Grief Poetry

Subverting celebrated classics of poetry and mythology and examining horrors from contemporary film and cultural fact, National Book Award-winner Justin Phillip Reed engages darkness as an aesthetic to conjure the revenant animus that lurks beneath the exploited civilities of marginalized people. In these poems, Reed finds agency in the other-than-human identities assigned to those assaulted by savageries of the state. In doing so, he summons a retaliatory, counterviolent black spirit to revolt and to inhabit the revolting.

Library of Small Catastrophes, Alison Rollins's ambitious debut collection, interrogates the body and nation as storehouses of countless tragedies. Drawing from Jorge Luis Borges's fascination with the library, Rollins uses the concept of the archive to offer a lyric history of the ways in which we process loss. "Memory is about the future, not the past", she writes, and rather than shying away from the anger, anxiety, and mourning of her narrators, Rollins's poetry seeks to challenge the status quo.

This volume brings together for the first time all of the poems that appeared in Anthony Hecht’s seven trade collections, from A Summoning of Stones of 1954 through to The Darkness and the Light of 2001; it adds the remarkable work contained in his posthumously issued Interior Skies: Late Poems from Liguria of 2011; and it rounds this out with the best of the many poems which were left uncollected at the time of his death in 2004, the earliest dating from 1950 and the latest from 2001.

Drawing inspiration from the art of Kintsugi, the Japanese technique of mending broken pottery with gold, Carol beautifully weaves together the shattered fragments of her heart, transforming them into a life worth living. Divided into three sections, "Shattered", "In Pieces", and "Making Broken Beautiful", this book of poems chronicles the full spectrum of the grieving experience. With raw honesty, Carol illuminates the pain and loneliness that accompany loss, the disorienting struggle to adapt to a changed world, and the gentle steps towards self-discovery.

Alcools (1913) est un recueil de poèmes de Guillaume Apollinaire qui illustre la transition entre tradition et modernité. Riche et varié, le recueil mêle des formes classiques et des innovations audacieuses, telles que l'absence de ponctuation. Les thèmes abordés oscillent entre amour, mélancolie, souvenirs et quête d'un idéal.

Seeds Planted in Concrete is Bianca Sparacino's raw testament to the beauty that is found within the contrasts of life. Speaking truthfully about the intricacies of both love and loss, Sparacino's first collection of work will speak to the very depths of those who hear it, inspiring a will to love and live. This collection is a manifesto of the journey every human being takes throughout life - an assembly of words that celebrates the resilience of the human heart through stages of hurting, feeling, healing, and loving.

Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, such as children’s literature, cliff-hanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny.

Before she became one of the world's most important and loved novelists, Margaret Atwood was a poet. Dearly is her first collection in over a decade. It brings together many of her most recognizable and celebrated themes, but distilled - from minutely perfect descriptions of the natural world to startlingly witty encounters with aliens, from pressing political issues to myth and legend.

This is an account of a life lived online. Swiping for approval. Scrolling for gratification. Searching for connection. From the glow of a screen in the middle of the night, to the harsh glare of the hospital waiting room, Validate Me, is a raw and honest look at the highs and the lows of a digital life.

In 2013, Neil Hilborn's performance of his poem "OCD" went viral. To date, it has been watched over 100 million times. Our Numbered Days is Neil’s debut full-length poetry collection, containing 45 of Neil's poems including "OCD", "Joey", "Future Tense", "Liminality", "Moving Day", and many, many never-before-seen poems.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

The powerful new collection of poetry and prose from social media’s answer to Carol Ann Duffy, Charly Cox. She Must Be Mad explores coming-of-age: the pain and beauty of love, the relief and the agony of turning from girl to woman, the isolation of an untethered mind and the power and subjugation of the body. Charly captures the formative experiences of today’s young women from the poignant to the prosaic in writing that is at once witty, wry and heartfelt.

Dive between the borders of ruined and radical love with this lyrical poetry collection that explores topics as expansive as divorce, the first Black Bachelorette, and the art world. Stanzas shift between reverence to irreverence as they take us on a journey through institutional and historical pains alongside sensuality and queer, Black joys.

When Brianna Pastor released her self-published poetry collection, Good Grief, she was blown away by the outpouring of support from people who reached out and said, “Yes. Me too.” For anyone who has struggled with questions of identity or coped with serious emotional issues, including grief, trauma, anxiety, and depression, this collection will help you find hope on the other side.

This is the story of a dark night of the soul, of traversing the depths of despair, and of rebirth. It shows the reality of hitting rock bottom. Not by a self-reported narrative written after the fact, but through unfiltered poetic expression written in real time during breakdown and recovery. The poems within this collection were written over a 24-month period and are presented in chronological order. They show the inner tumult and turmoil of a man desperately trying, and failing, to hold together the crumbling status quo of his prior existence.

Courage is a common hope that we can cultivate together. These prayers and poems can be listened to in group settings—among friends, families, and worshipping communities—and are also ideal for personal reflection.

Osmond has written a powerful and challenging collection of original poems representing the complex, fragmentary nature of traumatic experience. Interleaved with these are translated excerpts of two very different texts: the Anglo Saxon epic poem Beowulf and the Qur'an. Osmond's translations from the Qur'an, in contrast to the stereotype of the Qur'an as a monolithic book full of judgment and proscription, focus on its vivid lyricism and the surprisingly riddling nature of its philosophy.

In this anthology of poetry, combining her bestselling collections She Must Be Mad and Validate Me, and with 70 new poems and handwritten annotations, she paints a complex picture of the formative experiences of womanhood and living with Bipolar II disorder.

‘He seeks to contain multitudes’, commented one reviewer of John Stammers’ poetry, and in this long-awaited fourth collection Stammers’ restlessly eclectic range is very much in evidence. Here are poems of technical surprise alongside those of candid tenderness; poems that set love and love-making within a wider emotional and intellectual context. Here are epistemological meditations that nonetheless preserve the ‘essential gaudiness’ of poetry; and elegies for artist friends that consider the ephemeral nature of fame and charisma.

The Back of Your Pickup: Poems of Love, Loss, and the Roads That Never Led Home. I remember the summer heat sticking to my skin, the radio humming a song we half-knew, and your hand tapping the steering wheel like you had nowhere to be but everywhere to go. The back of your pickup wasn’t just a truck bed—it was a church, a confessional, a place where love was whispered under a sky too big for the things we couldn’t say. The Back of Your Pickup is a collection of poetry that lingers in the spaces between love and loss, between leaving and staying, between who we were and who we became.