High Art

Fun, bright, and playful, power pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the '70s and '80s to its resurgence in the '90s and '00s, power pop has meant many things to many people. In Go All the Way, today's best and brightest writers go deep on what certain power pop bands and songs mean and have meant to them. Whether they love or hate it, Go All the Way is a dive into the Beatles-inspired pop rock of the last five decades.

It began with a handful of East Berlin teens who heard the Sex Pistols on a British military radio broadcast to troops in West Berlin, and it ended with the collapse of the East German dictatorship. Punk rock was a life-changing discovery. The buzz-saw guitars, the messed-up clothing and hair, the rejection of society and the DIY approach to building a new one: In their gray surroundings, where everyone's future was preordained by some communist apparatchik, punk represented a revolutionary philosophy - quite literally, as it turned out.

Actor William Shaksper of Stratford had little education, never left England, and apparently owned no books. How could he have written the great plays and poetry attributed to him? Journalist Mark Anderson's biography offers tantalizing proof that Edward de Vere, 17th Earl of Oxford, courtier, spendthrift, scholar, traveler, soldier, scoundrel, and writer, was the real "Shakespeare".

Set against the glorious backdrops of Rome, Florence, and Genoa, and Naples, peopled with historical characters and filled with the details of the life of a 17th-century painter, The Passion of Artemisia is the story of Gentileschi's struggle to find love, forgiveness, and wholeness through her art.

From the ashes of World War II, Rome was reborn as the epicenter of film, fashion, creative energy, tabloid media, and bold-faced libertinism that made "Italian" a global synonym for taste, style, and flair. A confluence of cultural contributions created a bright, burning moment in history: it was the heyday of fashion icons such as Pucci and Brioni. Rome's huge movie studio, Cinecitta, attracted a dizzying array of stars, like Charlton Heston, Gregory Peck, Audrey Hepburn, Ava Gardner, and Frank Sinatra.

Fun, bright, and playful, Power Pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the '70s and '80s to its resurgence in the '90s and '00s, Power Pop has meant many things to many people. In Go Further, editors Paul Myers and S. W. Lauden have a whole new crop of writers going deep on what certain Power Pop bands and songs mean and have meant to them. Whether they love or hate it, Go Further is a dive into the Beatles-inspired pop rock of the last five decades.

An inviting and accessible new translation of Aristotle's complete Poetics—the first and best introduction to the art of writing and understanding stories.

A fierce memoir of a mother's murder, a daughter's coming-of-age in the wake of immense loss, and her ultimate mission to know the woman who gave her life.

Wrapped up in a snarky idealism, it starts as a funny and poignant love letter to art, and winds up making a compelling case for a kinder, more connected world.

Beethoven imbibed Enlightenment and revolutionary ideas in his hometown of Bonn, where they were fervently discussed in cafes and at the university. Moving to Vienna at the age of 21 to study with Haydn, he gained renown as a brilliant pianist and innovative composer. In that conservative city, capital of the Hapsburg empire, authorities were ever watchful to curtail and punish overt displays of radical political views. Nevertheless, Beethoven avidly followed the meteoric rise of Napoleon.

In this cultural biography, New York Times film critic Alissa Wilkinson examines Joan Didion's influence through the lens of American mythmaking. As a young girl, Didion was infatuated with John Wayne and his on-screen bravado, and was fascinated by her California pioneer ancestry and the infamous Donner Party. The mythos that preoccupied her early years continued to influence her work as a magazine writer and film critic in New York, offering glimmers of the many stories Didion told herself that would come to unravel over the course of her career. But out west, show business beckoned.

Little black dresses. Fake pearls. Jersey knit. Blazers. Ballet flats. Today - and for nearly the last hundred years - we all see some version of Gabrielle "Coco" Chanel every time we pass a woman on the street. But few among us realize that Chanel’s role in the events of the twentieth century was as pervasive as her influence on fashion, or how deeply she absorbed and then brilliantly reimagined the historical currents around her.

Henry Fonda and James Stewart were two of the biggest stars in Hollywood for 40 years. They became friends and then roommates as stage actors in New York, and when they began making films in Hollywood, they roomed together again. Between them they made such memorable films as The Grapes of Wrath, Mister Roberts, Twelve Angry Men, and On Golden Pond; and Mr. Smith Goes to Washington, Destry Rides Again, The Philadelphia Story, It's a Wonderful Life, Vertigo, and Rear Window.

The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world—everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud.

The Cost of Living explores the subtle erasure of women's names, spaces, and stories in the modern everyday. In this "living autobiography" infused with warmth and humor, Deborah Levy critiques the roles that society assigns to us and reflects on the politics of breaking with the usual gendered rituals. What does it cost a woman to unsettle old boundaries and collapse the social hierarchies that make her a minor character in a world not arranged to her advantage?

When Haven Kimmel was born in 1965, Mooreland, Indiana, was a sleepy little hamlet of 300 people. Nicknamed "Zippy" for the way she would bolt around the house, this small girl was possessed of big eyes and even bigger ears. In this witty and lovingly told memoir, Kimmel takes readers back to a time when small-town America was caught in the amber of the innocent postwar period - people helped their neighbors, went to church on Sunday, and kept barnyard animals in their backyards.

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.

So begins Arabelle Sicardi’s blazingly original collection of essays. A former beauty editor, Arabelle has devoted their entire adult life to the subject of beauty―they have analyzed it, criticized it, praised it, benefited from it, loathed it. Now, in The House of Beauty, they get to the contradictions at the heart of it: beauty and horror, two sides of the same coin.

In 1966, just as the American military buildup in Vietnam was going into overdrive, a working-class 22-year-old from Chicago was drafted into the army. Larry Heinemann served one year of combat duty, most of it in the vicinity of Cu Chi. It was the most horrific and consequential year of his life, and it served as the raw material for his two classic war novels. This memoir chronicles a 1992 railway journey Heinemann took from Hanoi to Ho Chi Minh City as the guest of the Vietnam Writers' Association.

In 1967, the dancer Marta Becket and her husband were traveling through Death Valley Junction when they came across an abandoned theater. Marta decided it was hers. She painted her ideal audience on its walls and danced her own dances until her death five decades later. In the present day, Gia has ended a relationship and taken a leave from her job in film studies at a university. She is sleeping fifteen hours a night and ignoring calls from her mother.