Gothic Historical Fiction

Luisiana, año 1830. Harriet, esclava de la plantación Beaumont de Saint Francisville, acude a Marie Laveau, la Reina del Vudú de Nueva Orleans,para vengarse de su amo, hombre tiránico y cruel atormentado por la muerte de su esposa.En una casa maldita de la Luisiana del Viejo Sur Harriet vivirá una historia de venganza, magia y libertad. ¿Qué secretos esconde la mansión Beaumont? ¿Qué hay bajo las oscuras aguas del bayou? Viaja a la Nueva Orleans del siglo XIX, a las plantaciones de algodón y el vudú.

Spencer, Lord Wolverston, and newly named Earl of Kinraven, intended to find peace in the wilds of Scotland, far from the torment of wanting the one woman he believed he could never have. But his inheritance has come with a price he had not foreseen...a curse that is slowly driving him mad. He sends a desperate plea for help to his friend, the Duke of Briarleigh, but that plea is intercepted by the last person he wishes to see... the Duke's sister-in-law, Miss Larissa Walters, the women he left England to escape.

Communing with spirits has been both gift and curse to Emme Walters. Now it's made her a killer's target. Emme knows why the Dowager Duchess of Briarleigh invited her to a house party--to investigate whether the duke, Rhys Brammel, murdered his wife years ago. But Emme never imagined she would fall in love with the brooding duke. Branded by society as a possible killer, Rhys is suspicious of Emme and her alleged "gift." Then a late night encounter creates awareness of her other, more attractive, aspects. When Emme's life is threatened, Rhys becomes her protector. Emme and Rhys find passion and peril as they join forces to solve the mysteries at Briarleigh. She made him believe in spirits, but can she make him believe in love?

For several years, time and circumstance have managed to separate Hallie Knight and her old friend Susan Trench. But when Susan disappears from her grandfather's seaside home on historic Topsail Island, it is Hallie whom Nicholas Trench calls for help. Wealthy, ill, and irascible, he refuses to believe that his beloved granddaughter and the heir to his fortune has been lost to him.

As the Korean War ends, practical and well-mannered army nurse Corinne Ford returns stateside to live in the Mississippi town of Conroy with her new fiancé, Private First Class Elijah Dunne. She wonders if their love is strong enough to overshadow their differences, but upon her arrival to Elijah's backwoods stomping grounds, she understands that culture shock is the least of her worries.

Lacey Elliot has been a woman without a past since the day her mother whisked her off to Charlottesville, refusing for 30 years to speak of her father, her family or her history. But when Lacey intercepts a desperate letter from an aunt in Harpers Ferry, West Virginia, she sees her chance to confront the past that has terrified her mother and to fill in the gaps in her own life. Against the charm and the colorful, turbulent history of the picturesque town, the violent history of Lacey's own heritage is about to repeat itself.

It began with a happily ever after. It soon became a nightmare. Norfolk, England, 1816. Joy Horton is resigned to her spinster status. Loathe to pass on her disorder, she refuses to marry and works tirelessly as a skilled seamstress. But when a brooding duke falls madly in love with her, she's unable to resist his persuasive proposal. Honeymooning in London, Joy believes she has everything she's ever wanted...until accusations of murder creep into their lives.

Times are hard. Anne Chatham is a clever, modest young woman with little money, no prospects for marriage, and a never-shared secret—she can see spirits. Anne finds employment as a typist at Northfield House, the grand country manor of the Wellington family. Her employer, the wheelchair-bound Mr. Wellington, is kindly. His haughty wife is not. He has two handsome sons, the wry and dashing Thomas and the dark and somber Owen. Anne feels sure her prayers have been heard. Until the terrifying night she stumbles upon a tortured spirit roaming the dark halls of Northfield.

An American woman and her son unearth the buried secrets and past lives of an English manor house in this masterful and riveting novel from New York Times bestselling author Lauren Belfer. “Infused with the brooding, gothic atmosphere of Jane Eyre or Rebecca . . . a novel that must be savored...

A NEW YORK TIMES EDITORS’ CHOICE FINALIST FOR THE 2023 JOYCE CAROL OATES PRIZE From the author of the award-winning debut story collection We Show What We Have Learned, an "atoundingly original” (The New York Times Book Review) work of historical fiction with shocking and eerie...

A post-mortem photographer unearths dark secrets from the past that may hold the key to his future in this “sensual, twisting gothic tale…in the tradition of A.S. Byatt’s Possession, Diane Setterfield’s The Thirteenth Tale, and Emily Bronte’s Wuthering Heights” (BookPage). All love...

Set in Virginia during the Civil War and a century beyond, this novel by the award-winning author of The Yellow Birds explores the brutal legacy of violence and exploitation in American society. Spanning over one hundred years, from the antebellum era to the 1980's, A Shout in the Ruins examines...

From the author of The Uninvited comes a haunting historical novel with a compelling mystery at its core. A young child psychologist steps off a train, her destination a foggy seaside town. There, she begins a journey causing her to question everything she believes about life, death, memories...

Acclaimed author Arturo Pérez-Reverte has earned a distinguished reputation as a master of the literary thriller. Now, he gives us his most accomplished novel to date. Andrés Faulques, a world-renowned war photographer, has retired to a life of solitude on the Spanish coast. He spends his days...

Winner of the 2023 PEN Translation Prize Winner of the 2023 NSW Premier’s Translation Prize An eerie, alienating, yet comic and profoundly sympathetic short story collection about Americans in America by one of Indonesia’s most prominent writers, now in an English translation for its...

IAs soon as she arrives in Venice, golden-haired Charlotte Morrow is pursued by the city's most dashing and celebrated men. Young and reckless, the orphaned English ward of a mysterious guardian expects a life of parties and adventure. Instead she finds herself little better than a bird in a gilded cage at Edentide, her guardian's immense palazzo on the Grand Canal. A "Ghoul of Venice" is terrorizing the city, draining beautiful young women of their blood. To Charlotte's horror, her handsome, brooding guardian, whom she secretly calls the Demon Count, is considered a prime suspect.

It is December 1888. Jack the Ripper has not killed for over a month and London is beginning to relax as Christmas approaches. When Katherine Kramer cuts herself on a strange book at a dinner party, she quickly falls ill. Her husband Richard is a professor of medicine, but even his efforts are futile as the mysterious illness blazes through her. As Katherine dies, she gives birth to something nightmarish. Something which should not exist. Something which spurs Richard to embark on a terrifying journey of discovery as he chases the answer to one question: who or what killed his wife?

Scotland 1862. A murder, a terrifying creature, and a battle for his affections were not what Midnight Gunn expected when he journeyed to Scotland for the summer. Bodies are mysteriously disappearing from the city morgue, Midnight’s growing household is in turmoil, and someone or something lurks in the shadows, watching.

Having no fortune, a negligible reputation, and an appearance that could only be described as plain, Miss Olympia Daventry has few prospects. Unless, of course, she elects to remain in her aunt's home dodging her uncle's amourous advances and his sermons, both of which are dished out in equal measure. Out of desperation, she accepts an offer of marriage from a man she has never met. Married by proxy, she travels to his home and at her first sight of it, begins to wonder if perhaps she has not made a terrible mistake.

These 13 stories by the author of The Invisible Man "approach the elegance of Chekhov" (Washington Post) and provide "early explorations of (Ellison's) lifelong fascination with the 'complex fate' and 'beautiful absurdity' of American identity" (John Callahan). First serial to The New Yorker...