High Art

Alexandra Petri's US History contains a lost (invented!) history of America. (A history for people disappointed that the only president whose weird sex letters we have is Warren G. Harding.) Petri's "historical fan fiction" draws on real events and completely absurd fabrications to create a laugh-out-loud, irreverent takedown of our nation's complicated past. A witty, absurdist satire of the last 500 years, Alexandra Petri's US History is the fake textbook you never knew you needed.

A compendium of quotes and riffs by P.J. O'Rourke on subjects ranging from government to fishing to apps, to be published on what would have been his seventy-fifth birthday.

Good Morning, Olive (named for one of the most beautiful and temperamental of Broadway's ghosts) is about the ghosts that haunt theatres in New York and around the world. Broadway is the playground of stars, so it's probably not surprising to learn that even its ghosts are stars. Meet some of Broadway's best known—and most active—celebrity ghosts. Don't worry: like Casper, they tend to be friendly. For the most part.

A central figure in the Hollywood Ten and one of the most successful screenwriters in Hollywood history, Trumbo epitomized the spirit of American capitalism, yet he went to jail refusing to talk about his membership in the Communist party.

In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure, Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting.

There's no wrong way to be a woman. There are countless wrong ways to be a man. James Breakwell should know. He's tried just about all of them. Journalism. Pig ownership. Felony lawn gnome theft. Whatever masculinity is supposed to be, this can't be it. But can you really fail at something no one can quite define? Apparently. Now, in a series of funny, sharply observed, and occasionally poignant essays, everyone's favorite internet-famous father of four daughters lays down a lifetime of lessons in what it means to be a man.

When Nick Flynn was 7 years old, his mother set fire to their house. The event loomed large in his imagination for years, but it's only after having a child of his own that he understands why. He returns with his young daughter to the landscape of his youth, reflecting on how his feral childhood has him still in its reins, and forms his memories into lyrical bedtime stories populated by the both sinister and wounded Mister Mann.

El Greco visits the Sistine Chapel and is appalled by Michelangelo's bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Gericault's workshop; Gustave Courbet's devilish seascapes incite viewers "to have sex, or to eat an apple"; Picasso organizes a cruel banquet in Rousseau's honor.... All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires.

In September 1769, 3,000 people descended on Stratford-upon-Avon to celebrate the artistic legacy of the town's most famous son, William Shakespeare. Attendees included the rich and powerful, the fashionable and the curious, eligible ladies and fortune hunters, and a horde of journalists and profiteers. For three days, they paraded through garlanded streets, listened to songs and oratorios, and enjoyed masked balls. It was a unique cultural moment - a coronation elevating Shakespeare to the throne of genius. Except it was a disaster....

How does an immortal deal with death? What kind of person makes the best companion? Why does the Doctor say he and Freud "got on very well"? How do the Daleks and Cybermen reflect concerns about losing our humanity? And what can looking at an ancient Time Lord teach us about real human nature? Doctor Who Psychology: A Madman with a Box explores these questions and many more.

Transforming Harry: The Adaptation of Harry Potter in the Transmedia Age is an edited volume of eight essays that look at how the cinematic versions of the seven Harry Potter novels represent an unprecedented cultural event in the history of cinematic adaptation.

In the 1920s and 1930s, as radio took over the pop music business, record companies were forced to leave their studios in major cities in search of new styles and markets. Ranging the mountains, prairies, rural villages, and urban ghettos of America, they discovered a wealth of unexpected talent - farmers, laborers, and ethnic minorities playing styles that blended the intertwining strands of Europe, Africa, Asia, and the Americas.

David Giffels grew up fascinated by his father's dusty, tool-strewn workshop and the countless creations - both practical and fantastical - it inspired. So when he enlisted his 81-year-old dad for the unusual project of building a casket, he thought of it mostly as a way to learn and to spend time together. Life had other plans. The unexpected death of his mother and, a year later, of his best friend, coupled with turning 50 and the growing realization that his father won't always be around for such offbeat adventures, leads to a harsh confrontation with mortality and loss.

The night before her father dies, 18-year-old Jeannie Vanasco promises she will write a book for him. But this isn't the book she imagined. The Glass Eye is Jeannie's struggle to honor her father, her larger-than-life hero but also the man who named her after his daughter from a previous marriage, a daughter who died. After his funeral, Jeannie spends the next decade in escalating mania, in and out of hospitals - increasingly obsessed with the other Jeanne. Obsession turns to investigation as Jeannie hunts for clues into the mysterious circumstances of her death.

Lu Anne Henderson was a beautiful 15-year-old girl in Denver in 1945 when she met Neal Cassady, a fast-talking hurricane of male sexuality and vast promises. The two married, and soon they were hanging out with a group of young would-be writers, including Jack Kerouac and Allen Ginsberg. But Neal and Jack initially didn’t like each other very much.

Michael Krasny has been telling Jewish jokes since his bar mitzvah, and it's been said that he knows more of them than anyone on the planet. He certainly states his case in this wise, enlightening, and hilarious book that not only collects the best of Jewish humor passed down from generation to generation but explains the cultural expressions and anxieties behind the laughs.

Jonathan Franzen arrived late, and last, in a family of boys in Webster Groves, Missouri. The Discomfort Zone is his intimate memoir of his development from a "small and fundamentally ridiculous person", through an adolescence both excruciating and strangely happy, into an adult with embarrassing and unexpected passions.

Throughout the 1990s, Prince feuded with his record label, Warner Bros., over his rights as an independent recording artist - and made some of the most brilliant music of his career. During that time, Jim Walsh covered Prince for the St. Paul Pioneer Press and wrote about him passionately, thoughtfully, exhaustively. Here, in real-time, is that coverage: a look back at Prince in the '90s. Walsh's newly unearthed interviews, essays, columns, and reviews make Gold Experience an essential slice of history.

Trading trends for timeless style, Off the Cuff helps readers abandon the chase for "the newest black" or tomorrow's version of the mandarin collar. Kressley delivers a guide that mines each man's unique personality and physique and lets readers in on his best-kept secret, that the only thing sure to stay in fashion is the man who wears what's right for him.

Fun, bright, and playful, Power Pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the '70s and '80s to its resurgence in the '90s and '00s, Power Pop has meant many things to many people. In Go Further, editors Paul Myers and S. W. Lauden have a whole new crop of writers going deep on what certain Power Pop bands and songs mean and have meant to them. Whether they love or hate it, Go Further is a dive into the Beatles-inspired pop rock of the last five decades.