Forensic Anthropology Fiction

From ballistics and blood splatter patterns to DNA analysis and voice printing, RJ Parker explores the highly complex world of investigative forensic sciences. Intended as an introductory guide and reference to forensic techniques for frontline police officers, criminal attorneys, journalists, crime authors, and just interested listeners, this encyclopedic audiobook is a must-listen for any true-crime aficionado.

An ancient skeleton tossed in a garbage dump is the first conundrum to rattle Gideon Oliver when he arrives in Egypt. There to appear in a documentary film, he expects an undemanding week of movie star treatment and a luxurious cruise up the Nile with his wife, Julie. But then Gideon discovers a tantalizing secret in the discarded bones - and violence claims a famous Egyptologist's life. Plying his calipers as the world's foremost forensic anthropologist, Gideon's investigation of the goings-on leads him through the back alleys and bazaars of Cairo.

Gideon Oliver expects to be amicably bored when he takes on the role of "accompanying spouse" at a lodge in the magnificent wild country of Glacier Bay, Alaska, where his forest ranger wife, Julie, is attending a conference. But it turns out to be exactly his cup of tea. There is another group at the lodge: six scientists on a memorial journey to the site of a 30-year-old glacial avalanche that killed three of their colleagues. Their leader is TV's most popular science personality, the unctuous M. Audley Tremaine - the sole survivor of the fatal avalanche. But he does not survive long.

When Gideon Oliver and his wife, Julie, are in Tuscany visiting the Cubbiddu family, the renowned Skeleton Detective is asked to reexamine the remains of a mysterious family tragedy. Pietro Cubbiddu, former patriarch of the Villa Antica wine empire, is thought to have killed his wife and then himself in the remote mountains of the Apennines. It does not take long for Gideon to deduce that, whatever happened, a murder-suicide it was not. Soon Gideon finds himself in a morass of family antipathies, conflicts, and mistrust, to say nothing of the local authority's resentment.