas más influyentes de la historia del cine.

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

A rollicking, provocative, racy, colorful irreverent show business memoir culled from Michael Kutza’s decades rubbing elbows with the giants of film at the Chicago International Film Festival and numerous other festivals around the globe. It includes many of the lowlights as well as the highlights of a life lived just off-screen.

Encouraged by her mother, Sophie Neville kept a diary about her time filming on location in the lakes and mountains of Cumbria. Bouncy and effervescent, extracts from her childhood diary are interspersed among her memories of the cast and crew, offering a child's eye view of the making of the film from development to premiere—and the aftermath.

From the hustle and bustle of film production in Hollywood to running the biggest “how-to” filmmaking press in the world, Michael has lived a life accompanied by countless paradigm thinkers such as Buckminster Fuller and Salvador Dalí, and he puts his heart and soul in every chapter to show you what the journey to true success, on every level of life, looks like.

Tony Award winner Tonya Pinkins' new book, Red Pill Unmasked, is an inside look at the on-screen and behind-the-scenes development and production of her first feature film, Red Pill, which is available on AmazonPrime and other platforms. Tonya shares her writing and directing process, as well as the historical and symbolic references in the film. She includes many inside stories about how the film almost didn't happen because there was a "red pill" on the production set.

Michael E. Uslan, executive producer of the Batman movie franchise, offers an insider’s look at Hollywood and the process of how movies and television shows go from the drawing board to your screens. Continuing the delightful tale of his adventures begun in The Boy Who Loved Batman, Uslan draws on both his successful and less successful attempts to bring ideas to the screen, offering a helpful, honest, and breezily told guide to producing films.